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Interpretations of Cleopatra over time
Cleopatra essay introduction
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A Complete Cleopatra
In the tragic play Romeo and Juliet, Shakespeare comments, “What’s in a name? That which we call a rose / By any other word would smell as sweet” (2.1.85-86). A word can have many meanings depending on a person’s perspective. Cleopatra is a “rose” that has been depicted under many names. Throughout history numerous authors have sought to depict her character and their differing opinions have made her name one which resounds in very different ways. The Roman historian Plutarch created Cleopatra the political manipulator; John Dryden illustrated Cleopatra the ultimate sexual woman; George Bernard Shaw offered Cleopatra the uneducated impetuous young child-queen; and, Geoffrey Chaucer wrote of Cleopatra the martyr of love. The character of Cleopatra presented by Shakespeare is a complex combination of each of these traits and is thus the most memorable and meaningful depiction.
The Cleopatra that emerges from Plutarch’s writing is a manipulative and scheming political woman who dominates both Julius Caesar and Mark Antony. In his Roman Lives, Plutarch offers a biased historical account of Mark Anthony with frequent references to Cleopatra. According to M.S. Mason, Plutarch does not fulfill his role as an objective historian and deliberately vilifies the character of Cleopatra (Mason). It is almost a completely negative portrayal of the Egyptian queen. She is referred to as a “charmer” (Waterfield 343) with “devastating effects on Caesar” (514). Her “eloquence [and] argumentative cunning” (382) are described as a means of drugging and bewitching her men (392). Plutarch describes one situation when Cleopatra is afraid of Octavia’s political power and she goes about weeping and starving herself to manipulate...
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...the Egyptian queen, it can be found in the character that emerges in Antony and Cleopatra.
Bibliography:
Bernard Shaw, George. Three Plays for Puritans. London: Penguin Books Ltd., 2000.
Greenblatt, Stephen, ed. The Norton Shakespeare: Tragedies. New York: W.W. Norton & Company Inc., 1997.
Helvarg, David. “Cleopatra: What Kind of a Woman Was She, Anyway?” American Theatre 14:4 (Apr. 1997): 5-8.
Jones, Chris. “Still Seductive After All These Years.” American Theatre 14.4 (Apr. 1997): 4.
Mason, M.S. “The Allure of Cleopatra.” Christian Science Monitor 93.297 (25 Jan. 2002): 13.
Noyes, George R., ed. Selected Dramas of John Dryden. Chicago: Scott, Foresman & Company, 1910.
Percival, Florence. Chaucer’s Legendary Good Women. New York: Cambridge UP, 1998.
Waterfield, Robin, trans. Plutarch: Roman Lives. New York: Oxford UP, 1999.
In Shakespeare's play Othello, Iago Is shown to be the villain. With the cunning use of his brilliance and manipulation, he is able to orchestrate an entire plot to take his revenge on Othello the center of all his ill tempered aggression. By lying to characters like Roderigo and many others, including his wife, in order to
Changing social habits of a contemporary society have seen Cleopatra depicted in many different ways. Whilst few artefacts remain of the true image of Cleopatra, we see from her portrait on the coins (Fear, 2008, p, 21 Fig 1.4) that despite being no legendary beauty, she had the power to captivate two of the greatest Romans of her time. Cleopatra consummated her union with Julius Caesar, which strengthened her grip on the throne, following his assassination; she formed alliance with Mark Antony, in opposition to Octavian, a coalition that would lead to her downfall as both Antony and Cleopatra’s combined forces would be defeated against Octavian in the battle of Actium in 31 BCE. (Fear, 2008, p.7)
