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The use of symbolism in the novel
Importance of Symbolism in literature
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Throughout early English literature, it is highly apparent that novels and poems had much deeper meaning than just a story for entertainment. Many of these stories were great works used for religious purposes to show that good will always triumph over evil. Two great works that utilize this are the epic poem, Beowulf and the great allegorical poem, the Faerie Queene. Though these literary works were written almost eight centuries apart, it is apparent through biblical allegories, symbolism, and descriptions that both were written for similar purposes of religious influence, but they were written to different Christian audiences. Through their comparison, there are many similarities and differences in the biblical allegories pertaining to each fight with the dragon. In each story, the dragon is meant to symbolize the epitome of evil, but they symbolize two different types of evil. They are very different in their descriptions of the two dragons and the fight. Through acknowledgement of these similarities and differences, it becomes very obvious to whom the work is directed towards.
Beowulf and the Faerie Queene share many likenesses in the biblical allegories applying to each fight with a dragon. In both fights, Beowulf and the Redcross Knight portray an image of Christ. The Redcross Knight shows greater similarities to Jesus through his three day fight with the dragon in which he is saved from near death by a well of life and a tree of life. The three day fight is a direct correlation to Jesus’ death and resurrection which occurred in three days. The well of life in which Redcross Knight is healed is a symbol of baptism. Baptism is a symbol in itself of the washing away of sins and the restoration of perfection which ...
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... Philippians 4:13 which says, “I can do all things through Christ who strengthens me.” By having his hero succeed in an impossible feat, he attracts non-believers and skeptics of the sixteenth century who are fearful of hell due to his gruesome representation of sin. In doing so, he interests them in redemption through the one and only, God.
. Though Beowulf and the Faerie Queene were written almost eight centuries apart, it is apparent through biblical allegories, symbolism, and descriptions that both were written for similar purposes of religious influence, but they were written to different Christian audiences. One was geared towards non-believers and skeptics of the sixteenth century. The other was geared to eighth century Anglo-Saxon warriors and Vikings, but both were written for the same purpose to glorify God and expand the number of His followers.
Beowulf's character is very much similar to that of Jesus' in many ways. To the Danes he is recognized as a saviour, releasing them from the bonds of fear and death that Grendel had placed on Hrothgar's people. Friederich Klaeber writes that the poet raised Beowulf, "To the rank of a singularly spotless hero, a defending, protecting, redeeming being, a truly ideal character. In fact we need not hesitate to recognize features of the Christian Saviour in the destroyer of hellish fiends, the warrior brave and gentle, blameless in thought and deed, the king that dies for his people." (Klaeber 11). The battle with Grendel is a direct conflict between the powers of good and evil. Grendel is perceived as nothing short of an incarnation of the Christian devil. Many of his characteristics resemble those of Satan; he belongs to the lineage of Cain, the first murderer, and his home stirs up visions of hell (Norton 45-48). The dragon also resembles that of Satan. Lusting over gold and riches, the dragon protects his hoard with fire and fear. In Revelation 12:9, Satan is revealed as "the great dragon...the serpent of old". In the events including the battle with the dragon, one might notice a striking similarity with that of Jesus' experience in the garden of Gethsemane (Mathew 26:36-56). It is here that Jesus ventured with His 11 disciples (minus Judas) and was willingly seized to be later crucified and killed. The disciples had done nothing to help Him while Jesus accepted His own death for the benefit of His people. Beowulf, escorted by eleven lords also confronts his own death while his men abandon him in fear. It is only one, Wiglaf, who chooses to stand bravely beside his liege-lord in battle (Norton 60-62). In likeness, Peter follows Jesus and His captors from a distance to see the outcome of the trial. In contrast, Peter denies Jesus in fear rather than help Him (Mathew 26:58-75). The Christian elements in the poem are almost clearly without question so deeply ingrained within the poem that one cannot explain it away as mere coincidence.
The theology which appears in the Christian allusions in Beowulf is very vague and indefinete: there is no mention of Christ, the saints, miracles, Mary His Mother, specific doctrines of the church, martyrs of the church, the New Tes...
Beowulf is a poem about strength and courage. This is illustrated in the eighth section of the story called “Beowulf and the Dragon.” A slave, a hero and a dragon play a big role in this section. The characters are well developed, as is the setup for the conclusion of the poem.
