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History of photography study guide: part 2
Essay on the history of photography
History of photography study guide: part 2
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Born in 1934, Jerry Uelsmann grew up an inner city kid of Detroit. In high school, Uelsmann worked as an assistant for a photography studio; he eventually photographed weddings. Uelsmann went to Rochester Institute of Technology (RIT) where he met Minor White, who “introduced [him] to the concept that photography could be used for self-expression” (Berman). While at RIT, he studied with Bruce Davidson, Peter Turner and Car Chiaraenza, with whom he held frequent discussions on how photography could be different. After RIT, Uelsmann went to Indiana University where he changed his degree to a Master of Fine Arts degree. He graduated with an M.S. and an M.F.A at Indiana University in 1960, where he studied with Henry Holmes Smith, who had worked with Laszlo Moholy-Nagy. After graduation, he moved to Gainesville, Florida and began teaching photography (Taylor). Currently, Uelsmann is retired in Florida with his wife Maggie Taylor. He still creates photomontages and has exhibits all over the world. Uelsmann and his wife vacation in Yellowstone National Park every year, where he photographs the area and creates beautiful surreal photomontages (Congdon, 316-317). Uelsmann and his wife photograph people, places and things from all over the world. He uses the camera to “interact with the world and collect things” (Beach). He currently uses a Mamiya 7 and Bronica GS1. Occasionally he will use an old Bronica for studio shooting (Berman); however, the camera that Uelsmann uses has little to do with the process he uses in the darkroom. His creative outlet is there. “When…build[ing…his] images on […] vague concepts [he]… cull[s] through everything [he has] ever done… image[s he had taken] 20 [or more] years ago… [can relate to images he took] ... ... middle of paper ... ...Art Terms. Museum of Modern Art, 2010. Web. 28 Nov. 2011 . Forgang, David. Foreword. Uelsmann Yosemite. Gainesville, FL: University Press of Florida, 1996. Print. Johnson, Brooks. Photography Speaks: 150 Photographers on their Art.” New York: Aperture Foundation Inc., 2004. Print. Kay, Liz. Jerry Uelsmann: Other Realities. Andrew Smith Gallery, Inc., 2005. Masterpieces of Photography. Nov. 2005. Web. 25 Nov. 2011. . Robertson, David. “A Secret Yosemite.” Uelsmann Yosemite. Gainesville, FL: University Press of Florida, 1996. Print. Taylor, Maggie. “Bio.” Jerry N. Uelsmann. Jerry N. Uelsmann, 2011. Web. 25 Nov 2011. . Uelsmann, Jerry N. Uelsmann Yosemite. Gainesville, FL: University Press of Florida, 1996. Print.
For my museum selection I decided to attend Texas State University’s Wittliff Collection. When I arrived, there was no one else there besides me and the librarian. To be honest, I probably would have never gone to an art museum if my teacher didn’t require me to. This was my first time attending the Wittliff Collection, thus I asked the librarian, “Is there any other artwork besides Southwestern and Mexican photography?” She answered, “No, the Wittliff is known only for Southwestern and Mexican photography.” I smiled with a sense of embarrassment and continued to view the different photos. As I walked through Wittliff, I became overwhelmed with all of the different types of photography. There were so many amazing pieces that it became difficult to select which one to write about. However, I finally managed to choose three unique photography pieces by Alinka Echeverria, Geoff Winningham, and Keith Carter.
"History of Art: History of Photography." History of Art: History of Photography. N.p., n.d. Web. 24 May 2014. .
Herberholz, Barbara. "Jacob Lawrence: The Glory of Expression." Arts and Activities 129.1 (2001): 12. ProQuest. Web. 25 Jan. 2014.
3.Graham, Judith, ed. Current Biography Yearbook Vol. 1962, New York: The H.W Wilson Company, 1993
"Yosemite: Management Problems and Issues." Yosemite National Park. N.p., 29 Mar. 2014. Web. 28 Mar. 2014.
Community. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durkham, N. C: Duke UP, 1995, 150.
It’s his compassion for his subjects and his commitment to them that surpasses the act of making a pretty picture. Spending days with his subjects in the slums of Harlem or the hardly developed mountains of West Virginia, he immerses himself into the frequently bitter life of his next award-winning photo. Often including word for word text of testimonials recorded by junkies and destitute farmers, Richards is able to provide an unbiased portrayal. All he has done is to select and make us look at the faces of the ignored, opinions and reactions left to be made by the viewer. Have you ever been at the beach safely shielded by a dark pair of sunglasses and just watched?
... without him, the world would not be as it is today. Jerry Uelsmann always incorporated his inner self and beliefs into his photography instead of the outside. He was able to find the will to so exstensively work for one photograph through his surrealistic philosophy and beliefs in art. He used many techniques and styles in hsi photography that was absolutely unfathomable in his time because Photoshop did not exist. I personally believe that Jerry Uelsmann was perhaps one of the most important artists in photography. Without him, this sense of inner self and creativity he subscribed himself to would not have engulfed the photography world. He focused on dreamlike story bound photos that connected deeply inside a person instead of a connection on the outside. He defined the idea that the mind and dreams can be more real a reality than the one that is presented to us.
The poem “Extended Development” by Sarah Kay explores the ways in which the art of photography has changed throughout time, yet still remains a highly important and influential hobby. More specifically, how photography is an important aspect in each member of the speaker’s family. By using allusions, characterization, and imagery, Kay explores how the art of photography has changed throughout time.
"An Artists's Life." Litzmann, Berthold. An Artist's Life. New York: Da Capo Press, 1979. 532. Book.
Fuss and Barthes, they share an interest in photography, they share an interest in the foundation and principles of photography, moreover they share an interest in photography that is deeply personal. Fuss takes the camera out of photography. Barthes takes photography out of art. Both men want to get to the essence of what a photograph is, one by thinking and writing about it, and one by doing it. In this paper I will show how Adam Fuss’ work matches up with and demonstrates the ideas of Barthes’ in Camera Lucida.
Yosemite and its history, young to old the story of an area of land that is doomed to be mined, forcibly stripped naked of its natural resources. In 1864 Yosemite land grant was signed into act by president Abraham Lincoln, the first area of land set aside for preservation and protection. Yosemite being a very important historical plot of land, some time ago president Theodore Roosevelt visited the park managing to disappear from the secret service with John Muir. Through the years the contrast of ideas between the industrialists and the preservationists have clashed, Yosemite’s history both interesting and mysterious but more importantly inevitable .
Robinson, David. “Web Page of Deborah Tannen.” Georgetown College - Georgetown University. 28 Feb 1998. 15 Jun 2008
In the chapter, “The Mirror with a Memory”, the authors, James Davidson and Mark Lytle, describe numerous things that evolved after the civil war, including the life of Jacob Riis, the immigration of new peoples in America, and the evolution of photography. The authors’ purpose in this chapter is to connect the numerous impacts photography had on the past as well as its bringing in today’s age.
Walnut Creek: AltaMira, 1999. Print. The. Pages: 22,23,40,49 Huntley, E. D. Amy Tan: A Critical Companion. Westport, CT: Greenwood, 1998.