A Battle of Epic Proportions;
The Aeneid vs. The Metamorphoses
In many ways, judging and comparing Vigil’s Aeneid and Ovid’s Metamorphoses is inevitable because each of the writers lived at roughly the same time in history, both sought to create a historical work that would endure long past their mortal existences, and while each man was ultimately successful in their endeavors, they achieved their desired goals in vastly different ways. That being said, the epic poem by Ovid is superior because unlike Virgil, whose epic poem utilized a character centered narrative steeped in historical inferences and a theme that celebrated the moral virtues of Greek and Roman society, Ovid defied tradition by creating an intricate narrative that looked
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In addition, the overall theme of the poem highlighted morality, which was a definitive tenet of Greco Roman civilization. In many ways, Virgil wrote the poem as a means of lauding the moral virtues of Roman society and as a personal challenge to outdo Homer’s epic compositions, The Illiad and The Odyssey. Virgil was successful because he had incorporated many of the same tales shared in the works of Homer into one epic poem which presented a linear storyline in the books that detailed the life and times of Aeneas and the Trojans. That being said, Virgil did not stray far from the approach that many writers had used before him; his primary focus throughout the Aeneid was placed squarely upon the back of idealized Greek and Roman moral principles, which were the dedication to ones’ honor, family, and country. By no means is there anything wrong with this approach, but in many ways, the entire poem could be viewed as a “propaganda” piece; while it might have served to enlighten, educate, and create a cohesive and uplifting story for the Roman populace, the poem lacked depth and a more profound exploration of human intricacies. While Virgil’s epic poem has stood the test of time and remains one of the greatest pieces …show more content…
For example, in the Aeneid, Virgil wrote about the love affair between Dido and Aeneas and Dido’s eventual demise; this particular linear link served as a bridge between book IV and book V. Another example of this interconnection between books occurred in the foretelling of Aeneas’s eventual travels to the Cumae and it served as a link between book V and book VI. In much the same fashion, Ovid employed a similar tactic in the interconnections that occurred in the Metamorphoses, but unlike the storyline of Virgil’s singular character-driven epic poem, Ovid linked all sorts of individuals, Gods, and mythological stories into his creative masterpiece. What is more, Ovid often placed stories within stories that also spanned multiple books in his epic poem. A prime example of this powerful storytelling tool was the chronological progression of the story about Baccus. The tale of Baccus began in the book III story of Semele, was expounded upon in the story of Pentheus and Baccus, further explored in the book IV story of Pyramus and Thisbe, and referenced or included in various books and stories that followed. This is just one of the hundreds of individuals, Gods, and mythological stories Ovid included in his poem and a singular example of how
Hercules is one of the most well-known mythical heroes in history; his associations with adventure and violence exemplify as to why audiences are so interested in him. Virgil briefly writes about Hercules within The Aeneid, showcasing his heroic qualities within a climactic event with the monster, Cacus. Through the characterization of Hercules and Cacus, demonstrations of Hercules’ anger, and exemplifications of vividness, Virgil’s account of the battle between Hercules and Cacus in Book 8 of The Aeneid exemplifies an element of impact, heightening the conflict between the two characters for entertainment purposes.
Virgil lived in a time that went through many changes. He was born in 70 BCE to a peasant family in Northern Italy. After the civil war, Augustus became Emperor of the Roman Emperor and wanted to preserve Roman values and tradition. Virgil also wanted to see Rome rebuild after the civil war and to be a thriving city again. Virgil had always wanted to write a great epic like The Odyssey or The Iliad. He wanted to write a national epic similar to what The Odyssey had become for the Greeks. Since Virgil was a client of Caesar Augustus, he had sworn loyalty to him, both in day to day life and in all political aspects. In return,Caesar Augustus would give “kindness” to Virgil, such as enough financial stability for him to continue his poetry and
"Book One of Ovid's Metamorphoses establishes the book's theme of metamorphoses with a tale of creation that progresses into human stories leading to the current breed of man. The creation piece is followed by a flood story and a discussion of the ages of mankind. The ages of mankind - gold, silver, bronze, and iron - describe man's slow progression from a good, wholesome society into a miserable, self-destructive one. The next stories concern tales of gods and goddesses and their manipulations of the human population and each other. Book one ends (appropriately) with Phaethon's journey to meet his father, the sun, thus establishing Ovid's theme of quests for change."(auburn. edu)
Both the Odyssey and the Aeneid represent their cultures very well, but they express different ideas on what one should strive for in life. There are also different forces that pushed both epics to be written. The Aeneid expresses the Roman idea of pietas which means to show extreme respect for one’s ancestors. We see this in Aeneas when he is pictured caring his father away from burning Troy. He has pietas because he cared so much for his father that in fleeing from Troy he took up his father over his shoulder to save his from certain death. This is not the only major idea in the Aeneid. There is also a very political focus. The Roman were very interested in politics which comes through in the Aeneid. The Odyssey has the Greek idea of arete trapped somewhere among the many themes. Arete is a strive for perfection in both mind and body. It is a much more personal and individual idea than the Roman pietas. In the most basic seance the Aeneid and the Romans have a much more political focus and duty to the state ( republic ) than the Greeks who honor tradition , family , and arete.