Scholars have argued about the religious stance of the epic poem Beowulf for centuries. Although the man who put the poem down on paper, known as the Beowulf poet, was a devout Christian, the actual poem itself is pagan. There are many clues in the epic that lead us to this conclusion such as the numerous references to pagan symbols, namely the symbol of fate. Also, the central idea of revenge in the poem opposes the ideas of Christianity. The poem also contains many breaches of the Ten Commandments, which prove that the story is not Christian. However, the biggest clue to the paganism of Beowulf is the scene that contains the burial of Beowulf and the building and idolization of the tower, all of which go directly against the Christian religion.
Beowulf outlines turmoil between three opponents: Grendel, Grendel’s mother, and the Dragon. These separate discords each serve to fulfill different metaphoric purposes. Grendel’s character epitomizes the adverse persona of how an Anglo-Saxon warrior should not be. His mother represents everything that a woman during the time era should seldom be. Lastly, the Dragon embodies all the values that an Anglo-Saxon king should not dare retain. Without a doubt, the symbolic implications of the monsters in Beowulf bring the context to a new level of understanding.
Was the story of Beowulf’s battle between good and evil a reflection of Christ battling Satan? There are 3 major battles within Seamus Heaney's edition of the epic poem Beowulf all of which earn Beowulf some heroic status for saving the town from the evil antagonists that lurk, but is there a deeper meaning behind these battles than just an old tale? Is there some metaphor we are supposed to perceive? Throughout Beowulf there are a lot of different themes to pick and choose from, some interesting and more prevailing ones are that of pride vs. humility and sacrifice vs. selfishness. Beowulf for example is very proud but at the same time humbles himself and offers his credit to the Lord. The bible states in Jeremiah 29:11 ‘“I know the plans I have for you,’ declares the LORD, ‘plans to prosper you and not to harm you, plans to give you hope and a future.”’ Seamus Heaney portrays Beowulf as a Christ-like figure to spread the ideals and values of Christianity and God’s Love to the audience.
Christianity had recently took hold in England at the time of the writing of Beowulf. Many people believe that Beowulf is a Christian story, when in fact it is not. Instead, the poem reflects a society that has a deep pagan background and has brought with it stories from its pagan past. Beowulf is a Germanic tale that was likely first composed in the first half of the eighth century, but it was not until the late tenth century that it was committed to parchment. At the time of its writing, the Germanic tribes were clearly pagan, as seen by such evidence in the text as Beowulf’s cremation at the end of the epic and the direct reference to swearing oaths at “pagan shrines” (line 175). As Christianity’s teachings and values began to take root in these pagan societies over the decades and eventual centuries, the stories of the Bible began to be worked into the tale as it was told, retold, and retold even again. When it came time to be written—probably by a Christian monk (or monks) whose beliefs, it is fair to say, flavored the work—the bards and storytellers had crafted an epic with the Christian permutations already in it. However, that is not to say that the writer was ignorant when it came to what message he desired to relate to the reader.
Pagan concepts are intertwined in this work, as is the nature of the time period. Fame was very important. Receiving status allowed one to prosper in this time and receive the best out of their life. Beowulf is enthralled with the idea of fame as he fights Grendel, but it is balanced out and reconciled with Christianity by his desire to protect his people. Vengeance was brought out when Beowulf tells Hrothgar to not grieve and that “It is always better to avenge dear ones than to indulge in mourning” (72 Simpson & David). Honor is disregarded when Beowulf’s men leave him to fight with the dragon. Wilgaf shames them and it can be inferred that they will be disregarded as warriors and nobles for their behavior. Protecting one’s master was essential during that time to receive food and shelter, in addition to having the Gods’ favor (Lawson). Christianity makes an appearance when it references the antagonist, Grendel, “a fiend out of hell” (43 Simpson & David) and the protagonist, Beowulf, whom the “Holy God, in His goodness, guided…to the West-Danes, to defend [Hrothgar and his subjects] from Grendel” (49 Simpson & David). Christianity was a prominent influence for authors of the Anglo-Saxon time period. The Christians had faith in God’s ability to determine their fate. If they lost a contest then God has decided they are not worthy of winning. Every day they will try to prove they are holy enough to have God’s grace and be saved from eternal damnation. The literature written was a reminder to the people to always do what is right and to avoid sinning. Because the only people who could write were priests, religion was added into stories when they were written and when previous works were transcribed. The presence of the church was ever present to ensure the obedience of the people. If all they were exposed to was religion that
I can only speculate as to the intent of Beowulf’s author. Whether he simply wanted to write an epic or longed to create something with more depth and complexity is unknown to me. It is possible that these conflicting ideologies are merely a product of a developing society; a society still searching for spiritual guidance wherever it can find it, but I find that unlikely. Beowulf was not written carelessly, and details were not included haphazardly.
