Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Essay on role of women in beowulf
Essay on role of women in beowulf
Essay on role of women in beowulf
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Essay on role of women in beowulf
While the heroic epic poem Beowulf features a significant amount of female characters (Grendel’s mother, Wealhtheow, etc.), it is obvious that the men and their affairs are the focus of the story. Stacy S. Klein points out that “the poem’s powerfully masculinist disposition is apparent in its largely male cast of characters and in the relatively minimal attention given to the women who do appear” (87). As part of the heroic culture present in the poem, it is commonplace for “women [to be] married off to men of rival tribes in order to insure observance of peace treaties” (Fee, 285). At first glance it seems that the women of Beowulf are there simply to serve the men as servants or bargaining chips. Is this the case? Or do the women of Beowulf hold more influence than we think? In this essay – using two of the poem’s most important female characters as examples – I argue that, in terms of word choice and the language of the poem itself, the women of Beowulf are portrayed as bed mates or wives first, and people second. However, when it comes to the poem’s plot, the women do hold a significant amount of influence.
The first major female character to whom we are introduced is Wealhtheow, described as “Hrothgar’s queen... Adorned in her gold” (Beowulf, lines 613 – 614). A few lines later she is referred to as “Wealhtheow / [Hrothgar’s] queen and bedmate” (664 – 665). Neither time is Wealhtheow referred to as simply Wealhtheow or even as queen of Danes, but as a companion to Hrothgar. Hrothgar, on the other hand, is consistently referred to as simply “Hrothgar” or as “Halfdane’s son” (191). This is evidence of the strong patriarchal values of the heroic culture found within the poem.
That is not to say, however, that Wealhtheow is...
... middle of paper ...
...roblem (Tyson, 86). By showing restraint and only taking one life, Grendel’s mother demonstrates that she does not fit the stereotypical construct of the hysterical, grieving mother, and that she is entirely capable of being logical and rational.
As you can see, the poem’s language demonstrates a sexist, patriarchal portrayal of its female characters, while the events or plot of the poem show these same characters in a much more powerful and influential light. Why is this? What I consider most likely, is that the poet tried to portray the women as powerful and (somewhat) equal to the men, yet was limited by the conventions of language that existed in their time period. Women were considered inferior to the men, and the language would have reflected such things. Unfortunately, due to Beowulf’s anonymous authorship, we may never know the true answer to this question.
But even through a gap of almost 1,200 years, we see in We Have Always Lived in the Castle, written in the 1960’s, that the views of women having a say in the community is a minority, and not everyone agrees. Yes, there has been some sort of progress in women’s right, from 800 AD, alike in Beowulf, a person who wants revenge on her son’s death, is considered a hell-bride, but in the mid 1900’s, it would receive a little bit of a less negative reaction. But in both in Beowulf and We Have Always Lived in the Castle men are considered the ruler of them family, well at least until Merricat kills everybody. In my opinion, Merricat’s way of looking the hierarchy of gender, is different of having women in control, that symbolizes that idea that began as a minute topic in the time period of the 1960’s, and has expanded into the situation of women’s role of
Beowulf is an Anglo-Saxon narrative poem whose oral traditions date back to the sixth century (Ward v1,ch3,s3,n11). Beowulf opens with a short account of the victorious Danish king Scyld Scefing, whose pagan ship-burial is described. His body was carried on board a ship, piled up with arms and treasures: the ship passed out to sea, whence Scyld had arrived to the Danes as an abandoned child – a likely indication of a charmed, magical life. In The Saga of King Hrolf Kraki we meet Yrsa (also found in Beowulf), who is an impoverished child of uncertain birth (Byock xi); she later becomes queen – another charmed life. But re,markably she grows into one of the few women in the saga who do not employ magic. In Beowulf the reigns of Scyld’s son and grandson, Beowulf and Healfdene, are mentioned, and we then meet Hrothgar, the son of Healfdene. In The Saga of King Hrolf Kraki we also meet a Hrothgar, but his name is abbreviated into Hroar. He and his brother Helgi saw their father, King Halfdan, killed by King Frodi, who would have killed the two sons except for the magic of the commoner Vifil with whom they were hiding. King Frodi, in his attempt to kill them, “sought the aid of seeresses and soothsayers,” and when that failed, of “sorcerers” (2). But the magic of Vifil was so strong that it obscured the supernatural vision of the women (witches?); Vifil knew that “powerful spirits have visited the island [where he lived] (3) and thus saved Helgi and Hroar. Later Hroar is a notable figure, just as in Beowulf, ruling over the northern English kingdom of Northumberland until forced into a disastrous conflict. Meanwhile, as kids, Hroar and Helgi’s sister, Signy, manifests an uncanny poetic ability of speaking in beautiful verses when Jarl Saevil is escorting a group to King Frodi’s celebration; to me this seems magical. At Frodi’s feast a seeres named Heid is placed high up on a trance platform and asked to reveal any information about Hroar and Helgi.