The Odyssey and The Aeneid are both classic pieces of literature that have impacted the modern academic world. These two stories have compelling similarities, however, they also have copious differences. Both stories follow a hero after the Trojan War, one searching for the comfort of his wife and son, another determined to establish an empire and fulfill his destiny.
There has been much debate on who is the greatest hero of the ancient world. There has also been much dispute on which is the greatest epic poem of the ancient world. However, comparing The Aeneid to The Odyssey is entirely a difficult task itself. Odysseus' journeys, both physical and emotional, are essential in the overall work because it defines The Odyssey as an epic poem. Aeneas also shares a similar experience as Odysseus as well. Both stories are similar in countless ways because they both undergo comparable experiences on their travels and their life journeys. With that being said, they both demonstrated leadership in their own way. However, it is difficult to determine who the best leader actually is. Both men exhibit great leadership skills; therefore, causing a challenge for some in determining which the greater epic is. After analyzing both texts, it is possible to conclude that Aeneas is the better leader, but The Odyssey is the greater epic.
In the epics of both Homer and Virgil, the meaning and politics of honour play a significant role in the decisions and actions of the characters. Honour involves arbitrary set of rules, so just what is is and why did people need to maintain these rules at all? In these poems, honour is linked to a hero’s possessions, identity, and deed. All three are important, but one’s deeds seem to matter the most and without performing great deeds, honour cannot be had the other two ways.
‘The Odyssey’ by Homer, ‘The Aeneid’ by Virgil and ‘To Kill a Mockingbird’ by Harper Lee were written in different eras, were produced for different audiences and contain heroes which displayed different beliefs. Though produced in different time periods, the narratives share some striking similarities and resemblances. They focus on male heroes, typically who are (in some way) more inclined compared to the ‘average mortal’. Atticus is very intelligent, Aeneas is a great leader and Odysseus is remarkably courageous; all three narratives deal with the trials, challenges and achievements of the hero.
... between Aeneas and the Homeric heroes, given an account of the historical and mythological background of Rome and demonstrated that the Roman way of life is necessarily more structured and community oriented than the Homeric Greek way of life. Virgil wrote The Aeneid as an ode to the greatness of Rome, we could imagine that as he wrote it he was in constant competition with Homer because The Aeneid was a proclamation of greatness for the Romans as the Homeric epics were for the Greeks. But Virgil took advantage of the flaws that the Homeric Heroes had and gave the corresponding virtues to Aeneas thus ensuring Aeneas' superiority and consequently Rome's superiority.
As in Book I of "The Aeneid," Book II and Book III are authored by Publius Vergilius Maro, but the entirety of the books is written as exposition delivered by the character Aeneas. Aeneas could thus be considered the "author" of the piece, and his audience is Dido and her Phoenician people. Aeneas narrated the contents of the pieces as a response to Dido's request for his story, and his reluctance apparent in the opening lines suggests that he disagrees with the prospect of recalling such painful memories, but complies regardless. Therefore, Aeneas's motivation in relating his story (and, in a way, Virgil's as well) is to reveal what events transpired on his voyage from Troy to Carthage. His actions during the fall of Troy in particular lend
In Virgil’s poem, The Aeneid, the ideal Roman hero is depicted in the form of Aeneas. Not only does Aeneas represent the Roman hero, but he also represents what every Roman citizen is called to be. Each Roman citizen must posses two major virtues, he must remain pious, and he must remain loyal to the Roman race. In the poem, Aeneas encompasses both of these virtues, and must deal with both the rewards and costs of them.
Virgil. “The Aeneid, Book IV”. The Norton Anthology of Western Literature. 8th ed. Vol. 1. New York: W.W. Norton, 2006. 974-95. Print.
In Virgil’s The Aeneid, there are many parallels found in Homer’s The Odyssey. In each epic, the heroes, Aeneas and Odysseus, are on a journey “home.” Aeneas is on the search of a new home for he and his companions to settle since Troy has been destroyed, Odysseus on the other hand is attempting to return to his home he left years earlier to fight the Trojan War. They both have Gods against them and helping them, both Aeneas and Odysseus are both held back by women, both voluntary and involuntarily, and they both have experiences visiting the Underworld. Despite these similarities, there are differences between the two characters and it reflects their values and the society they live in. Aeneas relies on his strength as a warrior, where as Odysseus uses his deception to survive which reflects how Aeneas is truly Roman is versus Greek.
The Aeneid by Virgil and Inferno by Dante are both works centering around adventures. In both of these adventures, love is intertwined with suffering. Why are love and suffering connected as such? In The Aeneid, Aeneas suffered a great deal and then was fated to lead his people to Italy and Rome. Aeneas "marries" the Queen of Carthage, Dido, who eventually kills herself out of despair. In Inferno, Dante is taken on a divine mission to see the depths and horrors of Hell. While in Hell, Dante stumbles upon and is intrigued by two lovers, Paolo and Francesca, who were tragically killed by Francesca’s husband, Gianciotti.
This anti-epic certainly does not follow the adventurous theme of the epic. There is no protagonist hero to focus on unless you visualize the god's prey as the hero in his/her escape. The assembled writings seem to be more of a recording of the misdeeds of the gods. It appears that Ovid wanted to write about the desires of gods and people instead of a great adventure.