American writers and poets of the 19th century created literature to criticize and detail the imperfections of society. Emily Dickinson, who retired from contact with the outside world by the age of twenty-three in favor of a life of isolation, can arguably be considered such a poet. Her untitled poem "Faith" can be interpreted as criticism of the masculine-dominated society of her time and supports themes in Henry James's work Daisy Miller: A Study, which also criticizes societal expectations and practices.
The first two lines of Dickinson's poem "Faith" read: "‘Faith' is a fine invention/When Men can see-," the capitalization stressing the words "faith," "when," and "men," suggesting that men can be trusted to believe what is right only when their vision is not blinded by things such as the prejudice and societal expectations. Winterbourne, the main character in Henry James's story Daisy Miller: A Study, is a representative of common 19th century masculine-dominated society of the elite, and a product of all the accompanying prejudices.
It is therefore that Winterbourne cannot help but find some fault in Miss Daisy Miller, who he meets for the first time during a visit to Vevey and who "talked to Winterbourne as if she had known him a long time. He found it quite pleasant" (330). Before society forces him to find fault with Daisy, his instincts allow him to take pleasure in her company and to see her for who she truly is, simply "a person much disposed towards conversation" (329).
However, it is not long before Winterbourne feels a need to place her within the rigid expectations proper to her class and gender. He begins to find her disposition towards conversation and acknowledgment to having a great deal of gentlemen's...
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...some Italian" (363) for Winterbourne to recognize his mistake. Like looking through a microscope, the clues of Daisy's innocence are finally brought to light, into focus, and are undeniably evident.
Faith failed Mr. Winterbourne, as he was unable to see past what society expected him to see, and it was only through hard facts and evidence-the testimony of the dying girl and the Italian man with whom she spent most of her time-that Mr. Winterbourne could finally accept Daisy as she was, truly a girl disposed to conversation and nothing else. He tells his aunt that Daisy "sent me a message before her death which I didn't understand at the time. But I have understood it since. She would have appreciated one's esteem" (364), meaning that Daisy would have liked to be thought of kindly and not labeled as someone or something she was not, and never gave evidence to being.
In Leland S. Pearson, Jr.’s essay “Herstory” and Daisy Buchanan,” Pearson explains why Daisy’s character is incomplete in the novel. Particularly in this paragraph:
that her husband was having an affair with another women but Daisy did not do
“’Does Mr. Winterbourne think,’ she asked slowly, smiling, throwing back her head, and glancing at him from head to foot, ‘that, to save my reputation, I ought to get into the carriage?’
Without Faith, who also symbolizes his faith, he is more hideous than the devil himself. Mr. Hooper tries to hold on to Elizabeth, showing his weakness, which is otherwise hidden by his veil. Without Hawthorne showing their meeting, it would have been inevitable to believe that the minister has become a darker figure. Georgiana’s death causes Aylmer to lose his only “happiness which would have woven his mortal life of the selfsame texture with the celestial” (409). The effect of female characters produces a different side of the male protagonists, either a better one or a
Daisy’s actions and words contrast greatly with her husband, Tom, and his grave nature. Her impression on the reader is frivolous with her “charming little laugh'; (13), and her light manner. In addition, Daisy’s tendency to murmur, rumored to make people lean closer to her, also reflects on her coquettish personality. Nick’s ability to read Daisy so well from her facial expressions and body language attests that her mannerisms are very illustrative; “Daisy took her face in her hands…I saw that turbulent emotions possessed her, so I asked what I thought would be some sedative questions. She also welcomes Nick’s charming but cheesy flattery, when talking about Chicago and she treats him the same way in return by referring to him as a rose and also by saying “I am p-paralyzed with happiness'; (13).