As the poems of Beowulf and Sir Gawain and the Green Knight show, women have always had power, yet not as overt a power as wielded by their masculine counterparts. The only dynamic of women’s power that has changed in the later centuries is that the confines and conditions in which women have wielded their power has become more lax, thus yielding to women more freedom in the expression of their power. The structure, imagery, and theme in the excerpts from Beowulf (lines 744-71) and Sir Gawain and the Green Knight (lines 2309-30) support the concept of more power in the later centuries, by contrasting the restriction of Wealhtheow and the power she practices in Beowulf with the Lady’s more direct assertion of power in Sir Gawain and the Green Knight five centuries later.
Early in the poem, Beowulf hears accounts of Grendel’s destruction of Herot, Hrothgar’s majestic mead hall. Knowing his strength and military prowess, Beowulf immediately devises a plan, recruits men, and orders boats, thrusting himself into a battle that was not necessarily his to fight. Beowulf felt obligated to end Grendel’s reign of terror. Though he knew the death of Grendel would bring him fame and honor, the idealized Beowulf was able to set aside personal ambition in order to end the suffering of the Danes. Shortly after slaying Grendel, Beowulf again displays an awareness of duty when Grendel’s mother extracts revenge upon Herot, killing one of Hrothgar’s best men, Aeshere. Instead of leaving Herot in a state of frenzy, Beowulf comes to King Hrothgar’s side, pledging allegiance and service. Bolstering the defeated king’s moral, Beowulf boldly addresses the older King Hrothgar saying, “So arise, my lord, and let us immediately set forth on the trail of this troll-dam. I guarantee you: she will not get away, not to dens under ground nor upland groves nor the ocean floor. She’ll have nowhere to fall to. Endure your troubles to-day. Bear up and be the man I expect you to be.” Beowulf could not set aside his duty and obligation, though he knew full well the suffering and pain that might result from his actions. Thus, Beowulf is a portrait of
The fictional world of Grendel has great divides between male and female characters. While the novel is written in a fairly contemporary society, the world that Gardner constructs still follows under the same logic and principle as the ancient writings of Beowulf. The men are overtly masculine and tough, and the women are constructed with extreme passivity; there is marginal middle ground in both worlds. The constructions of how certain genders act are crucial to interrogate in order to understand one’s bias and become cognizant of the variety of gender roles men and women can endorse. The world of Grendel is full of symbols that construct men as violent, sexual creatures and women as passive objects.
Shippey, T.A.. “The World of the Poem.” In Beowulf – Modern Critical Interpretations, edited by Harold Bloom. New York: Chelsea House Publishers, 1987..
Within the poem, the central function of these women is to assume the role of hostess by offering the mead cup to their husbands as well as his guests in the mead hall. Through this seemingly frivolous action, the women become an extension of their husbands’ power. The offering of the mead cup through his wife is a display of the King’s hospitality, generosity, and graciousness. By offering the communal mead cup to every single person to the entire body of the King’s people and to foreign guests, as Wealhtheow does when Beowulf joins the Danes (Beowulf 43:620-640, 84:1191-1214), a sense of equality is created and peace is formed within the community as well as foreign tribes. Through their marriage, Wealhtheow and Hygd represent the ideal, moral Germanic woman who is loyal to their husbands, hospitable, well-tempered, gracious, and bearers of peace. Grendel’s mother, on the other hand, is the polar opposite of these
There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).
