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Role of music in christianity
Role of music in christianity
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The Evolution of A cappella A cappella music is a very unique style of music that is strictly vocal, without any instrumental accompaniment. There are no instruments involved and every part of the melody and harmony is covered by a singer. The term “a cappella” was originally used to differentiate the styles of Renaissance polyphony, which is a style of music that contains multiple melodies, and Baroque concertato, which is a style of music where voices and instruments share a melody. A cappella music was originally derived from church music and most commonly Gregorian chant. Gregorian chant developed between the 9th and 10th century in the Roman Catholic Church, most commonly believed to be started and founded by Pope St. Gregory the Great. The 19th century sparked a newfound interest in Renaissance polyphony but grew old to the fact that many of the voice parts were doubled by instrumentalists. In order to satisfy this need the instrumental parts were cut out and performed by only vocalists, thus the birth of a cappella music. Christian a cappella, or polyphony, music first developed in the late 15th century. The earliest recorded compositions of this style of music were written by Josquin des Prez. While this style of music did still have an instrument doubling the vocal …show more content…
The evolution of music and the rebirth of a cappella has helped keep this style new and fresh. Bringing new ideas to keep people interested in the craft. In order for music in general to grow we must continue to improve upon it and create new uses for it. Music in general is an outlet for ideas and emotions. A cappella music gives these abilities new life. By just using your voice you can stretch yourself to new limits and discover new ways to make music. A cappella music has benefitted societies in the past and with the growth of the style it continues to do
“For over one thousand years the official music of the Roman Catholic church had been Gregorian Chant, which consists of melody set to sacred Latin texts and sung without accompaniment” (Kamien 67). The credit for developing Gregorian chant music, also known as plain...
On March 13th the Rochester Oratorio Society and Houghton College Choir performed at the Hochstein Performance Hall in the city of Rochester. It was a predominately vocal concert with an accompanying pianist. The main performance of the evening was the Rochester Oratorio Society’s rendition of Johannes Brahms’ “Ein deutsches Requiem,” in which vocal soloists Elena O’Connor and Benjamin Bloomfield took the front stage, and Linda Boianova joined Kevin Nitsch as a second pair of hands behind the piano.
In this style of composition, it was very common for composers to use a Gregorian chant as a base to compose original pieces. As a general rule, the tenor voice sang the Gregorian chant, and the upper voices have new original material. Machaut followed this line by putting the chant Ad te suspiramus gementes et flentes on the tenor voice in his piece; whereas, Philippe De Vitry composed original music for all voices. Although the piece by De Vitry is called a motet, it might be just labeled as a polyphonic composition since all the voices have original music.
Atlas, Allan W. Renaissance Music: Music in Western Europe, 1400-1600. New York: W.W. Norton & Company, Inc., 1998.
The Catholic Church has always played a large role in the growth of music, and has led to some of its most important developments. One such musical development to come from the Church is the chant, a unison song with melodies to accompany different prayers and texts of the church. Perhaps one of the most memorable chants of the Catholic Church is the Dies irae, a Gregorian chant that has been performed for many centuries. The text of it is attributed to Thomas of Celano, who most likely based it on a trope from the responsory Libera me. The Dies irae is a particular genre of chant known as a sequence; sequences were used in the early years of the church. However, the Catholic Church held a series of three meetings from 1545 to 1563,
There are many examples of which European religious music have been borrowed by black Americans, the key characteristics of their African-heritage were never forgotten such as improvisation, vocal slides and shouts, call-and-response style singing can all be found even in modern day gospel. Many of the lyrics and texts are performed in a half sung, half spoken manner which became a signature vocal technique. Vowel sounds like “ah”, “oh”, “yeah” etc. are mixed within the melodies as prolongations and or ornamentations to the music. Some words could form an entire melody with such elongations on its own. (Roach 24) Musicians can often alter the melodies and improvised vocal riffs in addition to the main melody which is an extension of the purpose
From the Early Renaissance to the High Renaissance, there was a movement from vocal music to a combination of vocal and instrumental music (Brown, 1976). There are seven categories of instrumental music: 1) vocal music played by instruments, 2) settings of pre-existing melodies, 3) variation sets, 4) ricercars, fantasias, and canzonas, 5) preludes, preambles, and toccatas for solo instruments, 6) dance music, and 7) songs composed specifically for lute and solo voice (Brown, 1976). Italy dominated the stage for instrumental music at this time, and it was not until the last decades of the sixteenth century that English instrumental music became popular (Brow...
Combined Choirs. 1964. A History of First Baptist Church Lindale, Georgia. N.p.: n.p., n.d. 1-68. Print.
Gregorian Chants have been around for the longest time, the music is a form of monks getting together and singing and they sang like church like choirs with a magnificent sound. Monks had skills behind this because of rhythm and their accents were soft. Being that the monks had two or three notes or beats to go along with the better the process of singing these chants it became.
... composition made it impossible to comprehend the sacred texts. People asked for monophonic hymns, such as Gregorian chants, for mass. Coming to a head, the council decided church music should not be made “to give empty pleasure to the ear,” but the hymns should inspire religious contemplation instead. (Kamien, 2011) The Council of Trent did not outright ban polyphonic mass, even though the public wanted monophonic hymns for masses, Giovanni Pierluigi da Palestrina, one of the most prominent Italian Renaissance composer’s, most famous mass, Pope Marcellus, was polyphonic.
Humans from the coast of West Africa arrived to the New World as slaves. Stripped of everything familiar, they brought with them their traditional ways of using music to record historic events, expressions, and to accompany rituals. While toiling in the tobacco fields of Virginia, slaves were not permitted to speak to each other. So, they resorted to their African tradition. They sang!
As time passed and music continued to evolve what is known as the Renaissance period emerged from 1475-1600. Music during this period was still written with worship as its intentions. Where the Medieval period had no harmony the Renaissance period introduced the use of a constant chord to form the building block of the different pieces. A good example of this period of music is “Ave Maria” by Josquin written in 1485. The many different voices the repeat the same words create a process called imitation. This particular chant is capella, meaning that it is performed by voices alone and has no musical accompaniment and with all the voices entering at different times but in harmony counterpoint i...
Gregorian Chant came from, how it was adapted from the Old Roman Chant, and when the
Music in the Renaissance differed from medieval music because Renaissance music tended to be more complex and polyphonic, while medieval music was often monophonic with one melody. Most music in the medieval era was written for religious services because the catholic church prohibited any other music. With the rise of the renaissance era, music was used for many other reasons. Composers created complex music by using notation and musical forms. During the medieval era, music often contained one tone and one or no instruments. Instruments were more widely accepted in music during the Renaissance.
For me personally, music appreciation is defined as looking at different pieces of music and musical forms, and learning to find appreciation for them. This appreciation is formed not only by listening to several pieces of music, but by learning to understand what you may be listening too. This involves introducing yourself to many pieces of music and learning to interpret, what makes each piece different and unique. Understanding the historical background and societal changes that have taken place during the creation of the musical piece, is also an important factor to consider. Music is not only creative, but it also makes up part of a societies history. Music is an art form that connects different societies and cultures together, it possess the amazing ability to make us into one.