Jason, as shown in The Golden Fleece, has been etched into the Western Canon of literature as the invincible hero, the mortal who rose against the odds. Jason is depicted as the unstoppable warrior that could overcome any adversity, the pinnacle of Greek heroes and the ultimate champion. However, near the conclusion of the epic of Jason commits one final act of horrible treachery by becoming engaged to marry the daughter of the King of Corinth, while he was married to Medea. This act begs the question of what drove Jason to commit such a crime, psychologically speaking. There are several plausible answers that immediately present themselves under the given circumstances in the book, however, after several thorough readings of the original text, it becomes evident that Jason was driven to this end by a sense that he had sacrificed more for Medea than she had for him, an intrinsic feeling of superiority to Medea based on the patriarchal principles that defined ancient Greek society, and his knowledge that Medea was the only thing holding him from his kingdom.
Clearly, Jason sees his relationship with Medea as largely one-sided, as he was forced to give up his kingdom for her sake and dealt with many of the risks in retrieving the Golden Fleece. He sees himself as the reason Medea no longer “lives in thy barbarian land” (6), and so he entitles himself to some form of moral justification in anything he does. In essence, Jason believes that Medea owes him something, because she wouldn’t have had the same type of lifestyle without him. Jason most clearly says this in his indifferent denial of Medea: “Were you [Medea] living at the world’s ends, your name would not be known” (17). Jason believes that he gave Medea the gift of fame, bu...
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...arry the daughter of the king. Jason says it most clearly in one of his arguments with Medea:
Be well assured of this: ‘twas not for the women’s sake I wedded the king’s daughter, m present wife; but, as I have already told thee, I wished to insure thy safety and to be the father of royal sons bound by blood to my own children-a bulwark to our house. (6)
Jason had to make a judgment call, and he chose his yearning for power over his love for Medea.
After considering this evidence, Jason’s motivations in leaving Medea become clear. He felt that he was justified in doing so due to his many sacrifices for Medea and his role as the patriarchal male head of the family, and he felt the need to do so in order to aid his rise to power. This theme reoccurs throughout literature in the Western Canon, and repeatedly poses the centuries-old dilemma between power and love.
Even at the end, Jason still does not take blame but rather mock Medea and call her stupid, selfish, unreasonable, and emotional, as she just can't seem to view things his way. Marianne Hopman explains why Medea decided to kill as her plan of revenge. Hopman states that when Medea was talking to Jason before , she put his heroic deeds in jeopardy as it was Medea who did all the heroic stuff and Jason was just there. Hopman says that the reason why Medea killed off the princess was mostly because Medea wanted to save her from the same faith Medea had as she was also a lovestruck princess who fell in love and got married. Another factor that Hopman uses is that her children were the only thing standing in the way of Medea moving on, they were like rocks sinking in her in waters reminding Medea of the life she had with Jason. So it was expected of Medea to kill them as they were the last thing Medea had with Jason since the marriage was over with. The dead family symbolizes the broken and now dead marriage and household that Jason and Medea
Medea has a conversation with Jason at the end of the story he tells her that he hoped the children who bring down curses on her; she looks at him and says “the gods know who the author of this sorrow.” (Lawall 719) Medea killed his children and yet she’s blaming him for her doing it. The conversation just got uglier and ended with her leaving.
The stories characters, Medea and Jason, can be seen as representations of two different responses to life. For hundreds of years, society has judged each others actions and reactions based on just cause. This story, to me, has a type of underlying theme that drags the reader into a moral debate, which forces you to really question your own belief system.
The problem set at the beginning of the play is that Jason has decided to marry another wife, Glauce. Medea is angered and will not let Jason off without punishment. The loss of Jason is not only a matter of passion; Medea has been completely humiliated by Jason's decision to take a new bride. Her pride shows again when she refuses Jason's aid. Though her situation is difficult, she would rather destroy all than accept help from one who has wronged her so horribly. Living as a barbarian among Greeks has made her more defensive, more full of hurt pride. To punish Jason, Medea had her children deliver poisoned gifts to the new bride, to kill her children, Glauce, and Creon. . Medea is not without feeling, nor is she a sociopath. She comprehends the difference between right and wrong, but chooses to follow the dictates of rage.
In Medea, a play by Euripides, Jason possesses many traits that lead to his downfall. After Medea assists Jason in his quest to get the Golden Fleece, killing her brother and disgracing her father and her native land in the process, Jason finds a new bride despite swearing an oath of fidelity to Medea. Medea is devastated when she finds out that Jason left her for another woman after two children and now wants to banish her. Medea plots revenge on Jason after he gives her one day to leave. Medea later acts peculiarly as a subservient woman to Jason who is oblivious to the evil that will be unleashed and lets the children remain in Corinth. The children later deliver a poisoned gown to Jason’s new bride that also kills the King of Corinth. Medea then kills the children. Later, she refuses to let Jason bury the bodies or say goodbye to the dead children he now loves so dearly. Jason is cursed with many catastrophic flaws that lead to his downfall and that of others around him.
