Dust, written by Judith Wright, discusses the concepts of a destroyed, empty world and a mother reflecting on the days when the “Earth was kinder”. Through her poem she shows the audience her fears for the world and how the world will become barren and “sick” if the environment is not cared for. This is typical of Judith Wright, with environmental themes central to many of her poems. The emotive responses that are evoked while reading this poem are extremely strong. A great sadness is experienced as she describes the barren new word and contrasts it to the previous one. To convey the moral of this poem Wright has employed many different literary and poetic techniques. These range over three major categories, imagery, structure and language. Overall we find that Wright is telling the reader that the environment needs to be protected and its resources appropriately used before it loses its beauty and can no longer provide for both families and the world.
Imagery is often used in poems as it creates a sense of space and gives the reader a better understanding of what is going on as well as helping them to suspend disbelief. Wright has clearly made an effort to involve imagery throughout her poem Dust. To establish the new world to the reader as a place impoverished and desolate she uses personification, saying that even the dust is “sick dust”. This allows the reader to clearly see the dust, representative of the earth, as diseased and almost dead which demonstrates the desperateness of the situation. The dust is also described as “harsh as grief’s taste”. This simile depicts a harsh landscape reminiscent of the cold bitterness of grief. This technique is really powerful as it forces people to remember or imagine the feelings of gri...
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...For Wright the poem was not only a future warning but was much more immediate than that. After the disastrous Australian drought of summer 1942, when the poem was written, and only three years after John Steinbeck’s novel Grapes of Wrath, which is all about the loss of a sustainable environment and fertile topsoil being turned to dust, it is likely that Wright saw this already occurring around her. Being a strong environmentalist and with a great sense of afflatus, she hoped that Dust would warn people before the “earth turns against the plough”. This poem successfully achieves this goal. It graphically depicts the horrible nature of what the world may well become, causing this message to strongly resonate with the reader. The poem uses a wide range of techniques which would capture the attention of any audience, causing them to have a vested interest in her cause.
The opening chapter paints a vivid picture of the situation facing the drought-stricken farmers of Oklahoma. Dust is described a covering everything, smothering the life out of anything that wants to grow. The dust is symbolic of the erosion of the lives of the people. The dust is synonymous with "deadness". The land is ruined ^way of life (farming) gone, people ^uprooted and forced to leave. Secondly, the dust stands for ^profiteering banks in the background that squeeze the life out the land by forcing the people off the land. The soil, the people (farmers) have been drained of life and are exploited:
Specifically, the grandfather in this poem appears to represent involvement with nature because of his decisions to garden as he “stabs his shears into earth” (line 4). However, he is also representative of urban life too as he “watched the neighborhood” from “a three-story” building (line 10). The author describes the world, which the grandfather has a small “paradise” in, apart from the elements desecrated by humans, which include “a trampled box of Cornflakes,” a “craggy mound of chips,” and “greasy / bags of takeouts” (lines 23, 17, 2, and 14-15). The passive nature of the grandfather’s watching over the neighborhood can be interpreted in a variety of different ways, most of them aligning with the positive versus negative binary created by the authors of these texts. The author wants to show the reader that, through the grandfather’s complexity of character, a man involved in both nature and more human centered ways of life, there is multifaceted relationship that man and nature share. Through the also violent descriptions of the grandfather’s methods of gardening, the connection between destructive human activities and the negative effects on nature is
