In the stories “A&P” and “Araby”, two young men both experience an eye opening change in their life. Sammy goes through the experience of standing up for something, and the boy in “Araby” goes through the experience of love and impatience. After I read these two stories, I feel as if it took some humbling and persistence on both of the boy’s parts to take a stand or go any length for whatever measure for the females that were a part of these stories. Some instances are the same; as well others are not between the two.
In Sammy’s situation, I feel as though he felt that the three girls were being disrespected by Lengel when Lengel said, “Girls, this isn’t the beach. (Updike 21)” I believe that Sammy felt that Lengel was out of line, and because of that he no longer wanted to be a part or associated with the store any longer. Sammy’s intentions were obviously to try and impress the females by making it out like he was standing up for them, but in actuality I think he was okay overall with the ladies not hearing him quit his job. I support this because it says,
“The girls, and who’d blame them, are in a hurry to get out, so I say ‘I quit’ to Lengel quick enough for them to hear, hoping they’ll stop and watch me, their unsuspected hero. They keep right on going, into the electric eye; the door flies open and they flicker across the lot to their car, Queenie and Plaid and Big Tall Goony-Goony (Not that as raw material she was so bad), leaving me with Lengel and a king in his eyebrow. (Updike 22)”
I think Sammy jumped the gun because he thought it would impress the ladies, but even though it didn’t, he still was after those girls and when he realized that they weren’t around I think he was disappointed and realized that he shouldn’t ...
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... their favor. In the same manner, their growth is different because one experienced disappointment and was okay with it in the end, and for the other, well he was mad and angry because he couldn’t deliver something to the girl that he had feelings for and it bothered him. Overall, I feel as if other young men have, or is going to, experience the same things that these two young men did. They’ll be hurt or disappointed, but in the end they’ll bounce back from it and take it as a learning experience.
Works Cited
Updike, John. ""A & P"" Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing. By X. J. Kennedy and Dana Gioia. 4th ed. Boston: Pearson, 2012. 18-23. Print.
Joyce, James. "Araby." Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing. By X. J. Kennedy and Dana Gioia. 4th ed. Boston: Pearson, 2012. 316-21. Print.
Sammy tells us he is nineteen years old. He is a check-out clerk in the local A&P, where the boss, Lengel, is a friend of Sammy's parents. Sammy does not seem to like his job very much. He calls one of his customers a "witch" and says the other customers are "houseslaves" and "sheep." He himself comes from a middle-class family. When they have a party, he says, they serve "lemonade and if it's a real racy affair Schlitz in tall glasses with 'They'll Do It Every Time' cartoons stencilled on" (15). In addition, Sammy is sexist. He gives long, loving descriptions of the girls who cause all the trouble, and he thinks at first that girls may not even have minds, asking, "do you really think it's a mind in there or just a little buzz like a bee in a glass jar?" (13) However, he does change as the plot goes on.
Sammy's feelings for Queenie changes when he hears her voice. Her voice is normal and he has built this romantic image of her in his mind. Hearing her voice and realizing she is a normal person, (that happens to be wealthy) slightly changes his feelings for her. It brings him back to reality a little. “Her voice kind of startled me, the way voices do when you see the people first, coming out so flat and dumb yet kind of tony, too, the way it ticked over "pick up" and "snacks." All of a sudden I slid right down her voice into her living room.” Sammy feels as if he has no chance to get noticed by her unless he does something out of the ordinary. So after she is done arguing with Lengel, Sammy decides to stand up for her and quit his job in hopes that she will notice him.
So Sammy quits his job to prove to himself, maybe to others, that he belongs in this "place." Quitting his job is his first step in achieving this goal. Sammy was obviously enthralled by the girls from the moment they walked in the A & P. He was not keen on the other two girls, but Queenie overwhelmed him. He may have even taken a liking to Queenie, but any average, nineteen-year old male would do the same after witnessing such striking beauty as is described. On the other hand, the average male would not quit a job and create such turmoil if first impression was the only cause. How interested could he actually be? In trying to figure out Queenie’s persona, he asks, "do you really think it’s a mind in there or just a little buzz like a bee in a glass jar?
He leaves, with a clean consciousness, but the burden of not knowing what the future has in store. This story represents a coming-of-age for Sammy. Though it takes place over the period of a few minutes, it represents a much larger process of maturation. From the time the girls enter the grocery store, to the moment they leave, you can see changes in Sammy. At first, he sees only the physicality of the girls: how they look and what they wear, seem to be his only observations.
Joyce, James. “Araby”. The Norton Anthology of Short Fiction. Eds. R.V. Cassill and Richard Bausch. Shorter Sixth Edition. New York: W.W. Norton and Company, 2000. 427 - 431.
