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Character analysis of nora in a "doll house
Analysis of Doll's house by Henrik Ibsen
A doll's house by henrik ibsen analysis
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“There can be no freedom or beauty about a home life that depends on borrowing and debt,” (4) Torvald says to his wife, Nora. This is ironic because Nora Helmer has no freedom. In “A Doll’s House,” Henrik Ibsen’s characters struggle to strive for what is right, both in a sense of their own feelings and morally. The play is Nora’s journey to find herself to obtain her own freedom. The first act offers a composition of Nora’s life, the second a situation, and the third is her decision to leave. Theresa Rebeck suggest that Ibsen’s play is conveying that “…all men want a pretty, slightly inane wife, and women want a big guy to take care of them and make all the money and let them stay home in a really nice house and spend it.” which, “It’s not …show more content…
The first couple of lines Torvald says is “Is that my little lark twittering out there?” and “Is it my little squirrel bustling about?” (3), he gives Nora pet names that belittle her. Lark and squirrel are small creatures that could easily be controlled and killed. Throughout the play Torvald uses the word “little” before every nickname for Nora for instance: “my little lark”, “my little squirrel,”, “my little spendthrift,” (3) “my little skylark,”, “little person,” (4) “little Nora,” “little soul” (5) “little girl,” (7) “my little song-bird” (27) “little woman,” (28) “little singing-bird,” (30), those alone are in act one. Torvald calling Nora little so often unconsciously tells her that he could easily overpower her. He sees himself as the rational and smarter superior spouse of the household. Torvald does not see Nora as his equal like a husband should to his wife, but he treats her as if she is one of his responsibilities. Torvald treats Nora as a child. When she wanted to show him what she bought Torvald dismisses her until he is no longer busy in his study. After she shows him what she bought he scolds her for wasting money. Torvald sees Nora as careless and that he needs to guide her into the right …show more content…
Torvald’s actions towards Nora’s decision to get a loan were absolutely appalling. He was not thankful that she saved his life but called her a “miserable creature” (65). During the confrontation of Torvald reading the letter Nora learns his true identity. He believed that she destroyed his happiness and future because she borrowed money. Also Torvald told Nora that she is no longer responsible to watch the children. She sacrificed herself and her happiness to save Torvald. Torvald yelling at Nora taught her that their marriage is a fraud, and that he and she did not love each other like that
So Nora throughout the story her personality and how she handles certain things through the story changes a lot. From being a happy person and having a very loving family with her husband Torvald, but as the story escalates the small lies during the story starts the beginning of a very tough road. From the lies from Torvald and doing things behind his back like breaking the law, and the blackmail threats. All the drama escalates to her ending up wanting to kill herself, but in the end she needed to be on her
...rriage. We are finally able to see who Nora is and why she acts the way she does. When Torvald found out about Noras secret he became infuriated. He called her a liar and said that he should have seen something like this coming due to how she was raised. At is at this very moment that Nora realizes that she isn’t happy and that for the first time ever she is seeing the true Torvald. Before, they had been merely coexisting and were just going through the motions of husband and wife. It was there that she realized she didn’t love him and he didn’t love her.
Ibsen prepares the reader for the superficial set up to the play by the meaningful title. A marriage and a family set up in a dollhouse acting as dolls perform their standard gender roles in society. Torvald, Nora’s husband, repeatedly treats Nora like a child, and she even portrays juvenile characteristics. She sneaks macarons in her pockets and lies about eating them after being scolded by Torvald as if he her father instead of her husband. He has given Nora pet names such as “my little squirrel,” “my little lark,” and “my little spend-thrift” (Isben 863). Torvald is possessive of Nora, adding the “my” to all the pet names that he repeatedly calls her. She appears to be his doll; playing every part Torvald wants her to be. He holds the upper hand of control over her as the dominant male society has cast him to be. Even their own childre...
