American writers and poets of the 19th century created literature to criticize and detail the imperfections of society. Emily Dickinson, who retired from contact with the outside world by the age of twenty-three in favor of a life of isolation, can arguably be considered such a poet. Her untitled poem "Faith" can be interpreted as criticism of the masculine-dominated society of her time and supports themes in Henry James's work Daisy Miller: A Study, which also criticizes societal expectations and practices.
The first two lines of Dickinson's poem "Faith" read: "‘Faith' is a fine invention/When Men can see-," the capitalization stressing the words "faith," "when," and "men," suggesting that men can be trusted to believe what is right only when their vision is not blinded by things such as the prejudice and societal expectations. Winterbourne, the main character in Henry James's story Daisy Miller: A Study, is a representative of common 19th century masculine-dominated society of the elite, and a product of all the accompanying prejudices.
It is therefore that Winterbourne cannot help but find some fault in Miss Daisy Miller, who he meets for the first time during a visit to Vevey and who "talked to Winterbourne as if she had known him a long time. He found it quite pleasant" (330). Before society forces him to find fault with Daisy, his instincts allow him to take pleasure in her company and to see her for who she truly is, simply "a person much disposed towards conversation" (329).
However, it is not long before Winterbourne feels a need to place her within the rigid expectations proper to her class and gender. He begins to find her disposition towards conversation and acknowledgment to having a great deal of gentlemen's...
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...some Italian" (363) for Winterbourne to recognize his mistake. Like looking through a microscope, the clues of Daisy's innocence are finally brought to light, into focus, and are undeniably evident.
Faith failed Mr. Winterbourne, as he was unable to see past what society expected him to see, and it was only through hard facts and evidence-the testimony of the dying girl and the Italian man with whom she spent most of her time-that Mr. Winterbourne could finally accept Daisy as she was, truly a girl disposed to conversation and nothing else. He tells his aunt that Daisy "sent me a message before her death which I didn't understand at the time. But I have understood it since. She would have appreciated one's esteem" (364), meaning that Daisy would have liked to be thought of kindly and not labeled as someone or something she was not, and never gave evidence to being.
Without Faith, who also symbolizes his faith, he is more hideous than the devil himself. Mr. Hooper tries to hold on to Elizabeth, showing his weakness, which is otherwise hidden by his veil. Without Hawthorne showing their meeting, it would have been inevitable to believe that the minister has become a darker figure. Georgiana’s death causes Aylmer to lose his only “happiness which would have woven his mortal life of the selfsame texture with the celestial” (409). The effect of female characters produces a different side of the male protagonists, either a better one or a
When the readers first meet Daisy, she is living the party lifestyle. Daisy is a nice woman, but she is very superficial (Fitzgerald 8). This tells the readers that although Daisy is fake, but is kind. On the other hand, when Myrtle is talking to Tom and her sister Catherine, she becomes defensive and aggressive. “The answer to this was unexpected. It came from Myrtle, who had overheard the question, and it was violent and obscene” (Fitzgerald 33). These to statements show that although they are both clueless, they have personality traits that set them
In “A Rose for Emily”, Charles Faulkner used a series of flashbacks and foreshadowing to tell Miss Emily’s story. Miss Emily is an interesting character, to say the least. In such a short story of her life, as told from the prospective of a townsperson, who had been nearly eighty as Miss Emily had been, in order to tell the story from their own perspective. Faulkner set up the story in Mississippi, in a world he knew of in his own lifetime. Inspired by a southern outlook that had been touched by the Civil War memory, the touch of what we would now look at as racism, gives the southern aroma of the period. It sets up Miss Emily’s southern belle status and social standing she had been born into, loner or not.
Although, Emily Dickinson physically isolated herself from the world she managed to maintain friendships by communicating through correspondence. Ironically, Dickinson’s poetry was collected and published after her death. Dickinson explores life and death in most of her poems by questioning the existence of God. Dickinson applies common human experiences as images to illustrate the connection from the personal level of the human being, to a universal level of faith and God. This can be seen in Dickinson’s Poem (I, 45).
“Although Emily Dickinson is known as one of America’s best and most beloved poets, her extraordinary talent was not recognized until after her death” (Kort 1). Dickinson was born on December 10, 1830, in Amherst, Massachusetts, where she spent most of her life with her younger sister, older brother, semi-invalid mother, and domineering father in the house that her prominent family owned. As a child, she was curious and was considered a bright student and a voracious reader. She graduated from Amherst Academy in 1847, and attended a female seminary for a year, which she quitted as she considered that “’I [she] am [was] standing alone in rebellion [against becoming an ‘established Christian’].’” (Kort 1) and was homesick. Afterwards, she excluded herself from having a social life, as she took most of the house’s domestic responsibilities, and began writing; she only left Massachusetts once. During the rest of her life, she wrote prolifically by retreating to her room as soon as she could. Her works were influenced ...
reveals the struggle daisy must encounter of being a married woman who longs for another man.
