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Biblical symbolism in Daniel 7
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Symbolic Background
In the beginning I want to look at the Canaanite Mythology which is often considered as background for the Vision in Daniel 7.
The four Beasts coming from the Sea, seem to have been well known in ancient Near East. In several creation sagas, the creating god slays the evil and dangerous monsters of the sea. Even the creation of the world in the Job 26 and the Exodus described in Isaiah 51 uses related images. In the Canaanite Mythology states that the god Baal has slain the great monster of the sea, the god Yam, who questioned Baals power.
The one like the son of man is an image not uncommon to the Bible. Often Christians interpret those occurrences as being Jesus, looking to old Hebrew and old Biblical Traditions this is not the case. Seen from a Jewish standpoint the rider of the clouds is usually understood to be Yahweh. John J. Collins states in his book the origins of this picture:
“However, the Hebrew depiction of Yahweh as rider of the clouds is itself adapted from the older Canaanite storm imagery of the theophanies of Baal.”
To understand the connection between the vision in Daniel 7 and the Ugaritic Myth,I will show a summary of the myth by Philip Wilkinson:
“In the Baal cycle, Ba'al Hadad is challenged by and defeats Yam, using two magical weapons (called "Driver" and "Chaser") made for Him by Kothar-wa-Khasis. Afterward, with the help of Athirat and Anat, Ba'al persuades El to allow him a palace. El approves, and the palace is built by Kothar-wa-Khasis. After the palace is constructed, Ba'al gives forth a thunderous roar out of the palace window and challenges Mot. Mot enters through the window and swallows Ba'al, sending him to the Underworld. With no one to give rain, there is a terrible drought in Ba'al's absence. The other deities, especially El and Anat, are distraught that Ba'al has been taken to the Underworld. Anat goes to the Underworld, attacks Mot with a knife, grinds him up into pieces, and scatters him far and wide. With Mot defeated, Ba'al is able to return and refresh the Earth with rain.”
There are several possible backgrounds, but for this argument I only will consider the Canaanite Mythology. The reason for doing so is that the other possibilities will not have much to say about the man on the clouds and the Ancient of Day which is the focus of my paper.
Joseph Hirsch’s painting Daniel was painted in 1976-1977. In 1978 during the153rd Annual Exhibition of the National Academy of Design, it won the First Benjamin Altman (Figure) prize. It measures 38 inches by 45 inches (96.52 cm x 114.3 cm) with a five inch gold wood frame surrounding it. The medium is oil on canvas. Everything within the painting is centered to draw your eyes to the action of the turned head and the pointed finger. According to the placard next to the painting this is a modern day version of the biblical story of Belshazzar’s Feast following the sacking of Jesualism from the Book of Daniel. From this point on, each figure within the painting will be addressed as Hirsch intended. The painting depicts a seated king, a dozing courtesan and Daniel. The three figures are the focal point of the composition. Hirsch uses a strong color palette to give the painting a luxurious and wealthy feel. Although the detail is not miniscule, the composition as a whole is easily understood. The use of oil paint allowed Hirsch to play with the composition as it was created.
... identity of the Four Horsemen, the 144,000, and Babylon the Great are often at the center of debate. However, a careful reading and thoughtful analysis of the context can provide a firm foundation on which to build an interpretation of these images.
After the waters of Apsu and Tiamat mix, the gods Lahmu and Lahamu ("slime, mud") emerge. And from this pair come Anshar ("whole sky") and Kishar ("whole earth"), meaning perhaps "the horizon, the circular rim of heaven and the corresponding circular rim of earth" (Jacobsen 168). Anshar and Kishar give birth to Anu, the sky god, who in turn begets what one translation calls "his likeness" (Heidel 18) Ea, the trickster god of the flowing waters, who is familiar to us as Enki.
A myth is a traditional story, especially one concerning the early history of a people or explaining some natural or social phenomenon, and typically involving supernatural beings or events. Each civilization has its myths about the creation of the world and its human race. Most speak of “gods” who perform feats far beyond that of humankind. Most are legends passed down through oral tradition, and embellished along the way. The book of Genesis is one of the most significant books in the Bible and is sacred scripture for Jews, Samaritans, and Christians. The Babylonian epic, Enuma Elish, is one of the most important sources for understanding the Babylonian worldview. Hesiod’s Theogony is a poem describing the origins and genealogies of
In conclusion, the Book of Daniel is a group narrative stories telling of the events of the life of the main character, Daniel, set in the time of the Babylonian captivity. It foreshadows the events of Christ’s death and resurrection. It also prophecizes the succession of kingdoms and rulers and the end of the world through the apocalyptic stories. The Book of Daniel creates a bridge between the Old and New Testaments. For this reason, it is one of the most important books of the Hebrew Scriptures and of the entire Bible. However, it is also one of the most highly controversial and debated books of the Bible due to Daniel’s foretelling of the Messiah’s kingdom to come.
