According to the English crime writer P.D. James (1920-) “for a book to be described as detective fiction there must be a central mystery and one that by the end of the book is solved satisfactorily and logically, not by good luck or intuition, but by intelligent deduction from clues honestly if deceptively presented.” (James. 2009: 16). This is traditionally conducted via a detective; a figure deployed within the narrative structure ‘whose occupation is to investigate crimes’ (Oxford. 2006: 202). Therefore detective fiction represents an enigma, a puzzle to be solved through an intriguing series of events and clues presented by the writer to its audience; that are taken on a journey through a process of reasoning, elimination and conclusion to solve a mystery. The narrative formula allows the audience to engage on an exploration of self-discovery as “the mystery’s solution supplies a temporary sense of self through which the reader is offered an apparatus for negotiating the boundaries that define identity.” (McCracken. 1998: 50).
Detective fiction can be defined and situated into various different categories; “one is taxonomic…placing it in relation to other types of popular literature…Westerns, science fiction, spy tales and so on. John G. Cawelti’s (Adventure) has grouped these types into larger categories called ‘archetypes’ which are convenient for making an initial distinction between two major kinds of detective fiction, ‘Mystery’ and ‘Adventure.’ (Rzepka. 2005: 9). This raises the question of how detective fiction appeals to past and present audience’s and its position as part of a mass market publication in contemporary society. In order to answer this question it is important to briefly summarise the rise o...
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...http://www.gutenberg.org/wiki/Detective_Fiction_(Bookshelf). [Accessed 20th April 2012]
Routledge Encyclopedia of Narrative Theory. (2007) Detective Fiction, Herman, D. Jahn, M. & Ryan, M. [On-line] Available from: http://books.google.co.uk/books?id=wWNnBndF9uEC&pg=PA103&lpg=PA103&dq=generic+conventions+of+detective+fiction&source=bl&ots=nN3XjelCQo&sig=w_epfgfc-_S9UUZhgH65xBIxMbY&hl=en&sa=X&ei=p7KfT-H_GafE4gTW_-y2Aw&ved=0CFAQ6AEwBg#v=onepage&q=generic%20conventions%20of%20detective%20fiction&f=false. [Accessed 19th April 2012]
Sir Arthur Conan Doyle Literary Estate. (2000) The Official Website of the Sir Arthur Conan Doyle Literary Estate. [On-line] Available from: http://www.sherlockholmesonline.org/. [Accessed 20th April 2012]
The Sherlock Holmes Company, (2010). [On-line] Available from: http://www.sherlockholmes.com/. [Accessed 21st April 2012]
Today people such as Agatha Christie have carried on the crime genre which in my opinion is successful. The use of technology in the art of forensic science in Doyle’s books is why, in my opinion, they are successful because in those days the technology had just started and they were intrigued by it.
Dashiell Hammett’s novel, The Maltese Falcon, is a hard-boiled detective novel; a subset of the mystery genre. Before the appearance of this sub-genre, mystery novels were mainly dominated by unrealistic cases and detectives like Conan Doyle’s Sherlock Holmes. As Malmgren states, “The murders in these stories are implausibly motivated, the plots completely artificial, and the characters pathetically two-dimensional, puppets and cardboard lovers, and paper mache villains and detectives of exquisite and impossible gentility.” (Malmgren, 371) On the other hand, Hammett tried to write realistic mystery fiction – the “hard-boiled” genre.
Professor’s comment: This student perceptively examines the role of the city as a setting and frame for detective fiction. Focusing on two early examples, Poe’s “Murders in the Rue Morgue” and Hoffmann’s “Mademoiselle de Scudery,” both set in Paris, his sophisticated essay illuminates the “cityness” or framed constraint that renders the city a backdrop conducive to murder—such as the city’s crowded, constricted nature, promoting vertical rather than outward movement and increasing hostility and the fact that so much urban life occurs at night, a reversal of the natural order and facilitating illicit activity. He compels us to look in new ways both at the city and at detective fiction.
Exploring the Reasons Behind the Popularity of Sir Arthur Conan Doyle's Stories Although not a real detective, the character of Sherlock Holmes gave the general public a sense of security because in the stories he is seen to solve cases quite easily, such as in "The Man With The Twisted Lip." Watson says "I wish I knew how you reached your results" and Holmes replies, "I reached this one, by sitting upon five pillows and consuming an ounce of shag. " This gives the readers a sense of security because it seems as if Holmes makes no effort to solve the crimes but they are still solved with the minimum of fuss. At the time of writing the concept of detectives was new, and when the stories were written there was almost no confidence in the police force. This point is brought up in "The Man With The Twisted lip," the police force caught a criminal and then proceeded to let him go.