He uses personifications specifically in this poem to write about what is going on and to describe things. “It's a hard life where the sun looks”(19)...”And its black strip of highway, big eyed/with rabbits that won’t get across ”(2)...”A pot bangs and water runs in the kitchen” (13) None of these are really human body parts on things such as the sun, a pot, or a highway, but they help describe what something does or what something looks like. In the first instance, the sun cannot actually look at something, but it could mean that the sun is visible to the humans, and if humans are out for a long time in the sun, they can get hot and exhausted. For the second line, the big-eyed highway could mean that the highway has many cars with bright headlights that are dangerous for the rabbits, the immigrants, to get across. For the third and final line, pots are not able to bang things on their own, and it could have possibly been a human who made the pot bang, preparing the meal of beans and brown soup that they survive on. There is also a simile in this poem, “Papa's field that wavered like a mirage” (24). This simile could suggest that the wind is moving the grass or crops on his father’s field and looked like an optical illusion. According to Gale Virtual Reference Library, the literary device, “tone” is used to convey the significant change of the author’s feeling in the poem. In the beginning lines, the tone is happy. The poem talks about nostalgia of when he was little, “They leap barefoot to the store. Sweetness on their tongues, red stain of laughter (5-6). (GVRL) These lines illustrate the nostalgia and happy times of Gary Soto’s life when he was probably a child. However, after line 11, the tone becomes more of a negative one. Soto later talks about Farm Laborers and how the job was not a great one. After line 19, a brighter
Richard Wilbur's recent poem 'Mayflies' reminds us that the American Romantic tradition that Robert Frost most famously brought into the 20th century has made it safely into the 21st. Like many of Frost's short lyric poems, 'Mayflies' describes one person's encounter with an ordinary but easily overlooked piece of nature'in this case, a cloud of mayflies spotted in a 'sombre forest'(l.1) rising over 'unseen pools'(l.2),'made surprisingly attractive and meaningful by the speaker's special scrutiny of it. The ultimate attraction of Wilbur's mayflies would appear to be the meaning he finds in them. This seems to be an unremittingly positive poem, even as it glimpses the dark subjects of human isolation and mortality, perhaps especially as it glimpses these subjects. In this way the poem may recall that most persistent criticism of Wilbur's work, that it is too optimistic, too safe. The poet-critic Randall Jarrell, though an early admirer of Wilbur, once wrote that 'he obsessively sees, and shows, the bright underside of every dark thing'?something Frost was never accused of (Jarrell 332). Yet, when we examine the poem closely, and in particular the series of comparisons by which Wilbur elevates his mayflies into the realm of beauty and truth, the poem concedes something less ?bright? or felicitous about what it finally calls its 'joyful . . . task' of poetic perception and representation (l.23).
It is generally agreed that modern environmentalism begins with ‘A Fable for Tomorrow’, the first chapter in Rachel Carson’s Silent Spring (1962). The fairytale-like opening to the book begins with the words, ‘There was once a town in the heart of America where all life seemed to live in harmony with its surroundings’, painting a classic pastoral picture where she describes civilization far from modern ills coexisting with nature yet away from the perceived danger of the wild. However pastoral peace swiftly gives way to destruction- 'Then a strange blight crept over the area and everything began to change. Some evil spell had settled on the community: mysterious maladies swept the flocks of chickens; the cattle and sheep
The advent of industrialization and mankind's insatiable quest to devour nature has resulted in a potentially catastrophic chaos. Our race against time to sate the ever-increasing numbers of hungry stomachs has taken toll on the environment. Man has tried to strip every resource Earth has to offer and has ruthlessly tried to eliminate any obstruction he perceived. Nature is an independent entity which has sustained and maintained the balance existing within it. Traditionally, spring season hosts the complete magnificence of nature in full bloom. It is evident in the very first chapter when Rachel Carson talks about a hypothetical village which was the epitome of natural rural beauty and was a delightful scenery for the beholder. The village
B) The symbolism of dust in Ashes for the Wind refers to the biblical story of the fall of man. Ash and dust are both very similar and in the end, Juan’s house burns down to the ground and all that is left is ashes: “for dust you are and to dust you will return." Juan was born and dies in the dust.
Image is everything. We can make even the most disturbing scene seem poetic by just adding a few birds, trees, or a river. Poetry is one of the mediums that use this mask. In Singapore by Mary Oliver, imagery plays a very important role. She writes a poem about a poor woman she saw in an airport in Singapore washing an ashtray in the toilet, seem like the woman was encompassing a beautiful scene in nature. A poem is always a beautiful thing, so she wrote a poem about this woman making her a metaphor to the serene image of nature. Although the poem seems to be a beautiful inspiration, it really is a way of her rationalizing her disturbed perception of the woman to nature in the poem. She also uses a very interruptive style of writing by jumping from what she is physically seeing, to what her mind's eye is creating.
