The light in the two novels The Stranger and One Day in the Life of Ivan Denisovich(One Day) has an animalistic effect on the protagonists. In The Stranger, Meursault complains about the intensity of sunlight. His nature is not a light friendly one, he becomes distracted and begins to sweat under intensive light. Meursault may in several ways be compared to a bat, confused and irritated by light, though when in a dark environment, he is able to concentrate and focus. On the other hand, Shukov from One Day experiences light as mental freedom from the dark camp. Light allows him to hope for a better future for him and everyone in the camp. Shukov shows animalistic features as well, as he wakes with the sun rising and ends his day with the sunset. He tolerates darkness as long as he does not encounter major vision difficulties due to the dark. Meursault lives in a small town at the beach with daily, sunny and warm weather. On the contrary is the weather in the USSR, in which Shukov has family and a home . The USSR, by maintaining mostly negative temperatures throughout the year, transmits a rather negative image of the environment. Both protagonists ironically react to light and darkness opposite to the presence of light and darkness in their environment.
In The Stranger, Meursault is not able to tolerate intensive light which causes him to think narrowly and furthermore behave according to such thoughts. He does not seem to feel any emotions at his mother’s funeral as he shows more interest in the details of her death than his emotional connection to her as his mother. He is more bothered by the intensity of the light than the fact that his mother died. He portrays this kind of attitude at his mother’s funeral and then later on ...
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...eursault is lead by it and thus is not fully aware of his actions. Another difference between both characters exists on their emotional level. One has to allow light to enter the heart to have the ability of sensing feelings. Being suppressed by the authority, Shukov sees light as hope for freedom and is well-heartedly open to it. Mersault though is not able to tolerate it thus open his already emotionless heart for it. He does not know if he loves Marie, nor cares who he would be married to. No tears are spilled by him at his mother's funeral and he neither shows any kind of emotions at his own execution. Meursault is not able to say if his lawyer is on his side and if he can trust him because there "no way of knowing it, because our heart is blind." (The Stranger, 120) Light entering the eye allows us to have vision, only light entering the heart allows emotions.
He, however, seemed question his presence because the death of his mom or even from the absence of his father—the fairly dynamic that every child should have (both parents present). In chapter two Meursault found himself alone in his apartment as Marie had left for work earlier that morning. In this section he explains that, “After lunch I was a little bored and I wandered around the apartment” (21). In this quote, Meursault demonstrates just how meaningless is life is. To have nothing more to do with his time than walk around his apartment shows that Meursault is questioning his place in this world. He is a man with virtually only two friends—Raymond and Marie—and a neighbor that he associates with on occasion about his dog. As he wanders the apartment he explains that he lives, “in just one room now” (21), one that he literally put his dining table in so that he could eat in his room. This quote symbolizes his loneliness as a person. Not only is the apartment too big for him, the world is too, and his is basically alone in both. For some reason—maybe a tragedy or trauma that he faced in earlier years—Meursault has closed himself off from the world and does not express love for anyone or anything. In fact, Meursault made a statement about the death of his mother saying that, “at one time or another, all normal people have wished their loved ones were dead" (65). At this point in the story, I think that Meursault may not have had the best family dynamic. He does not speak of anyone else but Maman, and mentions a father that he does not know. So, he may not feel like he belongs or does not know how to. He also explains that, “it was one of Maman’s ideas, and she often repeated it, that after a while you could get used to anything” (77). This quote could explain the fact that Meursault is closed off—he has gotten so used to not having anyone around that truly cares for him (his
True son and his battle to get back to his Indian family. This is also
In Part I, Meursault is spending the night next to his mother's coffin at a sort of pre-funeral vigil. With him are several old people who were friends of his mother at the home in which she had been living at the time of her death. Meursault has the strange feeling that he can see all of their faces really clearly, that he can observe every detail of their clothing and that they will be indelibly impr...
In Part One of The Stranger, Albert Camus avoids religious confrontations with Meursault in order to subconsciously place blame on Christ for his criminal actions. Camus restricts Meursault’s relationships to further distance him from his mother. Meursault then alienates himself from the typical spiritual ceremonies and actions to demonstrate his distrust of religion. Simultaneously, Camus uses diction of clear and bright elements to characterize people in the novel, excluding Meursault. Camus associates dark colors with Meursault to depict a sadistic persona. To conclude, Camus places Meursault in recurring situations which result in him being distracted by “the light”. Camus uses these literary techniques in The Stranger to demonstrate man’s condemnation of God.
In the same way, the power of society suffocates and confuses Meursault as it bears down on him with its views on morality. The sun is also present at the trial, just as is the force of society which claims to possess the right to judge people. The force of society is absent in the prison, likewise the sun is absent from Meursault's dark cell, and because the overpowering force of society has been removed, Meursault is finally able to "[open himself] to the gentle indifference of the world. " At one point Meursault leans from the window in an attempt to feel the sun's last rays at evening.
