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Theme of Death in Emily Dickinson's poems
Theme of Death in Emily Dickinson's poems
Theme of Death in Emily Dickinson's poems
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The subject of death, including her own was a very prevalent theme in Emily Dickinson’s poems and letters. Some may find her preoccupation with death morbid, but this was not unusual for her time period. The mindset during Ms. Dickinson’s time was that of being prepared to die, in the 19th century people died of illness and accidents at an alarming rate, not to mention the Civil War had a high number of casualties, she also lived 15 years of her youth next to a cemetery. Dickinson’s view on death was never one of something to be feared she almost romanized death, in her poem “Because I Could not Stop for Death”, she actually personifies death while narrating from beyond the grave. In the first stanza she states “I could not stop for death so he kindly stopped for me” (Dickinson). Death is like a loving mate that is simply waiting for her to just slow down so he/she can take her on to her into eternity. As they journey forth into eternity she describes Death as a very patient individual, she says death “drives away slowly, no haste”, death knows that she can’t escape so he just patiently waits on her. Dickinson “anthropomorphizes Death as a kind and civil gentleman” (Shaw).
She shows her gratitude for Death being so patient and gentlemanly by putting away her labors and leisure’s that once had her preoccupied with everything but her impending journey to the afterlife. The way she symbolizes her approach to her impending afterlife Dickinson creates a mood of peace and tranquility while she moves towards her eternity. This poem represents the three stages of life through symbolism; the school “where children strove represents childhood”; fields of grazing grain” was a representation of maturity; and “setting sun rep...
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“Santiago Suarez’s-Conflicting views of Death in Emily Dickinson’s Poems. 2004. 8 March 2012.
“Poetry Summary:I Died For Beauty But Was Scarce. Ed. Brianna Gibbs. Nov. 2010. 3 MAR 2012.
“Poetry Summary:I Died For Beauty But Was Scarce. Ed. Brianna Gibbs. Nov. 2010. 3 MAR 2012.
“The Spirituality of Emily Dickinson. Ed. Sumangali Morhall. 7 March 2012.
“The Spirituality of Emily Dickinson. Ed. Sumangali Morhall. 7 March 2012.
There is probably no one, among people, who has not considered death as a subject to think about or the events, people, and spirits that they would face after death. Also, since we were little kids we were asking our parents what death is and what is going to happen after we die. People have always linked death with fear, darkness, depression, and other negative feelings but not with Emily Dickinson, who was a reclusive poet from Massachusetts who was obsessed with death and dying in her tons of writings. She writes “Because I could not stop for Death” and in this particular poem she delivers a really different idea of death and the life after death. In the purpose of doing that, the speaker encounters death which was personalized to be in a form of gentleman suitor who comes to pick her up with his horse-drawn carriage for a unique death date that will last forever. In fact, she seems completely at ease with the gentleman. Additionally, their journey at the beginning seems pretty peaceful; as they pass through the town, she sees normal events such as children who are playing, fields of grain, and a sunset. After this, dusk takes place and the speakers gets chilly because she was not ready for this journey and she did not wear clothes that would make her feel warm. Consequently, readers get the idea that death is not a choice, so when it comes, that is it. Emily Dickinson, in her poem “Because I could not stop for Death,” uses personification, imagery, and style to deliver her positive and peaceful idea of death and life after death.
O'Hara, Frank. "The Day Lady Died." The Norton Anthology of Modern and Contemporary Poetry. Ed. Jahan Ramazani et al. 3rd ed. 2 vols. New York: W.W. Norton and Company, 2003. 2: 365.
She chooses this arrangement of verse in order to ordain a religious aspect into the poem, which does well to suite the theme and what she is fond of. As the recollection of the speaker’s death progresses, Dickinson uses the stanzas to mark the stages of the
I will discuss the similarities by which these poems explore themes of death and violence through the language, structure and imagery used. In some of the poems I will explore the characters’ motivation for targeting their anger and need to kill towards individuals they know personally whereas others take out their frustration on innocent strangers. On the other hand, the remaining poems I will consider view death in a completely different way by exploring the raw emotions that come with losing a loved one.
Marchino, Lois A. "My Last Duchess." Masterplots II: Poetry Series. Ed. Frank N. Magill. Vol. 4. Pasadena: Salem, 1992. 1443-1445.
Jane presents one aspect of woman in The Waking collection (1953): Ross-Bryant views Jane as a young girl who is dead. The poem expresses concern with the coming of death. This poignant elegy is presen...
