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Handicraft in india essay
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CHAPTER 1
“Every handicraft has to be taught not merely mechanically as it is done today, but scientifically. This is to say, that the child should learn why and wherefore of every process.”
Mahatma Gandhi
1.1 INTRODUCTION TO STUDY
Mahatma Gandhi, the Father of Nation, felt that India should have its priority in bringing about a sense of awareness among villagers. In his scheme of basic education, vocational training or work experience were of utmost importance. According to him vocational trainings are very important as they impart; the dignity of labour and these trainings inspire an individual to be more ingenious and productive. According to 2011 census, 70% of the Indian population lives in rural India and these villagers possess different
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These skills demonstrate the wonderful and exceptional art of the artisans. While describing about Indian decorative arts Irwin (1964) acknowledge that the beautiful and magnificent art depicts the Indian life, which can be seen everywhere like bullock’s horns are also embellished with colorful silk tassels (Picture 99Picture 9).
Handicraft industry is highly intensive, unorganized and decentralized, spread in every part of the country, especially in the remote and backward rural India, giving employment to weaker sections of the society and also the main source of conservation of cultural integrity and uniqueness. According to the Handicraft census conducted for 11th plan (htt), there are 68.86 lakhs of Handicraft artisans in India (30.25 lakhs- male & 38.61
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Dalai & Das (2013) highlighted that the productive and heterogeneous rural arts are one of the relevant assets to bring considerable and favorable prosperity by providing employment to millions of rural people. India Brand Equity Foundation mentioned that during April-September 2016 handicrafts export from India is US$ 1.9 billion (Indian Handicrafts Industry & Exports, 2016). Now it is expected to grow by 10% to US$ 3.5 billion in FY2016-17
Many tribes successfully preserved their art. For instance, local Indians of New Mexico still embroider beautiful blankets that have many geometric figures such as triangles and diamonds, similar to tessellations. See Figure 2 below (“Mathematics Used,” n.d.).
Industrialization, as it did in other countries, caused the formation of factories and machines that sped up how much cotton products are produced. In document 6, Radhakamal Mukerjee, an Indian economist, says “there has been a rapid decline of the hand-woven cloth industry…on account of the competition of machine manufactures…though many wear
He/she can cut and tear papers of their choice. Also, they can glue and create their piece of art without adult’s interference or directions. Dr. Laurel demonstrated the pros of the Process Art Experience as it supports many aspects of children’s development. For example, physical, language, and literacy, and social/emotional development. Those linked to each other as it will be presented through the child’s own work. In contrast, the child in the Product Art Experience will be restricted to follow adult’s instructions or directions to make a product that was determined previously. The Product Art Experience limits or restricts children’s imagination and creativity. The child will not have the opportunity to choose the material. He/ she should follow the educator’s steps to make any pre-determined product. The Art versus Craft example, which displayed by Professor Walton, was reliably linked to the aforementioned experiences. She promoted the significance of creative thinking by showing high regards toward children’s individual abilities in techniques and skill levels. I learned from the Walton’s perspective that in order to stimulate children’s creativity, we should focus on children’s works, skills, and
Gardner, Helen, and Fred S. Kleiner. Gardner's Art Through the Ages: The Western Perspective. N.p., 2014. Print.
Lastly, craftsmanship and authenticity of its products is highly appreciated as well for largely using UK, Italy and France small specialist mills and manufacturers as suppliers. Well-made products, the convenience of location and ease of working, and the commitment of the staff are the benefits. However, there are also obvious weaknesses, an ageing workforce, undercapitalized firms, reliance on drive from owners, and as the handmade brands develop violently, there are not enough companies. It is a challenge for Margaret Howell as
Many of our people in our society throughout the years, have been buying different types of products and commodities from craft workers that are very personally close with one another and also from smal...
Weaving is a common thread among cultures around the world. Weaving is a way of producing cloth or textile. Today we have machines that weave large-scale textiles at cheap prices. Production of cloth by hand is rarely engaged in today’s Westernized societies. Not many people are thinking about how the fibers are actually constructed to make their clothes. However, in other cultures across the world the tradition of weaving still exists. By comparing three cultures that continue weaving as a part of their tradition we can see similarities and the differences between them. The reasons that each culture still weaves vary, as do the methods and materials. The desired characteristics of the cloth also vary around the world as each culture values different aesthetics.
Sandmire, D., Gorham, S., Rankin, N., & Grimm, D. (2012). The influence of art making
The idea that esthetic perception is an affair for odd moments is one reason for the backwardness of the arts among us. The eye and the visual apparatus may be intact; the object may be physically there, the cathedral of Notre Dame, or Rembrandt's portrait of Hendrik Stoeffel. [...] But for lack of continuous interaction between the total organism and the objects, they are not perceived, certainly not esthetically [...] For to perceive, a beholder must create his own experience. And his creation must include relations comparable to those which the original producer underwent. [...] Without an act of recreation the object is not perceived as a work of art.“ (Dewey, 1958)
Barriers to growth remain, however. High import duties make luxury goods expensive. Rich Indians tend to travel widely and may simply buy elsewhere. Finding suitable retail space is also proving a headache. So far most designer boutiques are situated in five star hotels.
This also covered living room furniture. The Indian demand for living room furniture has enjoyed steady growth over the years. In the year 2006, the Indian furniture industry was estimated at around Rs 35,000 crores. Indian Furniture Industry is a highly unorganized sector. The furniture industry in India employs a total of around 300,000 workers and the total production of furniture in 2001-02 was USD 3580 million.
Hand-crafted products delivered low output levels because of the time it took for planning and design of each item vs. the ability to deliver higher output levels using a machine automated, highly reputable process.
Textile production and consumption is an increasingly global affair as production continues to shift to developing countries. Developing countries have seen an explosion in the growth of their textile exports, and for many countries textiles are a significant portion of their total exports. In response to increasing competition from low-value imports from developing countries, industry leaders in developed countries have made significant capital investments in order to increase productivity and move into advanced market sectors.
"Contemporary craftsmen remain a society within a society, distinguished from the world surrounding them by their perception of craft and their choice of it as their primary occupation. This perception incorporates important attitudes: First, The craft provides the individual
The Textile industry is one of the oldest, largest and most global industries in the world. It is the typical ‘starter’ industry for countries engaged in export-orientated industrialisation (Gereffi 2002) and is labour-intensive. Brenton et al. (2007) suggest a number of reasons why the Textile sector has played such an important role in economic development. The sector absorbs large numbers of unskilled labour, typically drawing them from rural agricultural households to rural locations. Despite relatively low start-up investment costs, expansion of the sector provides a base upon which to build capital for more technologically demanding activities in other sectors.