When comparing and contrasting Emily Dickinson’s poem “Facing West From California's Shores” to Walt Whitman’s poem “A Noiseless Patient Spider”, there are clear similarities as well as an array of differences. One thing to consider about the two poems is that Whitman and Dickinson were both writers of the romantic era of literature. This means that their poems will exhibit elements such as; the love of nature, belief in individualism, interest in the supernatural, and faith in the power of imagination. It is also important to keep in mind that “finding the meaning of life” is an apparent theme in both poems. The speaker in each poem has a definite presentation of how he or she is grappling with big questions about the meaning of life. For
In literature, themes shape and characterize an author’s writing making each work unique as different points of view are expressed within a writing’s words and sentences. This is the case, for example, of Edgar Allan Poe’s poem “Annabel Lee” and Emily Dickinson’s poem “Because I could not stop for Death.” Both poems focus on the same theme of death, but while Poe’s poem reflects that death is an atrocious event because of the suffering and struggle that it provokes, Dickinson’s poem reflects that death is humane and that it should not be feared as it is inevitable. The two poems have both similarities and differences, and the themes and characteristics of each poem can be explained by the author’s influences and lives.
Repetition is used profoundly to help the reader understand the symbols and themes throughout the poem. It creates the emphasis that the speaker is praying and searching immensely for his connection to eternal life. It also creates an effect on the reader that the speaker and the spider are similar in the same way, repeating similar actions. “Artful repetition of keywords and phrases occurs throughout ‘A Noiseless Patient Spider.’ This is a strategy Whitman employs in many poems … but it is particularly appropriate here, because the repetition echoes the repetitive nature of the spider’s actions and longings of the soul,” (Napierkowski and Ruby 31: 192-193). The repetition portrays the yearning desire of the spider and the speaker to find their connections. In the second stanza Whitman writes, “Ceaselessly musing, venturing, throwing, seeking the spheres to connect them…” (Whitman 212). He repeatedly uses verbs in this line to show how tremendously the speaker wants to find his reattachment to society. It emphasizes the persistent activity of the speaker’s soul. Repetition is one of the many great rhetorical devices Whitman uses. Not only is it shown in this poem, but he also uses it in many other poems to create themes and different aspects. “Whitman’s poetry exudes a sense of music throughout, not in the traditional manner, but in a new vein, much of it emanating from his expertise in using the repetition of sounds, words, and phrases to create expressive rhythms,” (Philip K and Irons-Georges 5: 2704). This rhetorical device has created many different characteristics in Whitman’s poems, and has especially created one in “A Noiseless Patient Spider.” Without his repetition throughout the poem, the portrayal of the themes separateness and desire for connection would not have been understood by the
Much has been said about Emily Dickinson’s mystifying poetry and private life, especially during the years 1860-63. Allegedly it was during these years that the poetess, at the most prolific phase of her career, withdrew from society, began to wear her “characteristic” white dress and suffered a series of psychotic episodes. Dickinson tended to “theatricalize” herself by speaking through a host of personae in her poems and by “fictionalizing” her inner life as a gothic romance (Gilbert 584). Believing that a poem is “the best words in the best order” (to quote S.T. Coleridge) and that all the poems stemming from a single consciousness bring to surface different aspects / manifestations of the same personal mythology, I will firstly disregard biographical details in my interpretation of Dickinson’s poems 378, 341 and 280 and secondly place them in a sort of “continuum” (starting with 378 and ending with 280) to show how they attempt to describe a “plunge” into the Unconscious and a lapse into madness (I refrain from using the term “journey,” for it implies a “telos,” a goal which, whether unattainable or not, is something non-existent in the poems in question). Faced with the problem of articulating and concretizing inner psychological states, Dickinson created a totally new poetic discourse which lacks a transcendental signified and thus can dramatize the three stages of a (narrated) mental collapse: existential despair, withdrawal from the world of the senses and “death” of consciousness.
Robert Lee Frost and Emily Elizabeth Dickinson portray their individual objectives on their hardships in most of their poems. All through Dickinson’s adult life she never really traveled far from her hometown or far from her home at all. The individuals in her community thought of her as being an eccentric woman. She became known to the people for her fashion dressing in white, and her unwillingness to greet guests (Kirk, P4).
Emily Dickinson is one of the great visionary poets of nineteenth century America. In her lifetime, she composed more poems than most modern Americans will even read in their lifetimes. Dickinson is still praised today, and she continues to be taught in schools, read for pleasure, and studied for research and criticism. Since she stayed inside her house for most of her life, and many of her poems were not discovered until after her death, Dickinson was uninvolved in the publication process of her poetry. This means that every Dickinson poem in print today is just a guess—an assumption of what the author wanted on the page. As a result, Dickinson maintains an aura of mystery as a writer. However, this mystery is often overshadowed by a more prevalent notion of Dickinson as an eccentric recluse or a madwoman. Of course, it is difficult to give one label to Dickinson and expect that label to summarize her entire life. Certainly she was a complex woman who could not accurately be described with one sentence or phrase. Her poems are unique and quite interestingly composed—just looking at them on the page is pleasurable—and it may very well prove useful to examine the author when reading her poems. Understanding Dickinson may lead to a better interpretation of the poems, a better appreciation of her life’s work. What is not useful, however, is reading her poems while looking back at the one sentence summary of Dickinson’s life.