Torvald is not only demanding mentally and physically, but also financially. He does not trust Nora with money. He feels that she is incapable and too immature to handle a matter of such importance. Torvald sees Nora as a child. She is forever his little "sparrow" or "squirrel". On the rare occasion that Torvald does give Nora some money, he worries that she will waste it on candy, pastry or something else of Childish and useless value. Nora's duties, in general, are restricted to caring for the children, doing housework, and working on her needlepoint. But overall, Nora's most important responsibility is to please Torvald. This makes her role similar to that of a slave.
Torvald is the typical husband of the time of the play. He tries to control his wife and expect her to submit to him. He manipulates her through many different ways. First, he calls her pet names such as "little lark" (3) and "squirrel" (4) and speaks to her in a condescending tone, as if she is a child. He then tries to control her habits so he will not let her eat sweets or spend too much money. In fact, all the money she gets comes from him. He demands that she is subservient and treats her as almost a dog later on in the play. At the end, when Nora's secret is out, he lashes out at her and kicks her out of the house. When he wants her back after he realizes that he will no longer get into trouble for what she did, she does not want to come back, he finally realizes that she does not love him anymore and that his manipulation of her is over. This leaves him in a pickle because he now has to take care of his children without Nora, hardly a good position for him.
Torvald is constantly referring to her through the use of pet names such as (quote pet names from book) and only ever refers to her by name when he is scolding her. Not only does Torvald see her as his doll, but also as her child (quote near end of story). By keeping Nora dependent and obedient to him, he plays the role of Nora’s second father. Nora eventually sees that her daughter is being treated in the same manner that she was her entire life, as a doll. In comes Mrs. Linde, Nora’s childhood best friend, whom she greats rather hesitantly.
children, her husband and what life she had behind, as she slams the door to the family home. A significant transition of power has occurred and this is one of the major themes that Ibsen raises in his dramatic text ‘A Doll’s House.’ However, in examining the underlying. issue of power presented by the text, one cannot simply look at the plight of Nora’s character, three major aspects of this theme need. also to be considered for.
A Doll 's house is one of the modern works that Henrik Ibsen wrote. He was called the father of modern drama .He was famous for writing plays that related to real life. A Doll 's House is a three-act play that discusses the marriage in the 19th century. It is a well-made play that used the first act as an exposition. The extract that will be analyzed in the following paragraphs is a dialogue between Nora and the nurse that takes care of her children. This extract shows how she was afraid not only of Krogstad blackmail, but also of Torvald 's point of view about those who committed any mistake. Torvald says that the mothers who tell lies should not bring up children as they are not honest . Nora is also lying to her family and to Torvald. So she is afraid because she thinks she maybe 'poisoning ' her own children. The analysis of this extract will be about of Nora 's character, the theme, and the language in A Doll 's House.
Nora was extremely ecstatic when she brought up her loan of four thousand, eight hundred kroner. She even describes the loan as something she is “proud and happy about” (1.316). Not only was Torvald’s wish of having no debt defied by Nora’s own action, but she has a sense of pride and believes that her actions were justified without any input from Torvald. Nora taking out the loan was her first step in approaching maturity and independence, and it instilled in Nora’s mind a need for an identity different from Torvald’s.
Without love a relationship would never even begin. The basis for Nora and Torvald's relationship appears to be centered around love, but this was not exactly obtained. Torvald doesn't really love Nora in a mature way; he just looks at her as another child. He has many nicknames for his wife including "lark" and "squirrel" which are small animals and used as symbols of foreshadowing. By using these symbols, Torvald looks at his wife as being smaller than himself and therefore easy to control. He always refers to Nora as my something. "Is that my little lark twittering out there?" and "Is it my little squirrel bustling about?" (438) He emphasizes the my' which makes him think that he owns his wife and he is in control of her. Calling his wife names such as skylark', squirrel', and spendthrift', Torvald does not love his wife with the respect and sensitivity a man should. He gives Nora an allowance but thinks she spends it frivolously. "What are little people called that are always wasting money? It's a sweet little spendthrift. One would hardly believe how expensive such little persons are" (439) Here, Nora is referred to as a small subordinate creature once again. Torvald is so concerned about...