Similar to the 1963 film Cleopatra, in Plutarch's The Life of Antony, sexism is maintained in the passage and compatible with its message. Through the author's portrayal of Cleopatra and Antony, he spreads the message that obsession with power is bad and the idea that manipulation and attempts at domination are signs of a bad ruler. Sexism is compatible with such messages because as indicated by Plutarch, Cleopatra utilizes sexist expectations of women in order to manipulate Antony through her aspirations of domination. Therefore, similar to the films Cleopatra and Quo Vadis, because Cleopatra is unsuccessful as she commits suicide in the end and is found "lying dead upon a golden couch," as well as is portrayed as an immoral ruler in Plutarch's Life of Antony, sexism is portrayed in the passage as a negative quality that leads to failure. (Plutarch, Life of Antony, 85) However, Plutarch differs in his treatment of sexism and attitude towards Cleopatra to the extent that he appears to place the fault with Cleopatra. While he maintains that sexism is a negative quality through his portrayal of Cleopatra playing into sexist expectations, by casting Cleopatra as a manipulative woman, Plutarch appears to be blaming Cleopatra for her own weaknesses as a ruler as well as for Antony's downfall. Although the film Cleopatra displayed how Cleopatra got power by using her sexuality and having Caesar and Antony fall in love with her, Plutarch Life of Antony portrays her as even more of a manipulator of men. For example, the author mentions that Cleopatra "pretended to be passionately in love with Antony herself, and reduced her body by slender diet; she put on a look of rapture when Antony drew near, and one of faintness and melancholy when h...
Despite Egypt’s provincial annexation to Rome after her death, Cleopatra managed to keep the Romans at bay for nearly twenty-two years. Unfortunately, much of her achievements have been disparaged and attributed to the utilization of her sexuality. To add, her image as a competent female ruler has been further distorted by the media and literature alike. Much of this misrepresentation can be accredited to the scarcity of reliable and unbiased accounts about her life. The Romans were afraid of Cleopatra’s power and the alliances she created with their generals. Therefore, accounts of her life in Roman scripture are not particularly in her favor.
In Othello, Iago is Shakespeare’s most malicious character and serves as a vehicle to these two themes. Iago despises Othello; he has a strong will to destroy Othello’s life, yet the motive behind his plan goes unexplained. Iago is a great manipulator of the tongue and lies to everyone in order to advance his plan; however, every character in the play considers Iago an honest character, and Othello even associates Iago with light and eyesight. Othello continuously asks Iago to explain or make something clearer. Until the very end, Iago appears to be honest and helpful to the other characters, but underneath this seemingly harmless façade, Iago is a demon with the strongest will; he will stop at nothing until he ruins Othello’s life. Iago uses a positive appearance to enact his
Born in in 69 B.C., Cleopatra VII was esteemed the last ruler of the Macedonian era. Cunning and brave, Cleopatra would later be known for her notorious affairs with notably formidable men in possession of considerable wealth and prestige. She was born into power, but her test would be her capability to maintain it. Her own brothers became her opponents, so she had to fight to remain leader of Egypt. Cleopatra rose to power by forging alliances with leaders of foreign nations in order to back her claim of the Egyptian throne.
Iago is the main antagonists against Othello, throughout the entire play. Iago is not realistically motivated. Even though Iago makes many of his decisions with careful thought, he does have a main flaw that will come back to haunt him in the end. Iago unlike other characters, doesn’t have true honorable morals. Because of this, he makes many situations which are manageable, and takes them further out of proportion he does this for his own pure enjoyment to create havoc for sport. Iago manipulates the characters who trust too easily, such are Roderigo and Othello. Iago uses them as an addition to his plans, which he manages so they will work in his favor in the end, or so he believes they will.
A Shakespearean play always includes a typical villain character. He is boisterous, egotistical, sometimes witty, and all too eager to seek revenge. In William Shakespeare Othello, Iago is the well-liked, trusted, and brave ensign of the great Venetian general Othello, or so it appears. Iago actually possesses all of the typical villainous qualities, however Iago conducts himself with great composure, and by manipulating his counterparts, he makes people believe he is on their side. I find this characteristic to be a very intriguing one that is not easy to perform. It is perhaps Iago's villainous actions throughout this play that lead me to believe that he is the hero rather than the typical villain.