One of Emily Dickinson’s greatest skills is taking the familiar and making it unfamiliar. In this sense, she reshapes how her readers view her subjects and the meaning that they have in the world. She also has the ability to assign a word to abstractness, making her poems seemingly vague and unclear on the surface. Her poems are so carefully crafted that each word can be dissected and the reader is able to uncover intense meanings and images. Often focusing on more gothic themes, Dickinson shows an appreciation for the natural world in a handful of poems. Although Dickinson’s poem #1489 seems disoriented, it produces a parallelism of experience between the speaker and the audience that encompasses the abstractness and unexpectedness of an event.
The poem, “After Great Pain”, by Emily Dickinson, is one that conveys an inner struggle of emotion and the process that a person goes through after experiencing suffering or pain. Through this poem, Dickinson utilizes physical reactions to allude to the emotional pain that can make people feel numb and empty. Included in this poem is an array of literary devices, such as oxymorons, similes, and personification. These devices help show how death and grief can be confronted, whether it be by giving into the pain or by regaining emotional strength, letting go, and moving on with life. As we work on the project, we discuss multiple aspects of the poem and how the structure and diction alludes the meaning of the poem.
These poems are not as complex when compared to other poems, and with that being said they do not take an abundance of inference to determine the theme of the poem. Because they are not as complex as others all 3 of these poems are capable of being paraphrased to better understand the main idea of the poem. When putting the poem into different words, one can
Emily Dickinson is known for her poetry especially surrounding the subjects of death, love, and nature. These themes, however, are less standard than they may appear at first glance. Dickinson writes poetry with complex themes, and in many cases, each of her poems may be classified by more than one theme. “Because I could not stop for death” is a prime example of Dickinson’s multifaceted work. Emily Dickinson personifies death along with an underlying theme of love in “Because I could not stop for death.”
Emily Dickinson, regarded as one of America’s greatest poets, is also well known for her unusual life of self imposed social seclusion. Living a life of simplicity and seclusion, she yet wrote poetry of great power; questioning the nature of immortality and death. Her different lifestyle created an aura; often romanticized, and frequently a source of interest and speculation. But ultimately Emily Dickinson is remembered for her unique poetry. Within short, compact phrases she expressed far-reaching ideas; amidst paradox and uncertainty her poetry has an undeniable capacity to move and provoke.
In the poem The Noiseless Patient Spider, Walt Whitman compared the souls of humans to those of spiders. Then three different artists read and drew their interpretation of the poem. The first artist painted on glass, to illustrate what she saw. The second artist used film, and I feel that he was showing the perspective ofthe soul instead of the spider. The last artist used a sketch board to draw the life of a spider. I connected personally the most with the third artist.
In both Emily Dickinson and Walt Whitman’s works, they emphasize some differences in their writing. In Dickinson’s works she shows that her works are short and simple poems, while Whitman’s poems and often long and complex. With Dickinson showing that her works are short and simple, while Whitman brings on a more sophisticated style, it truly shows that they use their own unique style of writing. In both Whitman and Dickinson works they have been known for being such unique artist and being original, while people try so hardly to impersonate their style, but they are unable to come close to accomplishing it.
“Major Characteristics of Dickinson’s Poetry.” Emily Dickinson Museum. Trustees of Amherst College, 2009. Web. 23 January 2014.
Emily Dickinson and Walt Whitman are both considered as the most original poets who has boldly revolutionized the subject and style of 20th-century American poetry. Both the poets come from vastly different backgrounds but they share common inspirations but in a distinctive way. They both lived polar opposite personal lives as Walt was friendly, outgoing and influential, while Emily was very simple, shy, isolate and content. A lot of poems written by them were based on nature, death, and immortality and they focused on the importance of individualism in the society like in “I Hear America Singing” by Walt and “Much Madness is most divine Sense” by Emily. Together, they both have huge hands to shape the American poetry, and their influences
Emily Dickinson was a nineteenth – century American writer whose poems changed the way people perceive poetry. She is one of the most mysterious writers of all times. Her personal life and her works are still the cause of debates and are not fully solved. Her poems are dedicated to life and finding the real truth. Her two poems: “Tell all the truth but tell it slant” and “Much madness is divinest sense” represent Dickinson’s quest to reveal the mystery and truth of life. In order to fully understand Dickinson’s poems, one must learn about her personal and historical event such as “The Second Great Awakening” and “The United States women’s suffrage movement “surrounding her life that contributed to the creation of her works.