"Digging"
“Digging” by Seamus Heaney is the first poem in the first full volume of Heaney’s poems, “Death of a Naturalist”. “Death of a Naturalist” is about the transition into adulthood and the loss of innocence. The poem shows how Heaney looked up to his father and grandfather, especially their hard work. Even though Heaney did not follow in their footsteps and become a farm laborer, he respects the work they do, especially their skill at digging.
The poem is a free verse poem. It has eight stanzas with two couplets. It rhymes occasionally, but it does not have a patterned rhyme. The first two lines rhyme with “thumb” and “gun”, the second stanza also has some rhyming words. The poem is a first person narrative; this is evident from the first line that uses the word “my” and other lines throughout that use words such as “I” and “we”. The title relates to the poem because all three generations mentioned are digging. His father dug potato drills and flowerbeds, his grandpa used to dig peat, and he is digging up the past. Because of this, the title is very fitting.
Throughout the poem Seamus Heaney uses shifts in the tense to convey his memories as well as his determination for the future. It starts off in present tense as he sees his father struggling with the flowerbed. The poem then shifts to past in order to recall his grandfather’s work digging peat and his father’s stronger days digging potato drills. The poem returns to present tense during the last two stanzas. The final line is future tense in order to show that Seamus understands that his work is writing.
The first stanza of the poem says the pen in his hand fits “snug as a gun” (line 2. The second stanza is Heaney looking down from is window to s...
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...” as they fill the bucket. Another shift occurs in the second stanza when the speaker says they “hoarded the fresh berries in the byre” (line 17). “Byre” means a shed, but it can also be a support for a casket or corpse. This foreshadows what is to come.
The berries begin to spoil because more were picked than could be eaten in time. The “rat-grey fungus, glutting on our cache” (line 19) got to them. The berries would have lasted longer if they had been left on the bush, but desire and greed overwhelmed the speaker when picking the luscious berries. Because he lost the berries due to rotting, the speaker says, “I always felt like crying. It wasn’t fair / That all the lovely canfuls smelt of rot. / Each year I hoped they’d keep, knew they would not” (lines 22-24). The speaker collects berries every year, more berries than needed, and he always sees them go bad.
Both poems have been written about death dying and the loss of loved ones, in a once thriving Welsh mining community. The first poem by Mike Jenkins is a reflection and remembrance by a Father who tragically and suddenly lost his son in a horrific and unfortunate disaster that happened in Aberfan in 1966, where many young lives were lost.
Part I is particularly anecdotal, with many of the poems relating to the death of Trethewey’s mother. The first part begins with an epitaph from the traditional Wayfaring Stranger, which introduces the movement of the soul after death, and the journey towards the ‘home’ beyond. In “Graveyard Blues”, Trethewey examines the definition of “home” as a place of lament, in contrast to the comforting meaning in the epitaph beginning Part I, and the significance of the soul’s movement after death. The ‘home’ described in the epitaph is a place of comfort and familiarity, where the speaker returns to their mother. In contrast, Trethewey describes the ‘home’ she returns to after her mother’s death as a hollow place, the journey back to which is incredibly
As he slouches in bed, a description of the bare trees and an old woman gathering coal are given to convey to the reader an idea of the times and the author's situation. "All groves are bare," and "unmarried women (are) sorting slate from arthracite." This image operates to tell the reader that it is a time of poverty, or a "yellow-bearded winter of depression." No one in the town has much to live for during this time. "Cold trees" along with deadness, through the image of "graves," help illustrate the author's impression of winter. Wright seems to be hibernating from this hard time of winter, "dreaming of green butterflies searching for diamonds in coal seams." This conveys a more colorful and happy image showing what he wishes was happening; however he knows that diamonds are not in coal seams and is brought back to the reality of winter. He talks of "hills of fresh graves" while dreaming, relating back to the reality of what is "beyond the streaked trees of (his) window," a dreary, povern-strucken, and cold winter.
the ripe fruit being left to waste. In line eleven she writes, “past the cellar door the creek ran and
The Part of this poem that is to be looked at first is imagery in the title of the poem. Seamus Heaney starts us off by giving us this picture of the Strand at Lough Beg, which is the shore of a lake. Already the reader is given the starting point of this story; the Kind of person that Colum McCartney is.
poem. It almost seems that the narrator is recalling the woman that was from his past and
“For the rain to gather, for the wind to suck, For the sun to rot, for the trees to drop.” The men hanging to wither and rot for no reason other than ignorance, greed and prejudice. “A strange and bitter crop.”