As the welcoming celebration for Beowulf goes on, Unferth begins to ridicule Beowulf about his swimming competition with Breca. Unferth is jealous and feels threatened by Beowulf " for he would not allow that any other man of middle-earth should ever achieve more glory under the heavens than himself." (Norton p. 33) Unferth is a very peculiar character. Although he has committed the horrific crime of killing his brother(s), he is privileged enough to sit at the feet of the king, a very respected position. His sin,an enormous violation of the comitatus, suggests that there is something wrong in Hrothgar's kingdom and perhaps helps to foreshadow its destruction. Ultimately, it will be destroyed, as the text says, by a fire after " sword-hate between son-in-law and father-in-law to awaken after murderous rage." (Norton p. 28).
Hygd, wife of Hygelac, the King of Geats, is mentioned several times, although we never hear her speak. She offers Beowulf the throne when he returns home from fighting the dragon, but the narrarator of the poem tells us, "There Hygd offered him throne and auth...
There was a huge influence of both paganism and christianity that can be noticed in Old English Poetry. To better understand these two values, let us explain what paganism and christianity mean. Christianity is a monotheistic religion centered on the life and teachings of Jesus of Nazareth. As presented in New Thestament, Christians believe Jesus to be the Son of God and the Messiah prophesied in The Old Testament. Christianity began in the 1st century AD as a Jewish sect, and shares many religious texts with Judaism, specifically the Hebrew Bible, known to Christians as the Old Testament. The name Christian means belonging to Christ or partisan of Christ. As far as Paganism is concerned, the word comes from latin paganus and means a country dweller, rustic. It is a term which has come to connote a broad set of spiritual or cultic practises or beliefs of any folk religion a nd of historical and contemprorary polytheism religious in particular. (...) Characteristic of pagan traditions in the anscence of proselytisation and presence of a living mythology which explains religious practice. The term Pagan is a Christian adaptation of the goy of Judaism.
Promp: what does beowulf have to say about women? Specifically, what is a women’s proper role in Beowulf? Consider actual Anglo- Saxon queens
"In a world without hope, a brave soul has nothing to lose." In the epic Beowulf, some might perceive Beowulf as having traits such as being arrogant. Although he is raised in a Pagan society, Beowulf concurs many tasks that an ordinary man could never do. He portrays man in general struggling against outward foes and inward doubts. Beowulf displays his characteristics; courage and strength, fame, perserverence, and compassion; which affords him the opportunity to be looked upon as an epic hero.
Wealhtheow is Hrothgar's queen and the mother of his two sons. Wealhtheow portrays the role of a traditional Anglo-Saxon woman at the time. When Wealhtheow is first introduced to the audience, she immediately falls into her role as peaceful greeter and cocktail waitress. The author writes, "Then Wealhtheow came forth / folk-queen of the Danes daughter of Helmingas / and Hrothgar's bedmate. She hailed all of them / spoke her peace-words stepped to the gift-throne / fetched to her king the first ale-cup" (ll. 612-6). Wealhtheow then proceeds through the meadhall "offering hall-joy to old and to young / with rich treasure-cups" (ll. 621-2). When Wealhtheow first approaches Beowulf and the Geats, she "bore him a cup / with gold-gleaming hands held it before him / graciously greeted the Geats' warleader" (ll. 623-5). The author then reinforces that she is a member of the weaker gender by directing Wealhtheow to her proper pos...
As a man fascinated with the role of women during the 14th Century, or most commonly known as the Middle Ages, Chaucer makes conclusive evaluations and remarks concerning how women were viewed during this time period. Determined to show that women were not weak and humble because of the male dominance surrounding them, Chaucer sets out to prove that women were a powerful and strong-willed gender. In order to defend this argument, the following characters and their tales will be examined: Griselda from the Clerk's Tale, and the Wife of Bath, narrator to the Wife of Bath's Tale. Using the role of gender within the genres of the Canterbury Tales, exploring each woman's participation in the outcomes of their tales, and comparing and contrasting these two heroines, we will find out how Chaucer broke the mold on medievalist attitudes toward women.