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Analysis of Doll's house by Henrik Ibsen
Symbolism in A Doll's House
How does ibsen powerfully portray the themes of gender and societal roles in "a doll s house?
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Recommended: Analysis of Doll's house by Henrik Ibsen
Brenda Wong
Mrs. Bowden
IB English HL 1
9 March 2014
Breaking Free From the Enclosure Called Marriage: A Marriage without Love
A doll may look like a beautiful figure, but within a doll’s house, the beauty is sealed within the inside of the house, which the beautiful doll is useless. Within the doll’s house, the doll is not fulfilling its potential for why it was created, to be attained to- it is merely a household decoration. In Henrik Ibsen’s play, A Doll’s House, Nora is the doll, and her marriage is enclosed in the doll’s house. As a person, Nora is considered to be a beautiful creature who entertains her husband within the beautiful images of a docile wife. However, she is not who she seems to portray as. There is a dark secret within her. She’s a desperate creature longing to explore the outsides of her marriage outside of the doll’s house. In a society that is dominated by men, the expectations that Nora must handle, she must choose between the obligations that is determined by her role as a wife in opposition to the obligations of self, by focusing in her true identity. Divined with the context of her love, she commits forgery, and through the hardships and deception that she goes through, she realizes that her marriage is nothing more than an illusion, and she is nothing more than a doll within Torvald’s house.
The characters can be seen as hiding from each other and trying to seek the truth within another. The game of hide and seek can be seen between Nora and her children, as well as Nora and her husband. She hides her true personalities and her actions from him. On the other hand, Torvald also hides his life from Nora. Torvald keeps all the business of their relationship intact from Nora. Although Nora hides secr...
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...more money to Nora so she feels happy again, rather than discussing their financial situation and trying to work things out. He hides business away from Nora, just like she hides from him.
Nora is aware that both she and her husband are hiding things from each other. Although she does indeed hide from him, she also seeks the truth. She is playing the game on either end. She hides, she seeks. She is trying to learn about life altogether. Can there be a life where she does not have to hide from the one she should be closest to? Nora wants to be able to stop hiding, to stop lying. In order to accomplish that, Nora must be treated like an equal. Being treated as an equal is something that Torvald would never do for her. He would not “sacrifice his honor for the one he loves” (Ibsen 58). Nora realizes that “[Torvald was] not the man [she] had thought [him]” (Ibsen 57).
In A Doll’s House, Ibsen portrays his lead character, Nora, who is a housewife in the Helmer’s family. She has undergone a transformation throughout the play that she reacts differently to her husband. Her husband, Torvald, is an example of men who are only interested in their appearance and the amount of control they have over a person. In particular, he has a very clear and narrow definition of a woman's role. At the beginning of the story, as from the title of the play, Nora symbolizes the “doll” in the house, which means that she has been treated as treats Nora like a child or doll. For example, husband called Nora ‘bird’ and it implies that husband treats her like his pet and she is his doll as the title is a doll house. In other words, her husband wanted her to be a ‘lark' or ‘songbird' so he can enjoy h...
...t him. However the true character of Torvald seems nothing like the imagined one of Nora, for he gives in to the demands of Krogstad very quickly upon assessing the situation. She originally experiences denial, because she forced herself to believe that Torvald will come to her rescue. The third piece of mail shows Nora the truth about her husband, and makes her realize how he mistreats her. Therefore, it reveals the lie that she tricked herself into believing, that Torvald is not the man she wanted to believe he was. In fact, it could be argued that Nora never in fact loved Torvald at all, and any love expressed in the marriage was a lie in itself. In that case the note also reveals the facade put on during their marriage. Ibsen used the letter symbolizing the true nature of Nora's husband to point out the lie that she choose to believe about their relationship.