Dickinson 's poem uses poetic devices of personification to represent death, she represents death as if it were a living being. Dickinson 's capitalization of the word “DEATH”, causes us to see death as a name, in turn it becomes noun, a person, and a being, rather than what it truly is, which is the culminating even of human life. The most notable use of this, is seen in the very first few lines of the poem when Dickinson says “Because I could not stop for Death, He kindly stopped for me”. In her poem Dickinson makes death her companion, as it is the person who is accompanying her to her grave. She states that death kindly stopped for her and she even goes as far as to give death the human ability to stop and pick her up. The occasion of death through Dickinson use of personification makes it seem like an interaction between two living beings and as a result the poem takes on a thoughtful and light hearted tone. The humanization of death makes the experience more acceptable and less strange, death takes on a known, familiar, recognizable form which in turn makes the experience more relatable. As the poem
At a glance, the poem seems simplistic – a detailed observance of nature followed by an invitation to wash a “dear friend’s” hair. Yet this short poem highlights Bishop’s best poetic qualities, including her deliberate choice in diction, and her emotional restraint. Bishop progresses along with the reader to unfold the feelings of both sadness and joy involved in loving a person that will eventually age and pass away. The poem focuses on the intersection of love and death, an intersection that goes beyond gender and sexuality to make a far-reaching statement about the nature of being
Readers often conquer that her poems are an autobiography. She dealt with several losses from close family members and friends so she knew death well. Death was a constant battle in Emily Dickinson’s mind. It was a force to be reckoned with. Dickinson has written approximately fifteen hundred poems, of those surviving poems, one sixth of them spoke upon death. She even wrote numerous letters addressed to her family and friends during a time she was grieving from losses herself. Her father died when she was forty-three. She wrote to her mentor begging him to assure her that the “arm of the Lord is [not] shortened, [so] that it cannot save. Eight years later, her mother passed away. Her approach towards death was calmer this time: “She slipped away from our fingers like a flake gathered by the wind, and is now part of the drift called “the infinite.’ ” Ruth Flanders McNaughton states that “Emily Dickinson did not fear death, because she could not believe in eternal damnation; rather, she looked forward to it as an adventure, the passing through a door, the answer to a riddle, the end to her own private Calvary, and perhaps- just perhaps- reunion with all her friends and relatives…” Surprisingly, Dickinson never seemed to associate death with hell, though it seemed she had every right to approach it negativel...
Ferguson, Margaret W. , Mary Jo Salter, and Jon Stallworthy. The Norton Anthology Of Poetry. shorter fifth edition. New York, New York: W W Norton & Co Inc, 2005. print.
Through countless deaths and years of self reclusion, Emily Dickinson’s poems reflected her experience with death and its progression in ones life. Not only did Dickinson’s work reflect ones experience with death, but four specific pieces of work written by her reveal four stages of death that manifest themselves in a dying person’s life. “Hope Is The Thing With Feathers,” “This Consciousness That is Aware,” “I Heard a Fly buzz - when I died,” and “Because I could not stop for Death,” are the four works by Dickinson that exist to piece together the stages of death a person experiences when they are close to the end. Though death might be an enigma, Dickinson is able to seamlessly transition her thoughts on a subject through multiple different
Edgar Allan Poe’s 1849 poem, “Annabel Lee”, explores the common themes of romance and death found in many of Poe’s works. The poem tells the story of a beautiful young maiden named Annabel Lee who resides by the sea. The maiden and the narrator of the poem are deeply in love, however the maiden falls ill and dies, leaving the narrator without his beloved Annabel Lee. Contrary to what many might expect from a poem by Poe and yet still depressing, the poem ends with the narrator accepting Annabel’s death and remains confident that they will forever be together despite her parting.
Imagery is a big component to most works of poetry. Authors strive to achieve a certain image for the reader to paint in their mind. Dickinson tries to paint a picture of ?death? in her own words. Thomas A. Johnson, an interpretive author of Dickinson's work, says that ?In 1863 Death came into full statue as a person. ?Because I could not stop for Death? is a superlative achievement wherein Death becomes one of the greatest characters of literature? (Johnson). Dickinson's picture to the audience is created by making ?Death? an actual character in the poem. By her constantly calling death either ?his? or ?he,? she denotes a specific person and gender. Dickinson also compares ?Death? to having the same human qualities as the other character in the poem. She has ?Death? physically arriving and taking the other character in the carriage with him. In the poem, Dickinson shows the reader her interpretation of what this person is going through as they are dying and being taken away by ?Death?. Dickinson gives images such as ?The Dews drew quivering and chill --? and ?A Swelling of the Ground --? (14, 18). In both of these lines, Dickinson has the reader conjure up subtle images of death. The ?quivering an chill? brings to the reader's mind of death being ...
Why was she so intrigued by death? The poems that embody this theme are: “Success is counted sweetest” (#112), “Safe in the Alabaster Chambers” (#124), “I like a look of Agony” (#339), “I felt a funeral in my brain” (#340), “Because I could not stop for death” (#479), and “I heard a Fly buzz when I died” (#591). These poems seem to suggest that she struggled with the concept of mortality and eternity. To understand Dickinson’s obsession with death, one must consider her background. Born in Amherst, Massachusetts, Emily was the youngest in a prominent family.
The existence of beauty is as dependent on the admirers as much as those who are beautiful. Edmund Waller’s “Go, lovely Rose” and Tony Hoagland’s “Beauty” explore the idea that beauty can be used as a tool to gain opportunities, and how it can anchor those who strive to obtain it. While both poems deal with the idea of beauty, the perspectives that each of them brings for a woman that they know is very different. With the usage of tone, imagery and metaphors, both authors tell the story of how beauty is ephemeral.