Daisy’s character can also be identified by the way she speaks of her daughter, Pammy, “I hope she'll be a fool, that's the best thing a girl can be in this world, a beautiful little fool” (17). This implies that woman don’t have power in the world compare to a man. Daisy thinks it’s best to have beauty rather than brains. Daisy treats her daughter as an object, showing her off to guests at her house, which suggests her lack of concern for her child and how careless she is. Daisy’s relation with Tom is unstable at sometimes. Daisy and Tom both came fr...
"Poor Winterbourne was amused, perplexed, and decidedly charmed. He had never yet heard a young girl express herself in just this fashion; never, at least, save in cases where to say such things seemed a kind of demonstrative evidence of a certain laxity of deportment. And yet was he to accuse Miss Daisy Miller of actual or potential inconduite, as they said at Geneva? He felt that he had lived at Geneva so long that he had lost a good deal; he had become dishabituated to the American tone. Never, indeed, since he had grown old enough to appreciate things, had he encountered a young American girl of so pronounced a type as this. Certainly she was very charming; but how deucedly sociable! Was she simply a pretty girl from New York State- were they all like that, the pretty girls who had a good deal of gentlemen's society? Or was she also a designing, an audacious, an unscrupulous young person? Winterbourne had lost his instinct in this matter, and his reason could not help him. Miss Daisy Miller looked extremely innocent. Some people had told him that, after all, American girls were exceedingly innocent; and others had told him that, after all, they were not. He was inclined to think Miss Daisy Miller was a flirt- a pretty American flirt. He had never, as yet, had any relations with young ladies of this category. He had known, here in Europe, two or three women- persons older than Miss Daisy Miller, and provided, for respectability's sake, with husbands- who were great coquettes- dangerous, terrible women, with whom one's relations were liable to take a serious turn. But this young girl was not a coquette in that sense; she was very unsophisticated; she was only a pretty American flirt.
reveals the struggle daisy must encounter of being a married woman who longs for another man.
At first glimpse, Daisy is portrayed as a "pretty American flirt" whose innocence Winterbourne is unsure of, and yet he says he was "almost grateful for having found the formula that applied to Miss Daisy Miller" (James 1563)." Like many people do in first impressions, Winterbourne feels the need to label Daisy right away." In the beginning, the stereotype seems to fit." Daisy is young, unsophisticated, chatty, and brags about all the society, especially gentlemen"s society she had in New York (1562)." She enjoys teasing and getting reactions out of people just for the sake of it." For example, the second time she and Winterbourne meet, late one evening in the garden, she asks him if he wants to take her out in a boat on the lake." Of course, her mother and the courier protest while Daisy laughs and declares, "That"s all I want " a little fuss!"She had no intention of going; she just wanted to get a rise out of someone." Bidding good-night to Winterbourne, she says, "I hope you"re disappointed, disgusted, or something!" (1572)." She is being flirtatious, but this kind of teasing is also just part of her sense of humor.
Daisy Miller starts out in a hotel in Vevey, Switzerland when a gentleman named Winterbourne meets Daisy, a young, beautiful American girl traveling through Europe. Daisy, her younger brother Randolph and her mother, Mrs. Miller, are traveling all over Europe while her father is home in Schenectady, New York. While Daisy is in Europe, she does not accept European ideas to be her own. Winterbourne, to the contrary, has been living in Europe since he left America when he was younger. Winterbourne takes a strong liking to Daisy even though his aunt, Mrs. Costello, does not approve of him even speaking to Daisy. Winterbourne claims that Daisy is an innocent person, but his aunt believes she is too common and not refined enough for him. Winterbourne and Daisy spend much time together, and even had a date at a close by castle named Chillon. Winterbourne then returns to Geneva where he is studying, but agrees to visit Daisy again that winter in Rome.