The Romans were immensely furious with Cleopatra and had primary influence over what sources were left behind about her. So certainly this is going to lead to biases and inaccuracies in the depictions we have. Furthermore, we are all well aware of how Hollywood likes to dramatize and embellish stories in order to generate ticket sales and is not worried about the accuracy of the historical anecdote. Because of this and her popularity, our knowledge of Cleopatra has been flooded with twisted truths. When examining Cleopatra’s full reign beyond her love affairs, reveals Cleopatra put all of her effort forth in order to solve the conflict between Egypt and Rome and should be recognized for her masterminded and commanding leadership
In the story of Othello we see how the actions of one man go on to ruin the lives of multiple people. The villain Iago single-handedly creates the tragedy of Othello through his puppeteer like control of the other characters in the play. Iago captivates the audience as his plan progresses. Readers are anxious to know what will happen next in the play. What makes Iago so fascinating is his mysteriousness as a character, his fully devious ways, and how magnificently clever he is in organizing the demise of Othello.
The snake has acted as a diverse symbol throughout history, representing immortality, evil, femininity, and masculinity. In the book Dream Animals, Marilyn Nissenson and Susan Jonas further reveal the awe that the snake has inspired throughout the centuries, "They [snakes] were believed to mediate between life and death, earth and sky, this world and the next" (19). The snake slithers through our subconscious, evoking varying associations. Cleopatra identified with the snake during her life, and it becomes even more highly symbolic in her death. By examining three movies (DeMille's Cleopatra, Mankiewicz's Cleopatra and the ABC version of Cleopatra) and two dramas (Shakespeare's Antony and Cleopatra and Mary Sidney's Tragedy of Antonie) different symbolic representations of the snake emerge along with contrasting depictions of the Queen of the Nile. These varying representations of the asp and slightly contrary portrayals of Cleopatra prove to us that we know very little about the enigmatic ancient Queen.
A career in clinical psychology is one that will be promising for anyone seeking to pursue this career. A clinical psychologists’ educational training is a dead-ringer for success, if completed with a doctorate. A doctorate for a clinical psychologist is the best way to get ahead and have the upper hand in this field. A clinical psychologist’s salary is one that will be growing steadily along with the number of growing demands for psychologists. Anyone who chooses to pursue clinical psychology, that fits the profile for the job, will be set and secure. Clinical psychology is a bright career that I hope to someday enter into, following the pathway that my research has yielded; with that, I may begin my journey.
The reign of Cleopatra. Westport, Conn.: Greenwood Press, 2004. Print. The. Grant, Michael.
Choosing a career in children psychology can be a very demanding but also very rewarding job. The schooling and training can also be extremely rigorous. You have to be a good observer with attention to detail. You need to be able to notice the subtle changes in children's behavior. You need to have an open mind so you can question your assumptions. You need empathy and good communication skills. Children psychologists serve an important role in our society to address the needs of children who are struggling with mental, social-emotional, and learning issues. Some psychologist work and help children in clinics, schools, and even universities. They can work with individual clients or even groups of clients, all dealing with different issues. Each can specialize in dealing with one specific issue, such as, treating ADHD, autism, and substance abuse. Child psychologists usually focus on the primary issues that children and adolescents are faced with as they grow up, like developmental milestones, social skills, educational issues, and behavioral or emotional problems. Child psychologists have to go through a lot of schooling and training in order to fully comprehend these types of issues.
Choosing a career in children psychology can be a very demanding but also very rewarding job. The schooling and training can also be extremely rigorous. You have to be a good observer with attention to detail. You need to be able to notice the subtle changes in children's behavior. You need to have an open mind so you can question your assumptions. You need empathy and good communication skills. Children psychologists serve an important role in our society to address the needs of children who are struggling with mental, social-emotional, and learning issues. Some psychologist work and help children in clinics, schools, and even universities. They can work with individual clients or even groups of clients,