After asking his wife if she understands what she has done Nora answers “[Looking squarely at him, her face hardening] Yes. I am beginning to understand everything” (835). This statement might be the key phrase of Nora’s realization. The double- meaning implies Nora’s understanding of the actual situation as well as her awareness that her marriage, even though it conforms with social expectations, is far from perfect. She now doubts the depth of her love for Torvald and becomes calm with comprehension as she begins to recognize the truth about her marriage. While she expects compassion for her sacrifice, she is none given. Instead of sacrificing anything to help Nora out of her predicament, Torvald is only worried about himself and appearances. It becomes very clear, after the second letter from Krogstad arrives, that her well-being always comes second “I’m saved. Nora, I’m saved! You too, of course” (836). Throughout the conversation with Torvald, Nora finally realizes, she needs to rearrange her life and priorities to be happy. This implies independence and self-awareness. While Nora finally understands the situation, she is in and what she needs to do but Torvald defines her new attitudes as madness “You’re ill, Nora; you’re feverish; I almost think you’re out of your mind” (840). “However, the characterization has been tied to the fact that she is breaking taboos or challenging conventions” (Langås 160). Torvald is still stuck in his fantasy world of how a wife should talk and act per his standard and the society he stands for. “Nora still has no way of knowing that she is not endangering her children with her presence and in the end, she feels impelled to leave, and her decision is less an act of defiance against her husband and society than an attempt to save the lives of her children” (Brooks
Nora and Torvald lack one of the key elements needed to make a marriage work. Good communication allows you to better understand your partners needs and to unite as a team to solve problems or comply. When Torvald got sick and the only thing to save his life was to move to the south; Nora found a way to procure the money and forged her father’s signature to obtain the loan. The most heroic action of her life is an unforgivable crime in the eyes of society. Nora has kept this a secret from Torvald. “A man who has such strong opinions about these things! And besides, how painfully and humiliating it would be for Torvald, with his manly independence, to know that he owed me anything! It would upset our mutual relations altogether; our beautiful happy home would no longer be what it is now.”(12) To pay back the loan, Nora has worked without her husband’s consent, staying up late nights copying, to earn money and saving a bit from what Torvald gives her. “Whenever Torvald has given me money for new dresses and such things I have never spent more than half of it; I have always bought the simplest and cheapest things.”(13) Without trust, honesty can never be obtained. There was poor communication throughout their entire marriage and only at the end, after eight years of being married d...
Nora and Torvald's relationship, on the outside appears to be a happy. Nora is treated like a child in this relationship, but as the play progresses she begins to realize how phony her marriage is. Torvald sees Nora's only role as being the subservient and loving wife. He refers to Nora as "my little squirrel" (p.1565), "my little lark" (p.1565), or "spendthrift"(1565). To him, she is only a possession. Torvald calls Nora by pet-names and speaks down to her because he thinks that she is not intelligent and that she can not think on her own.
Torvald even calls Nora pet names like "my sweet little lark" and "my squirrel”. These nicknames may seem harmless and cute, but in reality, the names actually show how little he thinks of her and how he’s the one harnessing the power in the relationship. When Torvald says "my little squirrel" he is suggesting that he in fact owns Nora and that she is second-rate to him, since she is seen as little and as a squirrel which are usually frightened, non-threatening creatures. Torvald sees women as both child-like, helpless creatures detached from reality and who are responsible for taking care of the chores and children while staying inside the house. Gender roles are also seen in the rules Torvald for Nora to follow.
Nora is a dynamic character. When the play begins Nora is viewed and presented as a playful and carefree person. She seems to be more intent on shopping for frivolous things. But, as time goes on it becomes apparent that Nora actually has a certain amount of seriousness in her decisions and actions in dealing with the debt she incurred to save Torvald’s life. Nora’s openness in her friendship with Dr. Rank changes after he professes his affections toward her. Her restraint in dealing with him shows that Nora is a mature and intelligent woman. Nora shows courage, not seen previously, by manipulating her way around Krogstad and his threats to reveal her secret. After feeling betrayed by Torvald, Nora reveals that she is leaving him. Having