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Critical perspectives of othello
Critical perspectives of othello
Critical perspectives of othello
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Through the consideration of different perceptions of Othello I have augmented my understanding of Othello. My perceptions have changed over the changing contexts of the times. The Aristolean model is used as the template for the play and can be read in many ways such as Racist, Feminist and Post-Colonial readings.
The Aristolean Model or Notion of Tragedy can be defined as “an imitation of an action that is serious, complete possessing magnitude; in embellished language;” Othello is a perfect example of an Aristolean model as it involves the tragic flaw or hamartio of Othello which is the centre of the entire play. The story must begin with the good fortune or status of the main character for it to be an Aristolean model, in this case, Othello is the General in an army, “Well, my good lord, I’ll do’t” This statement by Iago shows that he was forced to respect the man he hated. The next part of the model is their downfall, for Othello this was due to his jealousy. “The smallest fear or doubt of her revolt” Othello is jealous as he is black man, living in a white society. He feels that his wife may leave him for a younger, stronger white male such as Cassio. Othello’s hamartio leads to his downfall; however this concept is not as relevant to today’s audiences as it once was. This is due to the fact that modern day audiences do not believe in such a tragic downfall happening over such a short time, due to this perception new views have been made to help entertain the modern day audiences.
Modern day audiences look for a more believable story and this can be found in the multiple readings of the play. From one perspective Iago is seen as the protagonist of the play instead of the villain. This is only possible in a Marxist vie...
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...that are found in the film would be extremely unbelievable.
A psychoanalytical view has severely augmented my perception of the play. This is due to the fact that the main antagonist, Iago uses basic psychological ideas such as reverse-psychology. “Though I am bound to every act of duty,” In actuality Iago is feeding his own needs with this basic psychological behaviour. This view point can also extend to all of Iago’s actions “You know, what you know”, forcing guilt onto Othello even though Iago was the main perpetrator in this play. It also shows that Shakespeare was involving a technique in his play that was only thought about decades later.
My view of Othello has been augmented by the various perceptions that have been created by others. However, my view is a blur of all these as it is not possible for the play to be considered from one angle completely.
about the jealousy and murder at the end of the play. Iago is the man
Othello avoids all irrelevancies and the action moves swiftly from the first scene to the denouement. We never get lost in a multiplicity of incidents or a multitude of characters. Our attention remains centered on the arch villainy of Iago and his plot to plant in Othello’s mind a corroding belief in his wife’s faithlessness. (viii)
Othello has been described as one of William Shakespeare’s most popular plays because the play focuses on its themes of good and evil, military, politics, love and marriage, religion, racial prejudice, gender conflict, and sexuality; but the controversy and debate surrounding Othello is “Why is Othello a qualification for a tragedy?”
11 Dec. 2011. The "Othello". Shakespeare for Students: Critical Interpretations of Shakespeare's Plays and Poetry. Ed. Anne Marie Hacht.
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
Nick Potter states: “Othello is a tragedy of incomprehension, not at the level of intrigue but at the deepest level of human dealings. No one in Othello comes to understand himself or anyone else.” Within Shakespeare’s Othello, no character fully understands themselves of one another. This is especially true in human dealings, where the intentions of characters and how others interpret them are often misaligned. Conflict, and eventually, tragedy arises in Othello due to the incomprehension between characters, as well as within the characters themselves. From the reader’s perspective, it is tragic to understand the reality behind all the incomprehension, since the characters are oblivious to what the readers are aware of.
In Act three, Scene three, Desdemona agrees to speak to Othello in Cassio’s behalf) As Desdemona and Cassio discuss Cassio’s loss of rank and trust in Othello’s eyes. Iago brings to Othello’s attention the discussion taking place between Cassio and Desdemona. Iago knowing full well why the discussion is happening. Iago hints the pair seems to be spending a lot of time together. Iago plants the seed of doubt in Othello’s mind Othello begins to ponder the idea of whether Iago suspicions are true.
Jones, Eldred. "Othello- An Interpretation" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 39-55)
Watkinson, A. "Othello: The Ironic Interdependence of Othello and Iago." Novels for Students. 5 November 2004. http://www.enotes.com/othello/743/print
William Shakespeare’s drama Othello is one concentrated contest between the forces of the morally good and the morally bad. Let us analyze this contest in detail in this essay.
The Tragedy of Othello William Shakespeare’s, The Tragedy of Othello, the Moor of Venice, from the sixteenth century is an excellent example of Renaissance humanism. “A poet of unparalleled genius, Shakespeare emerged during the golden age of England under the rule of Elizabeth I.”(Fiero 3:98) He produced comedies, tragedies, romances and histories. According to Webster’s pocket dictionary, a tragedy is defined as a form of drama in which the protagonist comes to a disaster, as through a flaw in character, and in which the ending is usually marked by pity or sorrow. I would like to concentrate on the character Iago and the theme of deceit.
Of Shakespeare’s five greatest tragedies, Othello is by far the most passionate and gripping. It is a tale of love, deception, evil, honesty, and virtue. Othello himself is set apart from other Shakespearean tragic heroes by the absolute feeling of affection the audience feels for him even unto the very end of the play. Any discerning reader painfully recognizes the virtue and goodness of Othello throughout the entire play, in contrast to the general degeneration of character so typical of a tragic hero. It is this complete pity that makes the death of Othello so tragic as the audience lends their full support to the inevitable and unavoidable fall.
Shakespeare’s Othello consists of the themes betrayal, love and dishonesty. At the centre of this play is the tragic downfall of Othello at the hands of his so called friend Iago. In this essay I will be discussing the reasons for and against Othello being responsible for his downfall through looking at critical interpretations of his character and actions.
Jones, Eldred. "Othello- An Interpretation" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994.
Characters in the play see Iago as trustworthy but in reality he is underhanded, two-faced, and scheming. (Smith, 2000)