As one of the greatest German philosophers, Friedrich Nietzsche, said, “It is impossible to suffer without making someone pay for it; every complaint already contains revenge.” In the short story “The Cask of Amontillado” by Edgar Allan Poe, Montresor mentions in the beginning of the story, “The thousand injuries of Fortunato” and that he is suffering because of these injuries. Montresor does not clarify what these injuries are. These injuries might be related to the fact that Fortunato thinks that nobody is a wine connoisseur who knows everything except himself and this might be insulting Montresor indirectly. Because of this, Montresor thinks about taking revenge to make Fortunato pay for these injuries, but not any kind of revenge; he wants to take revenge with impunity. In fact, Montresor does not want to get caught so he would not have to face other injuries and get punished because of Fortunato. Montresor exploits Fortunato’s vanity as a wine connoisseur as a foible to lure Fortunato to his death, so Montresor would make Fortunato pay for his injuries and get his pride back which is unjustified act in a certain sense.
To begin with, Montresor does not get back at Fortunato immediately but he waits for the opportunity to get his revenge. Montresor is really calm, and he keeps his friendship with Fortunato. Also, he smiles at him, hiding his anger inside. Montresor has his plan already to kill Fortunato but he does not find an opportunity. Finally Montresor finds this opportunity in a carnival where everybody in the city is partying and Fortunato sways while he is drunk. Montresor uses a really smart way to lure Fortunato to come with him to his house underground store which is like catacombs where he keeps his wine and where...
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...tunato is drunk and nobody is going to miss him because everybody is busy partying. Additionally, Montresor enjoys his revenge by giving Fortunato more than one chance do go back while they were walking down to the catacombs by telling him that the mold will affect your cough and they should go back. However, Fortunato’s vanity and excitement about wine tasting make him stay and continue his way to the catacombs. At the end of that revenge journey Montresor reveals that this happened fifty years ago. Actually, the reader cannot tell if it was a boast or confession and if he really feels good about what he did considering that he kept thinking about it for fifty years.
Works Cited
Poe, Edgar. The Cask of Amontillado. Mankato: Creative education, 2008. Web.
Stambaugh, Joan. The Problem of Time in Nietzsche. Michigan: Bucknell University Press, 1987. 97.Web.
Montresor must trick and manipulate Fortunato to accomplish his goal of revenge. He tells Fortunato the reason he is at the ...
He gives very little information about Fortunato, past that he is a wine connoisseur. There is no mention of what Fortunato does for leisure, his family, or even his job. In fact, the only details the reader receives on Fortunato paint him as a fool, with his costume, his drunken attitude, and obliviousness Montresor is focuses on the facts that make Fortunato look bad; he not only wants Fortunato dead but he also wants Fortunato’s name discredited. Montresor tells the reader even less about himself because there is no background to who Montresor is, what he does, or even what kind of contact he has with Fortunato. The only true details of Montresor that are given must be implied and give a sense of intelligence. In addition, he gives little to no details about the carnival, such as where it was, why the carnival was happening, or even why he chose this particular day to enact his plan. From these details, or lack of details, it seems Montresor doesn’t want his audience to know this information. The audience is supposed to simply look at Fortunato a fool and Montresor a genius, the harbinger of death. The facts such as who these people were, the time, or the setting are not important to Montresor’s focus in the
Is there really a perfect crime? This is the main point in Edgar Allen Poe’s “The Cask of Amontillado.” The story is a dark tale of a presumably insane man who suffers from, according to him, “the thousand injuries of Fortunato I had borne as I best could” (Poe 75). One of the major factors in telling this story is the setting. The story is set primarily in the Montresor family catacombs, which provides the dark setting, filled with human remains, and this reflects where Montresor commits his crime, where no one will expect. Furthermore, the narration also helps in telling the story. It is first person point of view, so the story is heard entirely from him. Readers will go into Montresor’s thoughts and be curious about why he wants to kill Fortunato so badly. Furthermore, the symbolism of the story is very important and many symbols in symbolizing Montresor killing Fortunato. Finally, the insane Montresor tried to pull the perfect crime but fails; he does not pull the perfect crime, he fails his goal when he realizes he is doing a bad thing.
