"Tintern Abbey" typifies William Wordsworth's desire to demonstrate what he sees as the oneness of the human psyche with that of the universal mind of the cosmos. It is his pantheistic attempt to unfurl the essence of nature's sublime mystery that often evades understanding, marking his progression as a young writer firmly rooted within the revolutionary tradition to one caught in perplexity about which way to proceed socially and morally, and further, to define for himself a new personal socio-political vision. Moreover, "Tintern Abbey" exhibits Wordsworth's eclipsing of the Cartesian belief in a supernatural creator who stands beyond the universe, echoing the ideas of Burach Spinoza, and redefining late eighteenth century deism into a more personal, pantheist revision of nature. The poem's portrayal of the intimate connection with nature implicitly underscores Wordsworth's view on conventional religious belief as one surpassing commonly held interpretations of the supernatural. It conveys Wordsworth's ideal of the universe as bound inextricably within the essence of all that is harmonious and natural -- a "Oneness." It sympathetically depicts the inseparability of "God" from nature, the "material-spirit" of energy that, as Wordsworth portrays it, imbues the life force with
. . . a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air,
And the blue sky, and in the mind of man;
A motion and a spirit, that impels
All thinking things, all objects of all thought,
And rolls through all things. (96-103)
In terms of "Tintern Abbey"'s naturalistic depiction of nature's interconnection with the universe and humanity, the poem reveals Samuel Taylor Coleridge and John Thelwall's implicit influence upon Wordsworth's development as both a writer and naturalist poet. Similar to Wordsworth, for instance, John Thelwall illuminates the organic spur of the human frame and other life forms in his scientific prose, such as found in his celebrated medical essay, Towards A Definition of Animal Vitality (1793). Thelwall's "cosmic-monism" fuses the workings of the human body to the movements of heaven and earth -- a holistic interconnection of the organic to the inorganic. His connection to Wordsworth through Coleridge serves to partially explain the inherent pantheistic vision in "Tintern Abbey"'s 1798 composition.
In the poem Tintern Abbey by William Wordsworth nature’s is portrayed to its readers. The speaker says,
While Romantics did seek inspiration in solitude and the grandeur of nature, it is difficult to say whether there is only one Romantic notion of the sublime. It is doubtful that the sublime we encounter in Shelley’s ‘Ode to the West Wind’ is the same as the sublime of ‘Tintern Abbey’. Wordsworth tells us how “… in lonely rooms, and ’mid the din / Of towns and cities” he has received “tranquil restoration” from the memory of nature, and how this has sometimes led to the realization of a gift of “aspect more sublime”, which is a trance-like state, a “classical religious meditation” (Wlecke, 158) in which he can “see into the life of things” (lines 36-49). This seems to be a notion of the sublime that gradually reveals itself through the interaction between the human mind and the objects of its contemplation. Moreover, this philosophical gift is “abundant recompense” (line 89) for something that he has lost – the ability to be moved at a level below that of thought, by the sublime aspect of nature. At the time of his visit five years before, he had been “more like a man ...
Primarily in Lines composed a Few Miles above Tintern Abbey the mortality of creativeness and imagination is expressed by Wordsworth. This is a poem about the beauty of an old cathedral called Tintern Abbey. He hasn’t been there in five years and he brought his sister along. Even though imagination isn’t immortal, there is a way to reclaim it, “That time is past, / and all its aching joys are ...
Henry David Thoreau implies that simplicity and nature are valuable to a person’s happiness in “Why I Went to the Woods”. An overall theme used in his work was the connection to one’s spiritual self. Thoreau believed that by being secluded in nature and away from society would allow one to connect with their inner self. Wordsworth and Thoreau imply the same idea that the simple pleasures in life are easily overlooked or ignored. Seeing the true beauty of nature allows oneself to rejuvenate their mentality and desires. When one allows, they can become closer to their spiritual selves. One of William Wordsworth’s popular pieces, “Tintern Abbey”, discusses the beauty and tranquility of nature. Wordsworth believed that when people
In "Lines Composed a Few Miles Above Tintern Abbey," William Wordsworth explains the impact of Nature from Tintern Abbey in his every day life. "Tintern Abbey" shows the great importance of nature to Wordsworth in his writings, love for life, and religion. The memories he has of Tintern Abbey make even the darkest days full of light.
Wordsworth truly emphasized the influence nature had on human morals and emotion. He spiritualised nature and regarded the environment as a philosophical moral teacher, as a mother and even guardian, as the one true elevating influence that was greater than any other. He believed that between man and Nature there is mutual consciousness and understanding, as well as a spiritual connection. According to him, human beings who grow up in the lap of Nature like he did were the ideal humans, the perfect kind. Above all, Wordsworth emphasized the moral influence of Nature as this pastoral influence. “They are second only to nature, which is "the breath of God." (Wordsworth 221). It was his special characteristic to concern himself, not with the strange and remote aspects of the earth, and sky, but nature in ordinary, familiar, everyday moods.Wordsworth stressed upon the moral influence of Nature and the need of man’s spiritual discourse with it “Great and benign, indeed, must be the power/ Of living nature,” (Wordsworth 167). He did not recognize the scary, hideous side of nature, only its
Rebecca Wordsworth was, as many writers have pointed out, distressed at Wordsworth’s refusal to hold a full-time job—like many a youth after him, Wordsworth was living the carefree life of the artist. Rebecca wanted him put to rights. He should become an adult now. “Tintern Abbey” is Wordsworth’s attempt to explain himself to Rebecca, but also, in crucial ways, to himself.