Aphrodite, caring for only Jason, causes Medea to fall in love with him because of her known magical talents. To help Jason, Medea kills her own brother, betting that her father would stop for her brother’s body parts and allow her escape with Jason. While her escape plan works due to her innate sense of the way people react, Medea is now homeless. Still, the society expected Medea to give up everything for Jason, while he was allowed to ditch her with no social consequences. “And she herself helped Jason in every way. This is indeed the greatest salvation of all,-For the wife not to stand apart from the husband.” (Medea, pg. 616, line
Euripedes tugs and pulls at our emotions from every angle throughout The Medea. He compels us to feel sympathy for the characters abused by Medea, yet still feel sympathy for Medea as well. These conflicting feelings build a sense of confusion and anxiety about the unfolding plot. In the beginning, the Nurse reveals the recent background events that have caused Medea so much torment: "She herself helped Jason in every way" (13) and now he "has taken a royal wife to his bed" (18). Right away we are angry with Jason for breaking his wedding vows, and we are building up sympathy for Medea as the Nurse describes her acts of suffering. When we first see Medea, she speaks passionately to the women of Corinth and convinces them to side with her. She evokes their sympathy by drawing further attention to her suffering and speaking in terms that bring them all to common ground. Aegeus becomes Medea’s first victim when he, unknowingly, provides the final building block in her plan for revenge against Jason. We sympathize for Aegeus in his ignorance. Medea now has confidence in her plan, so she reveals it to the women of Corinth. She is going to send her children to Jason’s bride with a poisoned dress that will make her die in agony. We are still compelled to sympathize with Medea at this point because she has justified her reasons for seeking revenge. However, the princess is oblivious to Medea’s plot; she will accept the gift for its beauty then meet an unexpected, agonized death. The image of pain and agony elicits our sympathy as well. Medea presents her most perverse speech when she explains how she will kill her own children then flee Corinth. Alone, these acts provoke pure disgust, but Euripides has developed Medea’s character as a coercive force; we still sympathize with her for her plight, yet we also hate her for her decisions. The women of Corinth try to persuade her away from this morbid choice, but their arguments are ineffective. Euripides employs stichomythia in the exchange between the women and Medea to show Medea breaking down boundaries between self and other, which prevent sympathy (811-819). Euripedes focuses on suffering, ignorance, and rhetoric to leave us torn in our sympathy for every character.
Both of these two male characters are not title roles. They both fall prey to the actions of a woman, one whom they both originally thought they had complete control over. Antigone's martyrdom and conflict with the State brings Creon's destruction and Medea's double murder and infanticide brings his destruction. However, how much is this brought about through their own weakness and how much can we attribute this to a cruel fate? The issue is essentially whether a stronger person than Jason or Antigone could have avoided the destruction, and were they crushed by their own internal weakness ('hamartia'). An important to clarify is that we are not judging their personality. A despot can be a strong character and a man of high morals can be a weak character. The deciding factor is how rigidly they cling to their ideals and their ability to listen to others sensibly.
Medea is outraged that she sacrificed so much to help Jason, only to have him revoke his pledge to her for his own selfish gain. She asks him whether he thinks the gods whose names he swore by have ceased to rule, thereby allowing him to break his promise to her. Medea vows to avenge her suffering by destroying Jason's new family and his children. When Jason curses his wife for her murdering at the end of the play, she says to him, 'What heavenly power lends an ear / To a breaker of oaths, a deceiver?
Medea unlike the other two females was a murderer. She murdered her own brother, Jason's wife, Kreon, and her own children. She was also a sorcerer who used her power mostly for evil.
In The Medea, Medea gives up her home, murdered her brother and tossed the pieces of his corpse and betrays her family to escape with her lover Jason. Against her father's wishes she helps Jason recover the Golden Fleece. Afterwards, Medea and Jason fall in love, get married and Medea gives birth and raises two sons. Unfortunately, Jason abandons Medea and marries King Creon's beautiful daughter. Medea alternates her role from a lover and partner in crime to an obsessive prideful monster. Me...
By the end, the husband and wife are left devoid of love and purpose as the tragedy closes. In Medea, a woman betrays her homeland because of her love for a man. Jason is the husband that she ferociously loves and makes sacrifices for. They have two children together: Antigone and Ismeme. In Jason's quest for the golden fleece, Medea assists him in multiple ways.
When Jason left Medea to marry Glauce, Medea was plagued with sadness and then with anger. The man she loved, the man that she gave up her life for, had betrayed her. In the patriarchal society that Medea lived in, it was not acceptable for a woman to protest any decision made by her husband. Medea went against all social standards and took revenge on Jason for the wrongs that he had committed. She was willing to take any chance and sacrifice even her most valued possessions. Medea knew that the best way to avenge the wrongs of Jason was to kill Glauce and the children. It was a huge sacrifice for Medea to kill the children that she loved, but she allowed herself to look past that love and only see her hate and contempt for Jason. Medea was willing to go against every rule that society set, so that her husband wouldn't get away with leaving her for political reasons.
"Finally, the play opens with Medea's Nurse indirectly giving background information to the story about to unfold. It is quickly understood by the audience that Jason, the husband of Medea, for whom she disowned her family and had killed for, has left her for the King of Corinth (Creon's) daughter - a beautiful princess. Medea is outraged by this and is set on seeking revenge on him.
Because Medea was such a different woman people in her society were afraid of her, including men. As a result of this, before Jason, she never experienced being in love. When she finally experienced this type of love she went to no end for Jason. To protect Jason and her love for him she killed the beast guarding the Golden Fleece, she killed her brother, and she left her home, family and everything she knew for him. Most women would not have gone that far for love, especially women during her time; but Medea was not your average woman. All of the things she did for Jason will come into play, and partly account for her actions at the end of the play.