Nora is trying to keep something away from public knowledge and especially away from her husband. She hides the fact that she borrowed money to save his health. She was afraid that if Torvald knew that she had taken initiative to borrow money to help him that it would be "painful and humiliating"(Ibsen 501) for him. She knows that Torvald needs to feel in control of everything. So she hides her actions from him. & nbsp; Nora hides the fact that she has done something illegal from Torvald. She is given the opportunity to tell Torvald and maybe get his support or advise on the situation, and she lies to him to hide the truth. She claims that the reason that she does not want Torvald to fire Krogstad is that "this fellow writes in the most scurrilous newspapers.he can do [Tor could have told him, but instead she decided to hide the truth from her husband. & nbsp; She also hides her own strength. She plays the part that she has come accustomed to, being the doll. The first time in the play that Torvald refers to Nora, he calls her a "little lark"(Ibsen 493). Throughout the play, he refers to her as a cute little animal, never with any word that might her indicate that he wishes she were a little plaything of his. To fit this character, Nora hides her true strength until the end of the play. Nora says that "[she] must stand quite alone"(Ibsen 546) and leaves Torvald to be alone. Not only does Nora make the claim that she could stand alone, she follows it with an action, thus the audience knows that Nora can be stronger than she was appearing and that she must have been hiding her true & nbsp; Nora hides her ability to handle money. She does not let Torvald know that she is entirely capable of handling debt. Instead, she leads on that "[she] should not care whether [she] owed money or not"(Ibsen 493). Although she says that she would not care about being in debt, the audience learns that she is handling her own debt She leads on that she is the little doll who cannot handle anything. She hides her abilities from Torvald to be his little doll. & nbsp; The hiding and seeking of the characters in the play is reminiscent of the game that Nora plays with her children. In playing games like that with her children, Nora is also hiding from them and her job as mother. She likes to take off their warm outer clothing because "it is such fun"(Ibsen 506). She finds the job of mother fun.  507). The job of mother was no longer fun, so she abandons it. She uses the nurse to hide from the children that she gave birth to. & nbsp; Torvald also hides from his wife, Nora. He shares none of his work with Nora. They speak very little about financial matters. When they do talk, it is mostly silly talk not seriously about their financial situation. Their first conversation on stage is about money. He tries pitifully to talk to her seriously about money, but shillings-a pound-two pounds"(Ibsen 493). He gives her more money to make her happy instead of trying to work out their financial situation. Torvald hides business about money from Nora just like she hides from him. & nbsp; Torvald also hides information about his job from her. Nora barely knows what he does at his job at the bank. Nora asks Dr. Rank if "all the people who are employed in the bank dependant of Torvald now"(Ibsen 504). Nora knows that Torvald has had a promotion, but does not even know really what & nbsp; Nora knows that they are hiding from each other. She knows that she must hide from those around her to protect her way of life. Although she is talking to her children at the time, Nora's words can be applied to her actions throughout the play. Nora says, "Must I hide? Very well, I'll hide first"(Ibs hiding. The snares are hidden. & nbsp; Nora and Torvald both hide from each other. Although she hides from her husband, Nora starts seeking truth. She is playing the game on both sides. She hides and she seeks. She is trying to learn about life. Nora wants to find that there can be a life where she does not have to hide from the of another and inferior species, Woman"(Shaw 143). Nora wants to be able to stop hiding. To be able to do that, she must be treated like an equal. That is something that Torvald will not do for her. He will not "sacrifice his honor for the one he loves"(Ibsen 548). Torvald will not bear all of Nora's weight, even though him, and when that did not happen and she was abandoned, she must seek another life. She seeks a life where her sacred duties are "to [herself]"(Ibsen 546) before her husband and children. M. C. Bradbook acknowledges that "in leaving her husband Nora is seeking a fuller life as a human being"(87). Nora is leaving a life in hiding to find a life that is richer and more full & nbsp; The hiding and seeking that goes on in the play is far from over when Nora ends the game with the children. It started before then and finished only when Nora walked out on Torvald and her marriage. Nora hides her strength, knowledge and abilities from her husband. She does this because he could not handle having a peer as a wife. He given to the nurse and Nora is only left with playing with her children. The job of wife to Torvald is filled only with a hidden personality. He wishes something that he can call his own and protect with ease. Nora becomes a seeker when she realizes what kind of life she is leading with her husband. When she realizes what he seeks as a wife, she also realizes that she needs to find another life. The a sense of individuality. With leaving her husband, Nora gives the indication that she will no longer tolerate a way of life that forces her to hide.