Situated prior to and directly within this conceptual fabric is the contentious debate taking place between deism and pantheism. Wordsworth's "Tintern Abbey" seems to adopt or at least imply a pantheistic stance. What does the speaker mean in declaring "we see into the life of things" (50)? And what is he referring to when he notes that there is "a motion and a spirit that impels / All thinking things" (101-102)? I use this preliminary sample as a starting point to my cursory talk about the sublime. I don't attempt to decipher the full repercussions of the divine in Wordsworth, nor do I wish to provoke with the idea that the sublime is in no way rooted in religion; instead, I want to look at whether this idea can be subverted or at least destabilized and replaced with a more revolutionary turn, more inward and more existential, indeed one more suggestively rooted in subjectivity. In other words, the sublime -- as an aesthetic or philosophical concept -- plays a crucial role ...
In his poem, 'Lines Written in the Early Spring,' William Wordsworth gives us insight into his views of the destruction of nature. Using personification, he makes nature seem to be full of life and happy to be living. Yet, man still is destroying what he sees as 'Nature's holy plan'; (8).
Wordsworths “Preface to Lyrical Ballads” is his ideas on how he is going to be writing his poetry. In the “Preface to Lyrical Ballads” The Principal Object of the Poems. Humble and Rustic Life (Wordsworth 434) he discusses how in his poems he wants to create a situation in common life and have all different kinds of people relate them to a personal experience they once had in a common language,“ To throw over them a certain colouring of imagination, whereby ordinary things should be presented to the mid in an unsual way; and ,further, and above all, to make these incidents and situations interesting by tracing them truly through not ostentatiously, the primary laws of our nature: chiefly, as far as regards the manner in which we associate ideas in a state of excitement.” by saying this in this stanza one can directly relate it to how he then writes “Tintern Abbey”. In “Tintern Abbey” Wordsworth uses this imagination to make things like walking through a abbey with your sister can become a magical incident that sends...
Through the ingenious works of poetry the role of nature has imprinted the 18th and 19th century with a mark of significance. The common terminology ‘nature’ has been reflected by our greatest poets in different meanings and understanding; Alexander Pope believed in reason and moderation, whereas Blake and Wordsworth embraced passion and imagination.
Figurative language is used by William Wordsworth to show the exchange between man and nature. The poet uses various examples of personification throughout the poem. When the poet says:”I wandered lonely as a cloud” (line 1),”when all at once I saw a crowd” (line 3), and “fluttering and dancing in the breeze” (line 6) shows the exchange between the poet and nature since the poet compares himself to a cloud, and compares the daffodils to humans. Moreover, humans connect with God through nature, so the exchange between the speaker and nature led to the connection with God. The pleasant moment of remembering the daffodils does not happen to the poet all time, but he visualizes them only in his “vacant or pensive mode”(line 20). However, the whole poem is full of metaphors describing the isolation of the speaker from society, and experiences the beauty of nature that comforts him. The meta...
Wordsworth is deeply involved with the complexities of nature and human reaction to it. To Wordsworth nature is the revelation of god through viewing everything that is harmonious or beautiful in nature. Man’s true character is then formed and developed through participation in this balance. Wordsworth had the view that people are at their best when they are closest to nature. Being close creates harmony and order. He thought that the people of his time were getting away from that.
Tintern Abbey is just an old ruin (William). However, throughout Wordsworth’s poetry Tintern Abbey becomes something slightly more than a ruin. His poem recognizes the ordinary and turns it into a spectacular recollection, whose ordinary characteristics are his principal models for Nature. As Geoffryy H. Hartman notes in his “Wordsworth’s poetry 1787-1814”, “Anything in nature stirs [Wordsworth] and renews in turn his sense for nature” (Hartman 29). “The Poetry of William Wordsworth” recalls a quote from the Prelude to Wordsworth’s 1802 edition of Lyrical ballads where they said “[he] believed his fellow poets should "choose incidents and situations from common life and to relate or describe them...in a selection of language really used by men” (Poetry). In the shallowest sense, Wordsworth is using his view of the Tintern Abbey as a platform or recollection, however, this ordinary act of recollection stirs within him a deeper understanding. In his elaboration in “Tintern Abbey”, he says “For I have learned to look on nature, not as in the hour of thoughtless youth, but hearing oftentimes the still, s...
William Wordsworth has respect and has great admiration for nature. This is quite evident in all three of his poems; the Resolution and Independence, Tintern Abbey and Michael in that, his philosophy on the divinity, immortality and innocence of humans are elucidated in his connection with nature. For Wordsworth, himself, nature has a spirit, a soul of its own, and to know is to experience nature with all of your senses. In all three of his poems there are many references to seeing, hearing and feeling his surroundings. He speaks of hills, the woods, the rivers and streams, and the fields. Wordsworth comprehends, in each of us, that there is a natural resemblance to ourselves and the background of nature.