A Model Of Christian Charity By John Winthrop

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By the late eighteenth century, the ideological formulation of the newly reformed Nation was in transition as Americans attempted to maintain order and instill proper codes of conduct. In A Model of Christian Charity by John Winthrop we see carnal love represented as separate parts of a Puritan society, “love” being the only act capable of keeping the bonds of society rigid. This would not only be necessary for the survival of the Puritan people but as evident in “Money & Morals in America: A History” by author Patricia O’Toole, “If they [Puritans] succeeded in loving one another, Winthrop promised, God would bless them in all ways. If they turned their hearts away from heaven, they would perish.”(O’Toole 6). In later decades to come, The Coquette by Hannah Webster Forster dealt with the freedom and oppression unfettered passion and pleasure created for heiress Eliza Wharton who is ultimately left vulnerable and at the mercy of others because of of her radical choices. The central character Eliza Wharton, becomes a martyr of carnal sin and Winthrop's anti-thesis by willingly positioning herself as the juxtapose of the Puritan ideal whom regarded marriage and family life as the moral institution based upon set standards in which neither humility, poverty nor charity was as vital to either the performance or the perception of a holy life.

A Model of Christian Charity points us in the direction of enlightenment through the love of God based on mutual respect and adoration, never lustful or sinful, and following in the spirit of connected separate bodies. John Winthrop ask his people to love one another as neighbors, as brotherly bonds whom strengthen pure love and separate this love from carnal love on a model of affection. Winthro...

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...-choice. David Waldstreicher author of "Fallen under My Observation": Vision and Virtue in "The Coquette" writes, “The only resolution is beyond the gaze of monitors, where a physically absent Eliza can stand in for the idea of virtue, apart from vision and the evaluation of virtue. Eliza is finally what Boyer wanted her to be: an idea held close to the heart. The Coquette is a tale of seduction; it enacts a complex logic of vision and virtue, a system of exchanged sentiment that allowed for women’s subjective experience, only to make that experience the object of closest scrutiny.”(Waldstreicher 210-216.) The destructive nature of love trumps Winthrop’s vision of brotherly love by showcasing the moral consciousness Eliza experiences for not demonstrating good Christian charity, thus rendering her as an example of the anti-model of a “good and virtuous” Christian.

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