While eating and lying about macaroons may seem trivial, why would one need to lie about a trivial matter? Not only does she lie about eating the macaroons to her husband but also once to Dr. Rank. The most serious deception is that of the loan that she took out in order to save her husband’s life. While this is an extravagant lie we can find it in ourselves to forgive Nora because her actions were selfless. Perhaps if Torvald could accept his wife instead of constantly feeling the need to control her she would not have lied to him. Once Nora reveals her deceptive act to Mrs. Linde we begin to see Nora’s character in a whole new light. One that is much more mature and determined than previously thought. It isn’t until Mrs. Linde accuses Nora of not knowing a hard day’s work that she finally reveals her greatest secret. It is through their common experience of sacrifice that unites them and brings them closer together
Nora is presented with many choices, one of them being the option to lie to her husband, Torvald, or not to lie. Most of these tiny, white lies include when Nora tells Torvald that she has not eaten macarons. She goes about her choice to lie in a way that she believes is rational. Nora also has the foresight to weigh her options. If she lies to Torvald, they will have a happy marriage, but if Nora deceives him, everything will crumble beneath her feet. Choosing the former, Nora lives in fear that Torvald will discover her, but is happy living in falsehood. Eventually it becomes normal for Nora to lie, almost like nothing is wrong. Although, deep down inside, Nora is hiding a greater secret from Torvald, underneath all the tiny white lies. This falsehood regards a large sum of money that she borrows to save her husband 's life. Nora has acquired a lump sum from Nils Krogstad, that she knows she does not have the means to pay back in full by his set deadline. Nora’s fear of Torvald finding out weighs heavily in her decision of how to go about breaking even with
...be good for herself and she would have less stress from all the things that he does to her, and wouldn’t have to deal with the way that he treats her. When the Nora and Torvald are married their incapable of realizing who they are as individuals.
Nora was wife of Helmer and a mother of 3 children. They lived in a house where their nurse Anne-Marie took care of the children and Helene which was their maid took care of the house work. Nora was a stay at home mother and would occasionally take on little jobs in order to make ends meet. Nora has lived her whole life as a puppet. Her life has always been controlled by someone else; first by her father and then by her husband Helmer. “Her whole life is a construct of societal norms and the expectations of others” (Wiseman). “Nora’s father would force his beliefs on her and she would comply with them lest she upset him; she would bury her personal belief under Papa’s. According to Nora, Torvald was guilty of the same things” (Wiseman). Nora has always lived her life according to the beliefs of someone else. She didn 't know how to live life any other way because this is how she was raised. She felts trapped in the life she lived because she knew no other way of living besides her current lifestyle. Due to Nora being controlled her whole life she seemed childish and lacked knowledge of the world outside her house. At the end of the story Helmer decides to show his true colors once his future was threatened. This made Nora realize that she does not love her husband nor does he love her, and decides that is not the life she wants to live. “Helmer: You talk like a child. You don 't know anything of the world you live
A Doll 's house is one of the modern works that Henrik Ibsen wrote. He was called the father of modern drama .He was famous for writing plays that related to real life. A Doll 's House is a three-act play that discusses the marriage in the 19th century. It is a well-made play that used the first act as an exposition. The extract that will be analyzed in the following paragraphs is a dialogue between Nora and the nurse that takes care of her children. This extract shows how she was afraid not only of Krogstad blackmail, but also of Torvald 's point of view about those who committed any mistake. Torvald says that the mothers who tell lies should not bring up children as they are not honest . Nora is also lying to her family and to Torvald. So she is afraid because she thinks she maybe 'poisoning ' her own children. The analysis of this extract will be about of Nora 's character, the theme, and the language in A Doll 's House.