Her only profession is finding ways to keep her husband satisfied. So, that he should procure whatever she currently desires. The constant state of leisure that surrounds her everyday life gets too boring for Daisy. She seeks new, exciting, and passionate beginnings in her life. After all, Daisy Buchannan always gets what she wants. When Jay Gatsby finds himself reacquainted with his lost love, Daisy takes this opportunity to entertain her presently dull lifestyle. Their escapades all suited Daisy, until Gatsby presented Daisy with an ultimatum. She had to tell Tom she never loved him, and then she can run away to live happily with a man who adores her. The idea seemed romantic, until Tom caught on to Daisy’s deception. Of course he would still want her, and he made a few convincing arguments to keep Daisy from leaving him. Daisy left for the Buchannan’s house with Gatsby feeling conflicted and confused about Tom’s promise of a better marriage. In her disgruntled state, Daisy wound up killing Tom’s mistress in a hit-and-run car accident, a true show of irony. She didn’t even stop to see if the person she hit was alright, and she honestly didn’t care. Daisy continued her way home, because her relationship was more important than the death of a human
As you read on, Daisy’s true character is slowly revealed, and you come to achieve that she is a very careless person. She seems to never care about the consequences of her actions, and this is proven when she is driving home from the city, and hits Myrtle with Gatsby’s car. Unlike most other people, she didn’t even hesitate and just drove home, without a care in the world about what she had done. One of Nick Caraway’s final assessments of Daisy after the accident is that she is very careless. He even says; “They were careless people, Tom and Daisy – They smashed up things and creatures and then retreated back to their money or their vast carelessness or whatever it was that kept them together, and let other people clean up the mess they had made”. (Fitzgerald 187) This quote is proof that people i...
Daisy's carelessness reveals her corruption as a human being. She uses her wealth and social status to escape whatever she chooses, like the death of Myrtle. Additionally, her actions demonstrate the dishonest exploitation of power for personal gain and attention. Daisy’s character, due to her money, inherently values her advantage over the lower class, revealing a nature of entitlement. Additionally, she gives no respect to anyone around her, sometimes n...
" Like many people do in first impressions, Winterbourne feels the need to label Daisy right away." In the beginning, the stereotype seems to fit." Daisy is young, unsophisticated, chatty, and brags about all the society, especially the gentlemen"s society she had in New York (1562). " She enjoys teasing and getting reactions out of people just for the sake of it." For example, the second time she and Winterbourne meet, late one evening in the garden, she asks him if he wants to take her out in a boat on the lake."
She believes that she is a beautiful little fool, but no one can blame her. Whenever Daisy is spoken about it is not in relation to her intelligence, but rather that, “‘Her voice is full of money,’ [Gatsby] said suddenly. That was it for me. Tom had never understood before.
...tead.” This home has since become a museum for all to see. Very little of her works were published while Emily was still alive. After her death her sister found her works and published them (Benders: 140)
During the confrontation between Gatsby and Tom Buchanan about Daisy, she is talked about like she is a possession to be won over. During the argument Nick “glances at Daisy who was staring terrified between Gatsby and her husband” (Fitzgerald, page 143). Gatsby and Buchanan tell Daisy what to say instead of allowing her to tell her own truths, and if she does start to speak up for herself she is quickly quieted down. Daisy states at the beginning of the novel while talking about finding out the sex of her child that, “I’m glad it’s a girl. And I hope she’ll be a fool – that’s the best thing a girl can be in this world, a beautiful little fool” (Fitzgerald, page 16). Daisy is the only female character in the novel who understands that no matter what a woman accomplishes, she will always be downcasted based on her gender. This outlook is what allows her to be controlled by Gatsby and Buchanan, because she doesn’t believe that anything she can do will make her more of a human to them. Myrtle on the other hand, while still a married woman, isn’t able to see her powerlessness. She feels powerful enough to stand up to Tom and chant Daisy’s name over and over again until he breaks her nose (Fitzgerald, page 37). This scene demonstrates the way that men handled women if they ever did feel confident enough to speak for themselves. One final scene from the novel that really
The story of Daisy Miller starts off in Vevey, Switzerland with Winterbourne and Daisy meeting through Daisy's brother Randolph. Winterbourne is immediately attracted to her stating, "she was strikingly, admirably pretty" (James 470). The story continues with Winterbourne giving Daisy a tour of the Chateau de Chillon, and Winterbourne returning to Geneva, where he had an older women waiting for him. Daisy ends up meeting an Italian man, Giovanelli, which eventually leads to her death of malaria. Although the characters seem simple enough, they symbolize much more than themselves. In Henry James's Daisy Miller, Daisy symbolizes all American women who travel abroad to Europe, while Winterbourne symbolizes the European mentality of American tourists.
Dickinson, Emily Elizabeth (1830-1886), America’s best-known female poet and one of the foremost authors in American literature. Born in Amherst, Massachusetts, Dickinson was the middle child of a lawyer and one-term United States congressional representative, Edward Dickinson, and his wife, Emily Norcross Dickinson. From 1840 to 1847 she attended the Amherst Academy, and from 1847 to 1848 she studied at the Mount Holyoke Female Seminary in South Hadley, a few miles from Amherst. Dickinson remained in Amherst, living in the same house on Main Street from 1855 until her death. During her lifetime, she published only about 10 of her nearly 2,000 poems, in newspapers, Civil War journals, and a poetry anthology. The notion that Dickinson was extremely reclusive is a popular one, but it is at best a partial truth. Although she never married and certainly became more selective over the years about the company she kept, Dickinson was far more sociable than most descriptions would have us believe. Biographers are increasingly recognizing the vital role of Dickinson’s sister-in-law, Susan Dickinson, in her writing. For more than 35 years the two women lived next door to each other, sharing mutual passions for literature, music, cooking, and gardening. Emily sent Susan more than 400 poems and letter-poems, twice as many as she sent to any other correspondent. In 1998 Open Me Carefully: Emily Dickinson’s Intimate Letters to Susan Huntington Dickinson was published, documenting the two women’s friendship.