The Appeal of Arthur Conan Doyle's Stories Over 120 years ago the lived a fictional character called "Sherlock Holmes", who lived at 221B, Baker Street. Arthur Conan-Doyle created the character in 1887 and the stories are still popular today. In 1887 Doyle was going to stop writing the stories but he got death threats telling him to keep Holmes alive, he did what they asked. I am going to examine and write about three stories: "The Speckled Band" "Silver Blaze" "The Cardboard Box" "The Speckled Band" is a murder story set in the countryside and is about a man who kills his step-daughter because of the money she will inherit on her marriage.
Sir Arthur Conan Doyle is the creator of the character Sherlock Holmes and John Watson. He was a Scottish writer and physician, he wrote many things in his life. Doyle did not just write detective mysteries he also fantasy and science fiction stories, plays, romances, poetry, non-fiction and historical novels. Even though he wrote many other thing he is mostly well known for writing all of the canon Sherlock stories. Doyle himself had a career in the medical field there he meet many influential people to base his characters from. A letter was found where he wrote to one of his colleagues whose name was Joseph Bell that the most important traits of his character Sherlock was mostly based on him. Bell himself had the career title of forensic
Macdonald, Ross. "The Writer as Detective Hero." Detective Fiction: A Collection of Critical Essays. Ed. Robin W. Winks. Englewood Cliffs, London: Prentice-Hall, 1980.
Sir Arthur Conan Doyle was more than just an author. He was a knight, a soldier, a spiritualist, a whaler, a
A detective story is a genre of fiction in which a person attempts to solve a crime. The detective may be a professional or an amateur, and generally has nothing to gain from solving the crime. However in Sophocles’ “Oedipus the King”, the main character Oedipus is not only determined to solve a crime, but he is also in pursuit to find his own identity. This is similar to Arthur Conan Doyle’s “A Scandal in Bohemia” where Sherlock Holmes has been hired to work as a detective in return for monetary compensation. Both situations enable Oedipus and Sherlock to gain from unraveling the mysteries that sweep their towns hence making these stories different from most detective stories.
The Sherlock Holmes series, has, like most enduring literary works, both challenged and conformed to the ideals of its age. Today, more than a hundred years after his first adventure, Sherlock Holmes remains one of the most beloved fictional characters of the Victorian era.
The acclaimed authors, Edgar Allan Poe and Arthur Conan Doyle, formulate the characters of Auguste Dupin and Sherlock Holmes respectively, to be similar in the way that they analyze, deduce, and connect segments of desperate and often-thought “unsolvable” detective cases. Through their comparable techniques and system of deduction, Dupin and Holmes never fail to trace back their evidence to the scene of the crime. However, due to the vast difference in the writing styles of Poe and Doyle, the audience observes the main characters not as clones, but rather an analogous pair that think alike, but do not act alike. The personalities of Auguste Dupin and Sherlock Holmes, although present are recognizable differences in their actions, continue to
The birth of classic detective fiction was originated just in the mid nineteenth century, and was producing its own genre. Classical detective fiction follows a set of rules called the ‘Ten commandments of detective fiction’. The genre is so popular it can bee seen by the number of sales in any good book stores. Many of these books have been created a long time ago and there is still a demand for these types of books. The popularity is still ongoing because it provides constant entertainment, and also the reader can also have a role of detective trying to solve the crime/case committed. Classical detective fiction has a formula, the detective story starts with a seemingly irresolvable mystery, typically a murder, features the astute, often unconventional detective, a wrongly accused suspect to whom the circumstantial evidence points, and concludes with a startling or unexpected solution to the mystery, during which the detective explains how he or she solved the mystery. Formula that includes certain elements such as, a closed location to keep the number of suspects down, red hearings spread around the stories to keep the reader entertained yet interacted.
An examination of Sherlock Holmes' abilities and techniques. allied to his personal characteristics, enable him to solve crimes. There are many reasons to explain why Sherlock Holmes is one of the world's most famous fictional detectives. However, the main reason for This is that not only are the stories complex, but the actual character of Sherlock Holmes has extreme depth, with some subtle. elements of his character only becoming apparent when he is in certain situations.
Pos-Ho. Critical survey of mystery and Detective Fiction. Englewood Cliffs, New Jersey Salem Press, 1988. pgs 1332-1337
Detective fiction is read and has been read for going on 200 years, simply because the stories are entertaining. The authors are truly what help to draw people back to the genre. This appeal of reading for fun is one that would strike any literate person as intriguing, and that’s exactly what detective fiction does. Because there are no serious moral or social values to be derived from reading these mysteries, people keep coming back! I have enjoyed reading detective fiction for eight years now, and it’s the simple escape from the “required” or educational readings that keep me coming back, and that’s the most likely reason that detective fiction has managed to stay around and so popular for such a long time.