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mythology of ancient india
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Once upon a time, in the island of Sumatera, there lived a young orphan who grew up to be a farmer. He caught fish in a nearby lake and harvested crops in a rice field close to his village to earn his daily income. Despite the fact that he lives alone, he was always keen to find a wife so he can start his own family. One particular day, when he was fishing for food, he caught a beautiful yet fascinating golden fish with large and colorful scales. Seeing the beauty of the fish, the farmer shrieked with joy and expertly placed the fish into a bucket full of water. But before he could do such a thing, the farmer realized that the fish was talking. “Help! Please don’t kill me, kind sir! Let me live!” cried the golden fish. The farmer was remarkably appalled by the approach that he hastily returned the fish back to the lake. To his surprise, a lovely yet charming woman magically appeared before him. The farmer was startled that he took a step back to hold his balance. “Hello sir, my name is Puteri. Thank you for saving my life.” said the woman thankfully. “Where did you come from?” asked ...
Effect on others: Throughout the first three quarters of the story, three different illustrations portray the fish scowling at the cat (11, 25, and 37) immediately after each of the cat’s activities. When the cat returns to clean up his mess at the end of the story the fish is shown with a smile on his face (57). Explaining the scowls on the fish’s face support the argument that the cat’s behavior at the beginning of the story is not acceptable to the fish. The fish’s smile at the end of the story reveals that the cat is engaging in behavior that is now acceptance to the
of images and details about the fish, making it into not only a poem with a purpose, but
Big Fish is like an incomprehensible film, which never ceases to stop surprising its viewers. The story is an amazing fantasy created by Tim Burton, which transports the viewer to another dimension by means of the main character’s experiences and adventures through the film. In the story the viewer finds a father, Edward Bloom, and a son, Will Bloom. The father is an extravagant storyteller, in which his son grew up hearing his tales and begins to doubt their credibility. Throughout the film the viewer can catch a glimpse of numerous acts of magical realism, but overall identifies the characteristic of mirror reversals which adds a special touch to the story when intertwined with the father and the son as they undergo a life changing journey.
In the poem “(love song, with two goldfish)” the love life of two individuals are portrayed as the lives of two fish. Their romance is failing as one lovers constant affection pushes the other away. In the end, one-sided love can only get them so far. The poet Grace Chua uses fish diction, strategically placed parentheses, and the symbol of the bowl in order to show how one's undying love can often leave them broken when their feelings are not reciprocated.
The fisherman states, “I am not rich or poor, but I am happy” (29). The fisherman believes that Allah determines if someone is rich or poor. This man brings in only enough money just to keep himself from not being hungry and his boat running, and is okay with every aspect of his life. Even though the poor might are tight on funds, they have their own meaning of what it is to be rich. Vollmann encounters a prostitute named Angelica in Mexicali and asks why some people poor are and why some people are rich, she states “that there is no such thing as being rich or poor, are just humans” (Vollmann 43). She also points out that to see yourself as rich you must have a precise goal. Angelica does not believe that she is poor because she is able to work and make money. She also brings up that individuals should spend their money on beneficial things and not on things they truly do not need or require. Vollmann’s encounters an elderly Japanese man at a camp who responds that his description of poverty was not because religion or predestined life, but instead the absence of his capability to work because of old age. Concurring to Vollmann, concludes for the reason that he is a bystander, he relates to their everyday life to his personal, as well as the city he lives
Tojo Hideki lived from 1884-1948 and he was a Japanese political and military leader. The premier who ordered the attack on Pearl Harbor in 1941, he personified Japanese militarism.
farms, he is awed by the sight of "nothing but land." His parents are both
The short story explains the sustainability of life, how a negativity of a relationship can help one relate to the smallest symbolic things. The lesson of sustainability of life is more than just the life of the Fish. It was more upon the relationship between the parents. The owner of the fish was small and would not care for the fish, making the mother take care of it Reminiscing of her childhood fish; the mother also remembers how her father dumped her childhood fish in a Michigan river. The mother of the little boy still kept her act together even after the infidelity of her husband. She would compare it to her parent’s relationship. In a way, the negativity of both relationships made her compare her life to the fish in the tank. The mother “… felt awe at the fact that life was sustainable even under the most abhorrent conditions.” She felt that the fish was most likely going through the same stuff she was going through with her husband. After seeing Fish’s tank dirty, the little boy told his mother and assumed the fish was dead, little did he know the fish was not dead and that mother had cleaned the tank and moved it to the living room after signing the last papers of her divorce and saying farewell to her ex husband. At the end they all carried the fish “… where with a soft patter of congratulatory applause they’ll present Fish with a new home, right next to the television set.” She in a way explained Fish’s new life in a positive way ad for her life shall be the same. Overall the story compares to the human’s life and a fish’s life both very different, but in a way more similar than one can imagine. The topic of adultery is harsh, and the way individuals take it can either be calm or crazy. In my opinion she took her divorce calm and made her have a certain type of love back into her life. It is bazar to think that a fish’s situation gave the
A poem without any complications can force an author to say more with much less. Although that may sound quite cliché, it rings true when one examines “The Fish” by Elizabeth Bishop. Elizabeth’s Bishop’s poem is on an exceedingly straightforward topic about the act of catching a fish. However, her ability to utilize thematic elements such as figurative language, imagery and tone allows for “The Fish” to be about something greater. These three elements weave themselves together to create a work of art that goes beyond its simple subject.