According to Montresor, Fortunato committed “a thousand injuries” against him, but it was Fortunado’s insult against Montresor that fueled Montresor’s hatred enough to commit what is the ultimate crime against another person; the crime of death. The opening paragraph of The Cask of Amontillado says,
When they arrive at the Montresor estate, Montresor leads Fortunato down the stairs into the catacombs. Down here is where the Amontillado Fortunato is going to taste and where the revenge of Montresor is going to take place. As he get closer and closer, the narrator opens up more and more to how he is going to kill his "friend". It sound like it is a premeditated murder. Montresor seems so inconspicuous that he acts like he cares about Fortunato which is still a part of his plan.
He did not show even by words that he is going to kill. Also, he did not let Fortunato to know that he intended any grudge against him “..neither by word nor deed had I given Fortunato cause to doubt my good will... He did not perceive that my smile now was at the thought of his immolation (8-10).” One night while Fortunato was drunk, Montresor told him that he bought a barrel of wine called Amontillado “But I have received a pipe of what passes for Amontillado, and I have my doubts (25).” He understood that Fortunato “prided himself on his connoisseurship in wine (12).” He attracted him to going to his house to check the drink by saying that he might invite Luchresi to do it, a seeming rival of Fortunato 's, instead “As you are engaged, I am on my way to Luchresi. If any one has a critical turn it is he. He will tell me (37-38).” When they left, Montresor put on a mask and quickly took the way to his property. He was sure nobody could see them together on Fortunato 's last night. Moreover, Montresor completely knew Fortunato and used the knowledge versus him. He planned his deed carefully and carried it out slowly. It seems that Montresor anticipated his revenge with joy. While they traveled down the cavern, Montresor gives Fortunato many opportunities to leave. Fortunato looks weak against the niter, which is growing on the walls, and repeatedly coughs. Montresor commented on Fortunato 's health and asked
The setting of a story lays the foundation for how a story is constructed. It gives a sense of direction to where the climax is headed. The setting also gives the visual feedback that the readers need to picture themselves into the story and comprehend it better. Determining the setting can be a major element towards drawing in the reader and how they relate to a story. A minor change in the plot can drastically alter to perception, interpretation, and direction of the message that is delivered. These descriptive elements can be found within these short stories: “the Cask of Amontillado”, “The Storm”, “The Things They Carried”, “Everyday Use”, and “The Story of an Hour”.
Fortunato “takes possession” of Montresor’s arm, for which he suffers (716) in order to carry out his plan. Poe’s use of possession and suffer give the impression that Montresor is being afflicted again by Fortunato. Once Montresor reveals this meeting at this evening is no coincidence by divulging he made sure none of his attendants would be home. By giving the direct orders to be home. Poe shows us that Montresor was not respected or feared by his servants’ actions. The servants’ leaving after being given a direct order to stay does give credence to the fact that Montresor must be very methodical and unyielding to his schedule. Only once Fortunato to the catacombs does he betray his own premise. Montresor refers to Fortunato as his “poor friend” (716). At this point Poe has depicted this instigator of a “thousand injuries” as a drunken jester that can barely catch his breath at this point in the story. Now Montresor is showing some sympathy towards him. At this point the transition is complete. Where the two men stopped at the entrance to Fortunato’s tomb, this is the moment that leaves no doubt that Montresor is the villain and Fortunato is the
Carefully, cautiously the Montresor plotted precisely how he would exact revenge upon Fortunato. Much time and great energy was devoted to this plan, selecting a time that would be best: during carnival when the town would be celebratory, his servants apt to run off and join the celebration, when the two could silently disappear without notice or question. No detail is forgotten; he allows for no deterrents. He follows through with such a confidence that never does he stumble or hesitate in carrying out his plan. The Montresor indicates that he had never given. To continue with this ploy, he even goes so far as to express false concern for Fortunato as they pass through the catacombs. Blaming the nitre and damp, the Montresor suggests that they turn back as not to compromise Fortunato’s ill health, though he has no intent of doing so. Never once until the very end did Fortunato have cause to suspect that there were any foul plans afoot.
