The Destruction of the Feminine and Triumph of Society: Homosexuality In Edgar Allan Poe’s “The Fall of the House of Usher”

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In Edgar Allan Poe’s “The Fall of the House of Usher” there is dense symbolism that surrounds the house that may lead the reader to infer many conclusions about Roderick himself. Perhaps the most interesting understanding comes in the femininity that is present in the story. Poe uses very specific descriptors in the story, many of which seem to indicate the gentle, soft, delicate features of woman. These substantiations seem to be interconnected in opposition to death, and by the end of the story, they overwhelm any masculine threat that appeared in the story. The pervading presence of woman in the interior and exterior of the Usher Manor is indicative of Roderick’s feminine qualities. Ultimately, Roderick’s inability to deal with his homosexuality- indicated by the house and Roderick himself- leads to the destruction of the “House of Usher” by those tendencies he tried to suppress. Introductions of the house’s feminine qualities come early in the story. Hidden in the seemingly masculine details of the house- its being made of stone and having a mastery over nature- there is a dominance of feminine symbolism. Poe describes the houses aura as the “hideous dropping off of the [opiate] veil.” (896) A “fine tangled web-work [falls] from the eaves” (Poe 898) and fungi has “overspread the whole [stone] exterior.” (Poe 898) Poe also describes the house as suffering “the discoloration of ages.”(898) These describers symbolically tell the story of a woman’s life. Poe’s use of the term veil conjures images of the wedding veil, a distinctly feminine aspect of the wedding and is symbolic of youth, vitality, and the beginning of a marriage. From the energy of youth, the house faces disintegration, stagnation and ultimately a stillness of vi... ... middle of paper ... ...traints and expectations of society. As the house loses it’s battle against the feminine with “tarn … clos[ing] sullenly and silently over the fragments of the ‘House of Usher’” (Poe 909) so to does Roderick lose his battle. Looking further at the character of Madeline, if one views her as a projection of Roderick’s feminine qualities, may provide and expand insight into the argument that ultimately, that which he has tried to suppress overwhelms him. In the conflict between the thriving and the lifeless, Poe suggests that by keeping natural tendencies, like homosexuality, captive one is driven to destroy essential elements of oneself. Works Cited Poe, Edgar Allan. "The Fall of the House of Usher." The Harbrace Anthology of Literature. 4th ed. Eds. Stott, Jon C., Raymond E. Jones, Rick Bowers, and William Connor. Toronto: Thomson Nelson, 2006. 896-909. Print.

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