Throughout A Doll’s House, Henrik Ibsen illustrates through an intriguing story how a once infantile-like woman gains independence and a life of her own. Ibsen creates a naturalistic drama that demonstrates how on the outside Nora and Torvald seam to have it all, but in reality their life together is empty. Instead of meaningful discussions, Torvald uses degrading pet names and meaningless talk to relate to Nora. Continuing to treat Nora like a pampered yet unimportant pet, Torvald thoroughly demonstrates how men of his era treat women as insignificant items to be possessed and shown off. While the Helmer household may have the appearance of being sociably acceptable, the marriage of Torvald and Nora was falling apart because of the lack of identity, love, and communication.
Torvald is being hypocritical when he says Nora has spread lies in the family but then he says they must acts as if everything is the way it was after he finds out what Nora did. Torvald and Nora must lie to the public but in closed doors he will have nothing to do with her. If Nora left to find herself to mature in her own
...ds. Torvald is elated; he laughs out loud and smiles hugely. He tells Nora that he forgives her and that their lives will be the same as they had been before.
Women belonged at home and were expected to cook, clean, raise children, and keep her husband happy. Women had no freedom and were controlled by their husbands. Women needed to keep up with their appearances to get married off in order to fulfill her “womanly duties.” All women during this time period were taught to desire and work towards this goal. In addition, men have to live up to image of being a strong and a good provider. Men were taught at a very young age that emotion was only for women and not men. The ideal of being perfect and keeping up with appearances is prevalent in Ibsen’s, A Doll’s House. In the play, Torvald told Nora that he did not want her to ruin her “pretty little hands” meaning Torvald believed that it is not good for Nora to do any job that could potentially ruin her best quality, which is her appearance. This further illustrates that society wants women to have no purpose other than to look good. In the beginning of the play, Nora does what society says she should do and be. Nora wants to be appear to be the perfect wife and keep Tovald happy by listening to him and keeping up with her appearences. She wants to appear to have the perfect household and her children are necessary for the perfect family image. Yet, she does not raise her children, the maid does. She only greets and plays with her children. Nora was masking her duty as a mother. Ibsen, titled the
Nora is a dynamic character. When the play begins Nora is viewed and presented as a playful and carefree person. She seems to be more intent on shopping for frivolous things. But, as time goes on it becomes apparent that Nora actually has a certain amount of seriousness in her decisions and actions in dealing with the debt she incurred to save Torvald’s life. Nora’s openness in her friendship with Dr. Rank changes after he professes his affections toward her. Her restraint in dealing with him shows that Nora is a mature and intelligent woman. Nora shows courage, not seen previously, by manipulating her way around Krogstad and his threats to reveal her secret. After feeling betrayed by Torvald, Nora reveals that she is leaving him. Having
A contrasting difference in the characters, are shown not in the characters themselves, but the role that they play in their marriages. These women have different relationships with their husbands. Torvald and Nora have a relationship where there is no equality. To Torvald Nora is an object. Hence, she plays the submissive role in a society where the lady plays the passive role. Her most important obligation is to please Torvald, making her role similar to a slave. He too considers himself superior to her.
... how she saved her husband’s life previously when he became ill. Doctors had advised her to take him south for fear that he was in danger of losing his life. Wanting for him to survive, Nora acquired money, claiming it was from her father and took them to Italy. Before Torvald could find out where the money really came from, Nora’s father died. Torvald is still unaware of where the money actually came from. We soon learn that the money Torvald has been giving her as an allowance is going towards paying off the debt she accrued from borrowing the money for the trip. Kristine tries to get Nora to tell her where she got the money, but Nora refuses. Soon after this discussion we meet Krogstad, one of Torvald’s bank employees. It is obvious at his entrance that Nora dislikes him. We also see that Mrs. Linde acts peculiar towards Krogstad for some unknown reason.