...escribe protagonists who, in order to reassess their own lives, redefine themselves through various ways. Two of the most obvious ways are rebellion against perceived negativity and attraction to men of control and power aid in this process. In both stories, the men to whom the protagonists were attracted to were commanding figures, confident in their power and place in society. The girls seemed to draw upon this power and use it for themselves, in their quest for definition. Aside from fundamental differences in structure, i. e. of a novella and short story, both works dealt with the compelling subject of "awakening sexuality" in a very illuminating way.
The beginning of “A & P” starts with the main character, Sammy, at work when three girls in nothing but bathing suits walks in. According to Lawrence Dessner, the A & P check out counter showed Sammy a sample of insult and indignity of ordinary people (317). He may not have liked the people that shopped there, but he received insight of the real world. A woman that was currently at Sammy's counter was middle aged and brought Sammy no sympathy to the shoppers; he sometimes mention them as sheep. His names of the shoppers also include insight of Sammy's view of the ordinary shoppers; Sammy did not care much for others.
...s that Sammy is taking a stand and that Lengel cannot change his mind about quitting. When Sammy left the store, the girls where long gone. "His face was dark gray and his back stiff, as if he's just had an injection of iron, and my stomach kind of felt how hard the world was going to be to me hereafter." This quote illustrates that Sammy knows that his parents will not like the fact that he quit, but he realizes that he has to take charge with his life, and make his own chooses without being afraid of what his parents would think. He is very happy that he had taken a stand, and he let no one change it.
In this essay I will discuss the short stories A&P by John Updike and Araby by James Joyce which share several similarities as well as distinct differences between the themes and the main characters. I will compare or contrast two or more significant literary elements from each of the stories and discuss how those elements contribute to each story’s theme.
Romantic gestures have been seen as a useful motive to win hearts of women for centuries. However, as society constantly changes, the effectiveness of these chivalrous acts has diminished. In James Joyce’s “Araby” and John Updike’s “A&P”, this theory is explored, both telling the story of a boy whose efforts to impress the girl of their desires fail. As said by Well’s in his critical analysis of these stories, “Both the protagonists have come to realize that romantic gestures—in fact, that the whole chivalric view [sic] --- are, in modern times, counterproductive”. These stories, despite the differences between the two characters, clearly show that the character’s world is changing, with chivalry becoming more obsolete.
Lengel, the manager of the store, spots the girls and gives them a hard time about their dress in the store. He tells them, “Girls, this isn’t the beach.” He says that they are not dressed appropriately to come into this grocery store. Lengel’s words cause Queenie to get embarrassed and start to blush. Sammy cannot believe this and gets frustrated at his boss. He doesn’t believe that it is right to prosecute these innocent girls for the way they are dressed. He also states at this point that the sheep are piling up over in Stokesie line trying to avoid all the commotion the scene has caused. I believe Sammy takes this as the last straw in a long string of aggravations.
John Updike's A & P and James Joyce's Araby share many of the same literary traits. The primary focus of the two stories revolves around a young man who is compelled to decipher the difference between cruel reality and the fantasies of romance that play in his head. That the man does, indeed, discover the difference is what sets him off into emotional collapse. One of the main similarities between the two stories is the fact that the main character, who is also the protagonist, has built up incredible, yet unrealistic, expectations of women, having focused upon one in particular towards which he places all his unrequited affection. The expectation these men hold when finally "face to face with their object of worship" (Wells, 1993, p. 127) is what sends the final and crushing blow of reality: The rejection they suffer is far too great for them to bear.
The story unfolds when, “Lengel, the store’s manager” (2191) confronts the girls because they are dressed inappropriately. To Sammy, it is a moment of embarrassment and in defiance he quits his job. The student suggests that in quitting, “Sammy challenges social inequality and is a person who is trying to
The story begins as if it is any mundane workday at the A&P. Sammy is a typical teen, making sarcastic comparisons of the customers in the grocery store. He calls one of his customers a "witch" and says the other customers are "house slaves" and "sheep." Sammy obviously dislikes the job, but finds ways of passing the day. However, from the moment the three girls enter the A&P to their exit from the store, you can see dramatic changes in Sammy. Sammy lusts for the young girls, and nicknames the most attractive to him as “Queenie”. The young girls dressed in bathing suits fascinate him, and although he is staring at them excessively, he negatively comments on the others for doing the same. As the girls walk past the older employee, McMahon, Sammy notices how he ogled the girls and pats his mouth. Sammy appears disgusted by his gesture and begins to sympathize for the girls. “Poor kids, I began to feel sorry for them, they couldn’t help it" (Upd...
In the story A&P, we know as the story begins, Sammy is employed at A&P. He is ringing a older lady, who he describes as a "witch", groceries up. While Sammy is occupied, in walks three girls, wearing bathing suits, who catch Sammy's eye. Their attire is against the stores policy, which is not enforced, until the manager approaches them. Once the manager approaches them, we later read that Sammy quits his job. Following his first announce in him quitting, he says, "You didn't have to embarrass them" (152), which let us know, he felt the girls were embarrassed. Sammy's main point for quitting his job at A&P, in his and my opinion, is to be an "unsuspected hero" (152).