In Robert Frost's "The Need of Being Versed in Country Things," the speaker provides the readers with a juxtaposition between humans and nature. In the poem, a farmhouse was burned down, yet the reactions of humans and of nature to this tragedy are completely opposite. Frost, an avid advocate of nature over society, attempts to show his readers how nature essentially triumphs over mankind through its strength, resiliency to tragedies, and resourcefulness of what seems to be broken down and beyond help. Frost uses personification, anthropomorphizing, and the idea of cycles along with the contrasting responses of nature and man to their disruption to fully convey to the readers nature's dominance over humans.
...ictures for the reader. The similar use of personification in “Snapping Beans” by Lisa Parker and the use of diction and imagery in “Nighttime Fires” by Regina Barreca support how the use of different poetic devices aid in imagery. The contrasting tones of “Song” by John Donne and “Love Poem” by John Frederick Nims show how even though the poems have opposite tones of each other, that doesn’t mean the amount of imagery changes.
Imagery is one of the many ways Edgar Allen Poe used to convey his message. At the beginning of the poem, the reader can instantly recognize imagery. A man is sitting in his study trying to distract himself from the sadness of a woman who has left him.
In “I wandered Lonely as a Cloud,” William Wordsworth accomplishes his ideal of nature by using personification, alliteration, and simile within his poem to convey to the reader how nature’s beauty uplifts his spirits and takes him away from his boring daily routine. Wordsworth relates himself in solidarity to that of a cloud wandering alone, “I wandered lonely as a cloud” (line 1). Comparing the cloud and himself to that of a lonely human in low spirits of isolation, simultaneously the author compares the daffodils he comes across as he “floats on high o’er vales and hills” (line 2) to that of a crowd of people dancing (lines 3-6 and again in 12). Watching and admiring the dancing daffodils as he floats on by relating them to various beauties of
The poet uses examples of imagery in this poem. The poet uses a simile in the first line of the first stanza to start off the poem. The simile she uses is ''the skin cracks like a pod''. The opening of the poem gives a clear message that something is severely wrong. A pod cracks with barely any resistance so the comparison to the skin is a unreserved statement outlining how easily the skin is. There is obviously a drought or a vast undersupply of water. The opening surprises the reader and gives an indication of what is to come. The poet uses a short and abrupt line which is effective
Figurative language is used by William Wordsworth to show the exchange between man and nature. The poet uses various examples of personification throughout the poem. When the poet says:”I wandered lonely as a cloud” (line 1),”when all at once I saw a crowd” (line 3), and “fluttering and dancing in the breeze” (line 6) shows the exchange between the poet and nature since the poet compares himself to a cloud, and compares the daffodils to humans. Moreover, humans connect with God through nature, so the exchange between the speaker and nature led to the connection with God. The pleasant moment of remembering the daffodils does not happen to the poet all time, but he visualizes them only in his “vacant or pensive mode”(line 20). However, the whole poem is full of metaphors describing the isolation of the speaker from society, and experiences the beauty of nature that comforts him. The meta...
In William Wordsworth’s poems, the role of nature plays a more reassuring and pivotal r ole within them. To Wordsworth’s poetry, interacting with nature represents the forces of the natural world. Throughout the three poems, Resolution and Independence, Tintern Abbey, and Michael, which will be discussed in this essay, nature is seen prominently as an everlasting- individual figure, which gives his audience as well as Wordsworth, himself, a sense of console. In all three poems, Wordsworth views nature and human beings as complementary elements of a sum of a whole, recognizing that humans are a sum of nature. Therefore, looking at the world as a soothing being of which he is a part of, Wordsworth looks at nature and sees the benevolence of the divinity aspects behind them. For Wordsworth, the world itself, in all its glory, can be a place of suffering, which surely occurs within the world; Wordsworth is still comforted with the belief that all things happen by the hands of the divinity and the just and divine order of nature, itself.