The Book of Daniel took place in between 605 BC and 530 BC however the message is still relevant in today’s society, 2544 years later. Different themes are found in the book. These themes teach a lesson which can be used into today’s society. Even though the times, tradition and circumstances are different now than it was back then the messages are greatly relevant. The main themes of the book were about faithfulness toward what you believe in no matter what society says or the dangers. God is trustworthy and does everything for a reason no matter if the person is in the worst spot ever in life they have to believe there is something better in the future. Also Gods ability to save his children in the face of danger and will give them justice, and that god gives messages in mysterious ways.
This essay will compare and contrast Greek mythology’s The Theogony by Hesiod and the Babylonian creation story found in the Enuma Elish. Both creation myths start off with an empty universe in a formless state. Two chief god entities materialize from this state of nothingness, one represented as a male and the other as a female.
Mythology was an integral part of the lives of all ancient peoples. The myths of
Norse, Japanese, and Greek mythologies, too, agree on a lot of ideals. They each contain a clash of gods and the death of certain gods in order to form life. The list of creation myths, and myths in general, that relate to each other could stretch out for miles. With these parallels, humanity can better understand earlier cultures and document the method to how mythologies change over time. Works Cited Browning, W. R. F. Dictionary of the Bible.
Hesiod’s Theogony and the Babylonian Enuma Elish are both myths that begin as creation myths, explaining how the universe and, later on, humans came to be. These types of myths exist in every culture and, while the account of creation in Hesiod’s Theogony and the Enuma Elish share many similarities, the two myths differ in many ways as well. Both myths begin creation from where the universe is a formless state, from which the primordial gods emerge. The idea of the earth and sky beginning as one and then being separated is also expressed in both myths.
The closest parallel to the Biblical story of the flood occurs in the Mesopotamian Epic of Gilgamesh, our fullest version of which is furnished by an Akkadian recension prepared, in the seventh century B.C. for the great library of King Ashurbanipal at Nineveh. The story itself is far older. We have fragments of versions dating as much as a thousand years earlier, and we possess also portions of a Summerian archetype.
Scholars have shifted from the notion that the Bible differs from other ancient Near Eastern literature, cultures, and religions. If this were so, the Bible would be considered a myth. In this chapter Oswalt gives descriptions to what a myth is and gives insight into whether it is acceptable to label the Bible as a myth. Since the 1960s, scholars have been stating that the attributes of the Bible and its contemporary belief system have more in common to a myth even though the data used to make these claims have remained the same.
Ancient world literature and early civilization stories are mostly centered on human’s relationship with higher beings. Ancient civilizations were extremely religious, holding the belief that their very lives were in the hands of their almighty god or goddess. This holds true for both the people of biblical times as well as those of the epic era. However, their stories have some differences according to cultural variation but the main structure, ideas, and themes are generally found correlative. It is hard to believe that one work did not affect the others. The first great heroic epic poem of Gilgamesh and the Old Testament are parts of two cultures that are hundreds of years apart. Whereas Gilgamesh is a myth and the book of Genesis is the basis of many religions, they both have notably similar accounts of symbols, motifs, meaningful events according to the relationship between the divine and humans in literature.
During the destruction of Jerusalem, God is still with the people of Israel who were exile into Babylon, which is shown through the prophet Jeremiah. While delivering the words of God, Jeremiah was put through multiples rough situations. In the time of sorrow and grief, Jeremiah cried out to God in the place of exile in Babylon. The use of harsh language to blame the wrongdoing against God is a driving factor into comparing the similarity of the predestined birth of Jeremiah and Israel yet their faith to God at the end is completely different.
The Biblical story of David and Goliath is one that provided heroic inspiration for many artists throughout history. As told in 1 Samuel 17, it is a story about a young boy named David who defeated Goliath, a giant Philistine warrior, and saved his people from invasion and slavery. As the story goes, the Israelites were facing the Philistines army and the giant Philistine, Goliath, challenged the Israelites to send their best warrior to battle him to determine the outcome of their armies. David, while bringing food for his older brothers, heard Goliath defy the armies of God and was angry. He accepted; chose stones from a stream and with his sling he approached the Philistine. Goliath mocked David for his youth and choice in weapons but David