A Different Road Analysis

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A Different Road opens with the narrator zoomed out, telling us about the Kitteradges, how they used to be and how they are now. Henry does not go out of his way to say hello when he is in town, nor does he linger and chat. Olive, although she had always been outspoken and unfriendly, has turned even more so now. Through constant flashbacks, we learn what happened to the Kitteradges. On their way home from dinner on a Saturday night, Henry stopped at the hospital because Olive needed to use the bathroom immediately. Olive was forced to have a check-up after using the bathroom and during this time two men attempted to rob the hospital for drugs. They held Olive, Henry, the nurse and the doctor hostage in a bathroom. In the hospital bathroom, …show more content…

When the flashbacks are over, the story in present time, we see some of this openness has stayed. Olive moves through her day, shopping, then home to Henry, and here we see what the narrator meant in the beginning of the story. Another conversation takes place at the story’s end, where both seem to say things to each other that we would have never imagined before. What makes readers feel close to Olive and Henry is hearing their interiority. The stories are so compelling because we are allowed access to their secrets and intimate lives. However, what’s most compelling and appreciated with A Different Road is how readers see Henry and Olive revealing these secretive parts of themselves to one another. And even though we are closest to Olive in this story through the point of view techniques, Strout is clever through the linking of stories, and readers can infer some of Henry’s thoughts. Based on other stories and other moments, we are seeing and hearing Henry in ways we know he has never been. This change in …show more content…

Through the flashbacks, Olive admits how muddled her thoughts were during the time of the chaos (the man shoving her into the bathroom, seeing Henry and the rest sitting on the floor trembling).The conversation between her and Henry, however, she remembers vividly. It all starts after Henry tells the intruder to watch his mouth, that he shouldn’t use such bad language. The man presses the gun against Henry’s cheek and the conversation begins: “‘Please!’Olive cried out. ‘Please. He got that from his mother. His mother was impossible. Just ignore him’”(Strout 117). While it’s not unrealistic to imagine Olive saying this on an ordinary day (not in the midst of chaos and crisis), we get a sense of shock from Henry next. Also, the extent of harshness Olive displays is more than what even Henry and readers are used to. On the same page, after the man calls Henry a nut, she continues with: “‘He can’t help it,’ Olive said. ‘You’d have to know his mother. His mother was full of pious crap.’ ‘That’s not true,’ said Henry. ‘My mother was a good, decent woman’” (Strout). Of course readers can look at this moment with serious human compassion. Olive is saying things she does not mean. A gun is being held to her husband’s face and she is in panic mode. But readers must dig deeper than this. We must think carefully, deeply, for we are flashed back to this very moment for that exact reason. Olive is not thinking clearly; therefore,

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