Seamus Heaney’s poem “Blackberry-Picking” does not merely describe a child’s summer activity of collecting berries for amusement. Rather, it details a stronger motivation, ruled by a more primal urge, guised as a fanciful experience of childhood and its many lessons. This is shown through Heaney’s use of language in the poem, including vibrant diction, intense imagery and powerful metaphor—an uncommon mix coming from a child’s perspective.
The poem commences with a debate between the mother and daughter about what they should do with the black walnut tree. Lines 1-15 are written in straightforward, easy to comprehend language. In these lines the speaker addresses why they should sell the tree. The two women give reasons by stating that the tree is growing weak, and given the tree’s proximity to the house, a storm will cause it to collapse into their house and pose a threat to their lives. In addition, the speaker claims that “roots in the cellar drains,” meaning the roots of the tree are getting bigger and spreading into the foundation of the house, thereby producing another danger to the well-being of the family. Moreover, the tree is getting older (“the leaves are getting heavier”), and the walnuts produced by the tree are becoming to gather. The tone of the mother and daughter shows their need for money but also a reluctance to selling the tree; they are desperately in need of money, but they don’t seem to be in favor of selling the tree. Although the reasons provided by the family are credible, they are not wholehearted. This is because the women “talk slowly…...
The second stanza and third stanza tell how the woodchucks continue to destroy the garden because the cyanide gas was not successful. The speaker tells about the woodchucks taking over the vegetable patch and beheading the carrots. This drives the speaker crazy, therefore taking the violence to another level. The speaker pulls out a gun and puts the ...
The second and third stanzas of Funeral Rites are highly descriptive, as Heaney describes ‘their puffed knuckles’. This close, sensory description of the body is present in many of his bog poems, but specifically in The Grauballe Man, as, similar to Funeral Rites, Heaney dedicates multiple stanzas to the direct, det...
In “Home Burial,” Robert Frost uses language and imagery to show how differently a man and a women deal with grief. The poem not only describes the grief the two feel for the loss of their child but also the impending death of a marriage. Frost shows this by using a dramatic style set in New England.
The diction Kenyon employs for her description of the poem’s physical and psychological setting serves as Kenyon’s primary means for presenting her argument regarding the nature of the mourning process and its failure to help those who have lost loved ones. The poem’s first stanza begins as follows, “Like primitives we buried the cat with his bowl. Bare-handed we scraped sand and gravel back into the hole(1-4).” The first two words, “like primitives,” give the reader immediate insight into Kenyon’s opinion regarding the nature of the burial itself. She sees it as a means of coming to grips with death that is less evolved than the mental state of those that it attempts to help. When the first stanza is interpreted as a whole, the reader is...
The first stanza sets the tone of mockery. The speaker uses metaphors, hyperboles, irony and imagery to seduce his coy mistress. He begins his poem of seduction with an insult: “Had we but world enough, and time, / This coyness, lady, were no crime.” He calls her a criminal for being so reluctant when they are constrained by world and time. To him, it is a misconduct to not jump right into his arms when they have so little time to live. Since this lady does not immediately throw herself upon him, he tries his hand at flattery. “My vegetable love should grow” is a slightly exaggerated image of his love. He uses it to compare how a vegetable, if nourished and cared for, will continue to grow, just like his love for this lady even if it is slowly. He asks her to imagine an incomprehensible amount of time when he says “Two hundred to adore each breast/ But thirty thousand to the rest” The effect of this imagery is to bring her outside of the immediate moment. Many of the hyperboles are so outrageous; the tone of mockery is predominant over the tone of seduction.
The setting takes place in the daylight of the woods. I felt that Frost set the poem in the woods because it helps reader imagine trees, leaves, and bushes. Therefore readers know that the speaker is alone without any road signs or knowledge of any direction on which road to take. The “yellow wood”(1) means that its somewhere in the fall when the leaves are changing colors. The “yellow” brings out a beautiful image of the autumn to readers. The “yellow wood” means there is a continuous decision one makes in li...