Montresor meets his fake friend Fortunato and tells him about amontillado. Montresor had probably been humiliated or embarrassed by this jest, because he is angered once he lays eyes on him from a distance. Fortunato was wearing a jester outfit which makes him seem that he is not meant to be taken seriously. Once met he then manipulate Fortunato into following him into the catacombs of the montresor’s. Once in the catacomb, Montresor then precedes to tell Fortunato about his cough. Trying to lead Fortunato into thinking that he deeply cares about his health, but Fortunato not wanting Luchresi to come along he keep moving forward. While walking
Montresor is a man who feels pride in himself and in his family, so when Fortunato—an acquaintance of Montresor— “venture[s] upon insult,” Montresor “vow[s] revenge” against him (1). Montresor hastily decides that he must kill Fortunato, even though his use of the word “venture” implies that Fortunato had not yet insulted him, but nearly did. Montresor’s impulsive need for revenge causes him to formulate a plan to murder his acquaintance. He keeps Fortunato intoxicated by “presenting him…[with] wine,” he “fetter[s] him to the granite,” and he “plaster[s] up… [a wall of] new masonry” to trap Fortunato in the catacombs (39, 71, 89). All of these acts are signs that the need for revenge has made Fortunato insane. A person who has any sense of morals would not commit crimes such as Montresor’s. His impetuous decision to exact revenge caused him to lose his
1. What can the reader infer about Montresor’s social position and character from hints in the text? What evidence does the text provide that Montresor is an unreliable narrator? We learned from paragraph 23 to 24 that Montresor owns a Palazzo and also has lot of retainers based on that evidence, the reader can infer that Montresor is a very wealthy and successful man. About his character, the reader can imply that Montresor is a heartless, cold blooded, sneaky, manipulative, and untrustworthy man, as well as a man who hold on to grudges. Moreover, Montresor is an unreliable narrator, because he reveals in the first paragraph that he intends to have a revenge on Fortunato, but he did not indicate or clearly prove to the readers how Fortunato
You were not to be found, and I was fearful of losing a bargain (Poe 332)”. This revels Montresor notices that Fortunato is not able to tell Amontillado from Sherry as he is a great wine-lover. When Montresor is coughing, Fortunato is trying to convince him to leave: “Come,” I said with decision, “ we will go back; your health is precious. You are rich, respected, admired, beloved; you are happy, as once I was”. This shows jealousy and kindness of Montresor against Fortunato at the same time that is quite sarcastic. From this perspective, Montresor envious all of the things that Fortunato has and who is not reconciled to someone surpass him in the status. He mistakenly feels that this is the injury created by Fortunato resulting in his revenge. Therefore, he blame on Fortunato for all fault that he should eradicate him as soon as possible before he become a threatening when it is too late to take any action. Additionally, he does not even regret his choice and believes everything he does is right. This is because he tries so hard to makes an effort to draw Fortunato to his trap and put down his vigilance simultaneously by
Hoping to obtain revenge, Montresor, the narrator, lures Fortunato, one of his friends, into the depths of his catacombs to be murdered. Montresor says, "The thousand injuries of Fortunato I had borne as best I could, but when he ventured upon insult I vowed revenge"(149). This is the first line in the story, and this is why Montresor seeks revenge. There is no explanation of the insults that Montresor received, so the reader may infer that Montresor is just lying. The insults that were received could possibly be just outdoing in the business arena. Montresor might be using that excuse for his desire to kill Fortunato, because he may be killing Fortunato out of jealousy. Montresor is likely telling this story to a family member, friend, or his doctor while lying on his deathbed. Montresor says, "…your health is precious. You are rich, respected, admired, beloved; you are happy, as once I was. You are a man to be missed. For me it is no matter."(150). Montresor just admitted that he knows Fortunato is better than he. Montresor may have been under the influence of jealousy. Redd 4 There are different theories to ...
The first indirect factor that could contribute to Montresor’s vengeful act, and thus the story’s theme of revenge, is the character of Montresor. Montresor tends to harbor feelings of resentment and has a hard time not taking things out of context (Womack). He also plans the murder of Fortunato in advance and devises it in such a way that he will not be caught. In killing Fortunato, Montreso...