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In 1892 Charlotte Perkins Gilman wrote a short story titled “The Yellow Wallpaper” soon after that in 1894 Kate Chopin wrote a short story titled “The Story of an Hour”. In both of these stories the author presents women who feel trapped by their husbands. Both the unnamed narrator in “The Yellow Wallpaper”, a woman with rising mental issues, and Mrs. Mallard a happily married woman, are controlled by their husbands, and both find themselves finding freedom at a very high cost. Once they have that freedom, they are no longer able to enjoy it, do to, the unconventional way that they achieve it.
In Charlotte Perkins Gilman’s “The Yellow Wallpaper” it is very obvious right from the beginning that the wife who is an unnamed narrator feels very repressed in her marriage. Her husband, John, is a physician and often speaks to her in a patronizing and demeaning manner. For example, she tells us that “John laughs at me” (Gilman 459); moreover, as a wife, she should expect “that in a marriage.” (Gilman 459). Her comments cause readers to recognize that she is dissatisfied in her marriage.
Another good example of this demeaning tone would be, she said that John called her “a blessed little goose” (Gilman 462); this also shows how he degrades her down as far as to speak to her as one would a young child. And like a child she was required to do everything he said because he was the man of the house and a doctor both of which made him right. She didn’t even have control of her own body, or her own medical treatment in this story. It is possible that he loves her, but this is simply how a marriage was expected to be during these times.
Along with the control over her body, John also controlled the other aspect of her life includi...
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... social expectations. In Kate Chopin’s “Story of an Hour,” the narrator first escaped through the death of her husband and then through her own death. It is not that she doesn’t lover her husband. She does experience momentary grief, but through her grief and fear, she gets a glimpse of what her future could look like. She understands that she will finally be able to live for herself. So, when she finds out her husband is alive, she dies of a heart attack. In both of these stories the narrators show how giving a certain situation people can escape their own forms of hell.
Works Cited
Chopin, Kate. “The Story of an Hour.” Literature Reading, Reacting, Writing. Ed.
Kirszner & Mandell. Boston: 2008. 226-28. Print
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Literature Reading, Reacting,
Writing. Ed. Kirszner & Mandell. Boston: 2008. 459-71. Print
...her husband's death, 'she wept at once, with sudden, wild abandonment'; (Chopin 12). But, her grief was short lived. She soon was overcome with the joy that her husband would no longer control her. 'Her fancy was running riot along those days ahead of her. Spring days, and summer days, and all sorts of day that would be her own'; (Chopin 13). However, when she realized that her husband was not really dead, she was overcome by grief again. The resulting grief because her husband was not dead was so intense that it killed her.
Ostensibly, the narrator's illness is not physiological, but mental. John concludes that his wife is well except for a "temporary nervous depression--a slight hysterical tendency," a diagnosis that is confirmed by the narrator's own physician-brother (Gilman 10). John's profession, and moreover his diagnosis, is a license to closely observe, scrutinize, watch, gaze upon, seek out, and investigate his wife and her ailments, which consequently permits him to deploy seemingly inexhaustible (medical, scientific) means for (re)formulating and (re)presenting the hysteric female--not only for the purpose of giving her discursive representation, but in order to "de-mystify" her mystery and reassure himself that she is, finally, calculable, harmless, and non-threatening. To speak of John in psychoanalytic terms, his preoccupation with his wife, her body, and her confinement, reveals unspoken anxieties: the fear of castration and the "lack" the female body represents.
Although the narrator feels desperate, John tells her that there is “no reason” for how she feels, she must dismiss those “silly fantasies”(166). In other words, John treats her like a child and gives her reason to doubt herself. “Of course it is only nervousness”(162). She decides. She tries to rest, to do as she is told, like a child, but suffers because John does not believe that she is ill. This makes her feel inadequate and unsure of her own sanity.
Kate Chopin’s “The Story of the Hour” and Charlotte Perkins Gillman’s “The Yellow Wallpaper” is viewed from a woman’s perspective of the nineteenth century. They showed the issues on how they were confined to the house. That they were to be stay at home wives and let the husband earn the household income. These stories are both written by American women and how their marriage was brought about. Their husbands were very controlling and treated them more like children instead of their wives. In the nineteenth century their behavior was considered normal at the time. In “The Story of the Hour” and “The Yellow Wallpaper” both women explore their issues on wanting to be free of the control of their husband.
The Story of an Hour, by Kate Chopin, and The Yellow Wallpaper, by Charlotte Perkins Gilman, both have very similar themes, imagery, and a plot with very little differences. In both stories the theme of the two short stories is the ideals of feminism. Some similar imagery is the idea of freedom and living on one 's own. The plots are very similar, both woman coming into conflict with their husband, feminism, and a tragic ending. Also, both deal with the everyday problems women faced during the periods surrounding the time the stories were written. Mrs. Mallard, from Story of an Hour, and Jane, from The Yellow Wallpaper, both are trying to write their own destinies but their husbands prevent them from doing so. Mrs. Mallard and Jane both
The character of the husband, John, in “The Yellow Wallpaper” by Charlotte Perkins Gilman is introduced as a respected physician and a caring husband who strives to improve the mental health of his wife, the narrator, who is diagnosed with temporary nervous condition. John tries throughout the story to apply professional treatment methods and medications in his approach to helping his wife gain strength. However, his patient, his wife, seems to disregard John’s professional opinions and act as if she is following his advices only during his awakening presence with her. The narrator seems to be in need of John’s positive opinion about the status of her mental condition in order to avoid the criticism even though she disagrees with his treatment methodology. John, without doubt, cares for his wife and her wellbeing, but he does not realize how his treatment method negatively impacts their relationship his wife’s progress towards gaining strength. Although John was portrayed as a caring and a loving physician and husband to the narrator through out most of the story, he was also suggested as being intrusive and directive to a provoking level in the mind of the narrator.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
The ideas expressed by Gilman are femininity, socialization, individuality and freedom in the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman. Gilman uses these ideas to help readers understand what women lost during the 1900’s. She also let her readers understand how her character Jane escaped the wrath of her husband. She uses her own mind over the matter. She expresses these ideas in the form of the character Jane. Gilman uses an assortment of ways to convey how women and men of the 1900’s have rules pertaining to their marriages. Women are the homemakers while the husbands are the breadwinners. Men treated women as objects, as a result not giving them their own sound mind.