...tead.” This home has since become a museum for all to see. Very little of her works were published while Emily was still alive. After her death her sister found her works and published them (Benders: 140)
“Although Emily Dickinson is known as one of America’s best and most beloved poets, her extraordinary talent was not recognized until after her death” (Kort 1). Dickinson was born on December 10, 1830, in Amherst, Massachusetts, where she spent most of her life with her younger sister, older brother, semi-invalid mother, and domineering father in the house that her prominent family owned. As a child, she was curious and was considered a bright student and a voracious reader. She graduated from Amherst Academy in 1847, and attended a female seminary for a year, which she quitted as she considered that “’I [she] am [was] standing alone in rebellion [against becoming an ‘established Christian’].’” (Kort 1) and was homesick. Afterwards, she excluded herself from having a social life, as she took most of the house’s domestic responsibilities, and began writing; she only left Massachusetts once. During the rest of her life, she wrote prolifically by retreating to her room as soon as she could. Her works were influenced ...
During the confrontation between Gatsby and Tom Buchanan about Daisy, she is talked about like she is a possession to be won over. During the argument Nick “glances at Daisy who was staring terrified between Gatsby and her husband” (Fitzgerald, page 143). Gatsby and Buchanan tell Daisy what to say instead of allowing her to tell her own truths, and if she does start to speak up for herself she is quickly quieted down. Daisy states at the beginning of the novel while talking about finding out the sex of her child that, “I’m glad it’s a girl. And I hope she’ll be a fool – that’s the best thing a girl can be in this world, a beautiful little fool” (Fitzgerald, page 16). Daisy is the only female character in the novel who understands that no matter what a woman accomplishes, she will always be downcasted based on her gender. This outlook is what allows her to be controlled by Gatsby and Buchanan, because she doesn’t believe that anything she can do will make her more of a human to them. Myrtle on the other hand, while still a married woman, isn’t able to see her powerlessness. She feels powerful enough to stand up to Tom and chant Daisy’s name over and over again until he breaks her nose (Fitzgerald, page 37). This scene demonstrates the way that men handled women if they ever did feel confident enough to speak for themselves. One final scene from the novel that really
The story of Daisy Miller starts off in Vevey, Switzerland with Winterbourne and Daisy meeting through Daisy's brother Randolph. Winterbourne is immediately attracted to her stating, "she was strikingly, admirably pretty" (James 470). The story continues with Winterbourne giving Daisy a tour of the Chateau de Chillon, and Winterbourne returning to Geneva, where he had an older women waiting for him. Daisy ends up meeting an Italian man, Giovanelli, which eventually leads to her death of malaria. Although the characters seem simple enough, they symbolize much more than themselves. In Henry James's Daisy Miller, Daisy symbolizes all American women who travel abroad to Europe, while Winterbourne symbolizes the European mentality of American tourists.
Dickinson, Emily Elizabeth (1830-1886), America’s best-known female poet and one of the foremost authors in American literature. Born in Amherst, Massachusetts, Dickinson was the middle child of a lawyer and one-term United States congressional representative, Edward Dickinson, and his wife, Emily Norcross Dickinson. From 1840 to 1847 she attended the Amherst Academy, and from 1847 to 1848 she studied at the Mount Holyoke Female Seminary in South Hadley, a few miles from Amherst. Dickinson remained in Amherst, living in the same house on Main Street from 1855 until her death. During her lifetime, she published only about 10 of her nearly 2,000 poems, in newspapers, Civil War journals, and a poetry anthology. The notion that Dickinson was extremely reclusive is a popular one, but it is at best a partial truth. Although she never married and certainly became more selective over the years about the company she kept, Dickinson was far more sociable than most descriptions would have us believe. Biographers are increasingly recognizing the vital role of Dickinson’s sister-in-law, Susan Dickinson, in her writing. For more than 35 years the two women lived next door to each other, sharing mutual passions for literature, music, cooking, and gardening. Emily sent Susan more than 400 poems and letter-poems, twice as many as she sent to any other correspondent. In 1998 Open Me Carefully: Emily Dickinson’s Intimate Letters to Susan Huntington Dickinson was published, documenting the two women’s friendship.