Beowulf, by an Anglo- Saxon poet (Anonymously), is an old epic poem that illustrates several meaning such as symbolism or allegorical meaning. In Christian medieval culture, “monster” referred to birth defects, which was understood as a sign from God. The monsters in Beowulf, each have their own meaning behind each battle, and their own symbolism within their own character. Grendel was the biblical figure of Cain and Christianly symbolizes Sin, Grendel’s mother was the complete opposite of culture values in women. The dragon has been robbed and understandably angry. The dragon symbolizes the encounter with death itself. Within this essay, I will
While the classic battle between good and evil forces is a major theme of the medieval epic Beowulf, one may question whether these good and evil forces are as black and white as they appear. Scholars such as Herbert G. Wright claim that “the dragon, like the giant Grendel, is an enemy of mankind, and the audience of Beowulf can have entertained no sympathy for either the one or the other” (Wright, 4). However, other scholars such as Andy Orchard disagree with this claim, and believe that there is “something deeply human about the ‘monsters’” (Orchard, 29). While Grendel, Grendel’s mother, and the dragon are indeed portrayed as evil and violent foes, there are parts within Beowulf that can also lead a reader to believe that the “monsters” may not be so monstrous after all. In fact, the author of Beowulf represents the “monsters” within the poem with a degree of moral ambivalence. This ambivalence ultimately evokes traces of sympathy in the reader for the plight of these “monster” figures, and blurs the fine line between good and evil within the poem.
All humans have the Mark of Cain. Monsters are born among them; sometimes hidden deep within their own selves. In the epic poem Beowulf, the battle between man and monster is told. The monsters are said to have the mark of Cain; their bloodline forever punished by God for the crime of Abel’s death. The protagonist Beowulf defeats these monsters, but in some ways becomes one himself; the question then arises: Is Beowulf really a hero? However, what makes this poem so intriguing is not just the battles between hero vs. villain; but rather the poet's power of expression in using stylistic devices to synthesize his material in an appealing manner. The power is enriched by the way the poet conveys a thought or emotion using poetic diction, Christian jargon, symbolism, imagery and other devices to appeal to the reader's senses and emotions.
In this reimagining of the roles of good and evil, we see that there is a similar struggle in both stories. Beowulf mirrors it so closely, in fact, that careful consideration of the information plainly available can cause the lines of good and evil to blur perceptually. It is clear that the author of Beowulf had a deep understanding of the concepts of the Biblical creation story and took great care to recreate the struggle of good and evil in his epic.
Beowulf’s life was truly epic struggle. The monsters he battled made it so. Grendel and the dragon, capable of crushing men physically, stood for evils that could just as easily crush men in spirit. These two beasts represented society’s greatest fears, as well as detriments, and Beowulf fearlessly took them on. Grendel taught the hero a valuable lesson about maintaining one’s humanity in a world dominated by the dogs of war. The dragon, showed Beowulf’s mortality, his imperfection, but the hero eradicates it nonetheless, saving his people from not only physical threat, but sin. Bringing in such spiritual and moral dimensions, these two beasts certainly give the story of Beowulf depth.
In the epic poem Beowulf, the struggle between good and evil reveals its omnipresence in even the oldest of tales. The many allusions and symbols throughout the story relate to Christianity and other Pagan beliefs. By looking at them, it becomes apparent that the author of Beowulf believed that the constant war between good and evil is not only fought by the common man but also in the ranks of their highest esteemed rulers and warriors, and even in their dreaded nightmares where monsters lurk and wait for the death of man. Beowulf was written during the budding of Christianity in England, when it was newly forming. In the story there are obvious references to Christian rituals.