The monster took his first breath and opened his eyes. Victor stood paralyzed in fear of his creature. The creature was not what Victor had expected at all; He was absolutely hideous. Victor felt a sense of responsibility as the creature’s creator and decided to treat the creature as if it were a newborn baby. Victor helped the creature take his first steps and brought him to a chair to sit down. “I’ll be right back” Victor told the creature as he went to get the creature a drink. He showed the creature how to drink and told him it was called water. Victor kept pointing at the cup of water and saying “water” until the creature finally repeated him. Victor spent the rest of the day teaching the creature basic words. Victor was amazed that his creature was capable of learning, let alone learning as quickly as the creature was.
The title of the poem itself dictates the simplicity Bishop wishes to convey regarding the narrator's view of his catch. A fish is a creature that has preceded the creation of man on this planet. Therefore, Bishop supplies the reader with a subject that is essentially constant and eternal, like life itself. In further examination of this idea the narrator is, in relation to the fish, very young, which helps introduce the theme of deceptive appearances in conjunction with age by building off the notion that youth is ignorant and quick to judge.
“Kyle, I have a surprise for you at home! It’s your very early birthday present.” She sure did excite me because I ran home, and there it was on a table in my room - A fishtank! It was a pretty large tank, about 2 ½ feet wide, but it was empty. “Let’s go to the pet store to pick out some fish, Kyle” My mom sure did make that day great. The pet store was called ‘Critters’, in Rio Rancho, and it was one of my favorite places to go and just look at the different animals they had from time to time. This time, however, I was actually able to buy some! This was my first pet, so you can probably imagine my excitement. We decided to get some tropical fish that could survive in salt water, because I thought they looked “cooler and more exotic!”. Looking back, I didn’t realize how difficult it was to keep saltwater fish alive and healthy for a long time, but I still enjoyed the year that I did have them, my first
That fish is Edward Bloom. A compulsive storyteller, who enjoyed living life to it’s fullest. This extraordinary film is based on a collection of cleverly crafted stories from the novel, by Daniel Wallace. William Bloom (Billy Crudup) is a journalist who wants to find the truth behind his fathers’ mythical stories, to find out the truth about Edward, who is dying of cancer. For too long has Will heard the unending series of tales his father claims is his life.
The Fish is a narrative monologue composed for 76 free-verse lines. The poem is constructed as one long stanza. The author is the speaker narrating this poem. She narrates a fishing experience. The author is out in a rented boat on a body of water, presumably a lake. She tries to describe the fish to the fullest, which appears to be the purpose of the poem, without saying either the specie or an approximate age. The narration gives the impression that the fish is slightly old. There are a number of reasons as to why that fish got caught by the author, including time of day, the weeds weighing it down, fish’s age, and the fact that it has been previously caught five times.
Fishing tests your patience; if you want to catch a fish, you’re going to have to wait. I dip my feet into the icy water of the river and wait, wait, wait. I feel relaxed, surrounded by nature, but the air around me is also buzzing with the excitement. Goats graze on the grass that grows atop the rocky cliff across from me, and a gentle breeze whispers through the ivy that drapes over it. My hands are gripped tightly around my rod, ready to reel up my first catch, ready for the weight of a monster fish, ready for anything. Out of nowhere, I feel the slightest tug on my line and see a flash of rainbow scales beneath the water. I see my fishing rod bending with weight, which could mean only one thing: FISH ON! I begin to reel it in, inch by inch. The trout flies out of the water, glistening as the setting sun reflects off of its scales. The sky is ablaze, full of different shades of magenta, orange, and scarlet. It was as if an artist had painted the sky with the skillful strokes of their paintbrush. I hear my parents gasp with awe behind me. The first