Meursault doesn’t conform to society such as understanding what we would call normal human emotions such as the emotions of love or death. The reason Meursault may seem disconnected from the felling of love is shown when his girlfriend ask about marriage. Meursault answers without caring by saying “it doesn’t make any difference to me and that we could if she wanted to” (Camus, 156). Meursault also show the disconnection of normal human emotions after his mother’s death. “… Maman’s death, but that was one of those things that was bound to happen sooner or later” (Camus, 123).
In “The Stranger”, the protagonist, Monsieur Meursault, is characterized as cold, uncaring, and emotionally detached. Throughout the novel, Meursault expresses no emotions toward the death of his very own mother, the proposed marriage between the woman, Marie Cardona, who became his lover, and to the actual murder of a man he didn’t know. While the jury at his trial sees him guilty because his uncommon and disassociated demeanor shows that he willfully intended to murder the Arab on the beach, a variety of psychologists would instead diagnose Meursault with Major Depressive Disorder, Antisocial Personality Disorder, and Asperger’s Syndrome in order to characterize his indifferent thought patterns. If Meursault is suffering from Major Depressive Disorder, he is unable to function as a normal person would which ultimately leads the jury to believe that he is actually a cold blooded killer. Antisocial Personality disorder, like Major Depressive Disorder, causes Meursault to communicate a disregard for the lives of others and lacks remorse when he harms and even kills the Arab.
In the poem “Acquainted with the Night” by Robert Frost, the Romantic poet explores the idea of humanity through nature. This sonnet holds a conversational tone with a depressing mood as the man walks in the dark city trying to gain knowledge about his “inner self”. The narrator takes a stroll at night to embrace the natural world but ignores the society around him. His walk allows him to explore his relationship with nature and civilization. In “Acquainted with the Night”, the narrator emphasizes his isolation from the society by stating his connectivity with the natural world.
But in the novel, the main character, Meursault, does not show any emotion to his mother’s death. Meursault was not moral, but he was not immoral either. It is because he lacks any emotional feelings. He is detached from the world and he is seen by society as an outcast because of the way he acts. Meursault’s personality can be described as dull and boring.
On the day of the funeral Meursault immediately notices details such as, “the screws on the casket had been tightened and that there were four men wearing black in the room.” Throughout the day he does not display any signs of grief, and hardly seems to pay any attention to the fact that he is at his own mother’s funeral.
Meursault in the book tries to overcome his emotional indifference within himself. One example shows Meursault emotional indifference against Marie. In this quote, “A minute later she asked me if I loved her”. I told her it didn’t mean anything but that I didn’t think so.” The quote explains how Meursault doesn’t really think about the consequences of other people’s emotions.
In "Darkness at Noon", Harold Krents vividly describes some of the everyday prejudices disabled citizens must face. Presented in an often humorous fashion, the author opens the reader’s eyes to the cruel ironies of society’s preconceived and inaccurate judgments, and their long reaching effects on his life.
From page fifty-eight to fifty-seven of Albert Camus’s The Stranger he uses the relentless Algerian sun as a motif for the awareness of reality that pursues the main character, Meursault, throughout the passage. When each motif appears in the novel such as this passage, Meursault’s actions change. This exemplifies that the light, heat, and sun trigger him to become debilitated or furious. Albert Camus sets up this motif in the passage to indicate to the reader that this motif shows the major themes of this novel. This motif shows Meursault’s emotion, how the imagery of weaponry affects Meursault’s actions, how the sun is a representation of society, and how the sun weakens Meursault.
In the beginning of The Stranger Meursault first showed himself as a numb, emotionless person, who goes through the motions of life simply driven by his instincts when he attended his mother’s funeral. When at the funeral he showed no emotion whatsoever, here his mother lies dead and he should be grieving, yet all he really notices is how hot the room was they were holding the funeral in. He didn’t even wish to see her body before she was buried to say his goodbyes. This shows me that he has no moral bind to anyone or anything, and the only feelings he has is those given to him from primal instinct, of which are just needed for survival like being hungry, tired, hot, and so on. Freud would say that’s depicts how all humans are. According to James Strachey, Freud believes that the way we as humans conduct ourselves throughout our lives is directly related to the Id, which is everything that is inherited from our ancestors and is fixed into us at berth, and it’s the force caused by the need of our Id that is our instincts (14...
Meursault is distant from set plans, ambitions, desires, love, and emotions in general. He has a difficult time with emotions such as regret and compassion. The reader sees the nature of his personality in the first few lines of the novel: "Maman died today. Or yesterday maybe, I don't know." When he hears of the death of his mother through a telegram, he is unattached, and can be considered uncaring.