In Charlotte Perkins Gilman’s short story The Yellow Wallpaper, the main character is a symbol for all repressed women of her time. Throughout the entire story, her name is never mentioned, alluding to the fact that the women of her era simply lacked their own personal identity. Her husband treated her as a frail and incapable being. He laughed at her fears, and disregarded her concerns as frivolous worries. She recognized this as nothing beyond the normality, and accepts it because that is what her society deems standard. When commenting that there must be something queer about a house so large and beautiful, yet rented to them at such a reasonable price, she continued “John laughs at me, of course, but one expects that in a marriage” (1). John continually tells her that her illness is psychological, and encourages her to try and get more fresh air, for her own efforts will be the best for a quicker recovery. However, on the one occasion she asks him for permission to visit her Cousin Henry and Julia, he denies her so, leaving her in tears and telling her she could not handle such a trip.
Even though her husband treats her with what seem at first as love, it becomes clear she is nothing more to him than a piece of property. Every time he talks to her, he asks her to get better for his sake and the children's, and only after mentions hers interests. He doesn't think that she has any normal human feelings or worries and attributes her behavior to minor nervous depression. He doesn't see her true suffering since he believes "there is no reason to suffer" (574). He could never understand that a woman can be unsatisfied with the role imposed on her by society. Even though the heroine recognizes that her condition is caused by something other than John's theory, she is too scared to voice her opinion.
Throughout “The Yellow Wallpaper,” Charlotte Perkins Gilman tells her readers the story of a woman desperate to be free. Gilman’s use of symbolism is nothing short of brilliant in telling the story of a new mother suffering from postpartum depression and fighting her way through societies ideas of what a woman should be. When her husband, John, also known as her physician, tells her nothing is wrong with her mind, at first she believes him because she knows that society tells her she should. However, with her husband’s misdiagnosis, or attempt to keep his wife sane for the sake of their reputation, comes a short journey into madness for his wife, Jane. Jane’s downward spiral, as one may call it, turns out to be not so downward when the reader
"The Yellow Wallpaper," by Charlotte Perkins Gilman, tells the story of a woman's descent into madness as a result of the "rest and ignore the problem cure" that is frequently prescribed to cure hysteria and nervous conditions in women. More importantly, the story is about control and attacks the role of women in society. The narrator of the story is symbolic for all women in the late 1800s, a prisoner of a confining society. Women are expected to bear children, keep house and do only as they are told. Since men are privileged enough to have education, they hold jobs and make all the decisions. Thus, women are cast into the prison of acquiescence because they live in a world dominated by men. Since men suppress women, John, the narrator's husband, is presumed to have control over the protagonist. Gilman, however, suggests otherwise. She implies that it is a combination of society's control as well as the woman's personal weakness that contribute to the suppression of women. These two factors result in the woman's inability to make her own decisions and voice opposition to men.
In “The Yellow Wallpaper” Gilman presents the behavior of society of the time. The protagonist is suppressed by her husband, John, and her brother, though they both mean well. The way she is treated by her husband and her brother is not outwardly “mean” because they never deal with her in anger, but the way that they suppress her by not letting her express her feelings or do what she wants, is still abuse. Even though, the way that they are treating her is wrong, it does not seem wrong because they both act gentle and kind towards her and make her think that they really do care about her. Throughout the story, the protagonist states her intentions to herself, but then does not act upon them because of her husband. This is further shown when she speaks of her husband and her brother, who "is also of higher standing," (Gilman 317) showing the high ranking of men in society. They keep her from doing the things she wants because they believe it is best for her to rest. She disagrees. "Personally, I believe that congenial work, with excitement and change, would do me good" (Gilman 317). On p...
"The Yellow Wallpaper" by Charlotte Perkins Gilman, is a story told from the first person point of view of a doctor's wife who has nervous condition. The first person standpoint gives the reader access only to the woman’s thoughts, and thus, is limited. The limited viewpoint of this story helps the reader to experience a feeling of isolation, just as the wife feels throughout the story. The point of view is also limited in that the story takes places in the present, and as a result the wife has no benefit of hindsight, and is never able to actually see that the men in her life are part of the reason she never gets well. This paper will discuss how Gilman’s choice of point of view helps communicate the central theme of the story- that women of the time were viewed as being subordinate to men. Also, the paper will discuss how ignoring oneself and one’s desires is self-destructive, as seen throughout the story as the woman’s condition worsens while she is in isolation, in the room with the yellow wallpaper, and her at the same time as her thoughts are being oppressed by her husband and brother.
Women have struggled for decades to carve out their place in society, but before they could do that they were tasked with standing their ground in their own marriages. Charlotte Perkins Gilman is a journalist, feminist and women’s rights activist who used her writing to shed light on women’s unequal status in the institution of marriage. In Gilman’s time it was a social norm that women were concerned only with the domestic trappings of the marriage, while the husband took the active role. In Gilman’s most famous short story “The Yellow Wallpaper”, Gilman uses a captivating plot, the symbolism of some frustrating wallpaper, and an overall theme of the importance of self expression to articulate the sometimes harmful aspects of a woman’s place