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Importance and significance of writing
Importance and significance of writing
Importance and significance of writing
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The student who is preparing for preservice or inservice teaching in any field must answer two crucial questions: “What is learning?” and “What is teaching?” The student preparing to teach writing must also answer the question, “What is the purpose and the value of writing?” Writing is a subject area in which the teacher cannot easily state why writing itself is valuable or what purposes are served by learning the “art and craft” of writing, except as a tool for communication in other subject areas. In his article “Who’s Afraid of Subjectivity,” Robert P. Yagelski (1994), offers some answers to these questions about knowledge, education, and writing, as well as addressing related questions concerning individuality.
Current writing pedagogies value writing and writers in different ways. Yagelski compares the underlying epistemology of expressivist approaches with postmodern epistemological theory. Expressivist theories claim that knowledge is found within the individual, and writing is a form of self-discovery. “Process-oriented” writing instruction is connected with this pedagogical approach. Postmodern theorists define knowledge as the fluid, shifting, and selective perceptions of reality that are tied to particular times, places, and cultures. Proponents of postmodern theories claim that expressivist practices reproduce ideologies that conceal both power structures and the position of students within these structures. Such practices are also thought to reduce awareness of social differences related to gender, class, and race between individuals in the classroom. By encouraging only constructive criticism and harmonious group work, expressivist teachers avoid confrontation over real-world issues. For postmodernists, writing is...
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... rather than, in Keats’ words, “remaining content with half-knowledge,” and I think that an epistemology and a pedagogy that embraces paradox is rather well suited to the postmodern world.
References
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Kluth, Paula. 2000. “Community-Referenced Learning and the Inclusive Classroom” Remedial & Special Education 21.1 (Jan/Feb): 19-26.
Macrorie, Ken. 1988. The I-Search Paper. Portsmouth,NH: Boynton-Cook
Phelps, T.O. 1992. “Research or Three-Search?” English Journal 89.1: 76-78.
Yagelski, Robert P. 1994. “Who’s Afraid of Subjectivity: Postmodernism and the Composing Process.” Taking Stock: The Writing Process Movement in the 90’s, edited by Lad Tobin and Thomas Newkirk. 203-217. Portsmouth, NH: Heinemann.
In Downs and Wardle’s article, they argue and identify the flaws in teaching writing in college. Demonstrating the misconceptions that academic writing is universal, but rather specialized in each case. Citing studies and opinions from esteemed professionals, Downs & Wardle state their points and illuminate the problem in today’s many colleges.
“Although both articles are exploring writing and the change that needs to or that does happen, Peter Elbow’s idea of growth in writing is a more naïve and simplistic approach to writing, where as Somers and Saltz’s article, while still very general, takes a more realistic point of view at the writing experience for students and new writers”.
...s educational system on traditionalism that focuses on fluency, appreciation, and comprehension. King states, “no one can be as intellectually slothful as a really smart person” (138). As a whole we are “creatures of habit”, thus resisting changes in the traditional sphere of academics. King uses his spin on popular culture to engage future readers and inspire the next generation of writers. “Some of this book—perhaps too much—has been about how I learned to do it. Much of it has been about how you can do it better. The rest of it—and perhaps the best of it—is a permission slip: you can, you should, and if you're brave enough to start, you will.” (King 269-270). “On Writing” is a poignant, educated, and inspiring book, a book that is sure to help hundreds of struggling writers and will motivate others who may pick up the book not for inspiration, but mere curiosity.
Sapon-Shevin, M. (2008). Learning in an inclusive community. In J. W. Noll (Ed.), Taking sides: Clashing views on educational issues (17th ed.) (pp.226-232). New York, NY:McGraw-Hill.
Rovee, Christopher. "Trashing Keats." ELH: English Language History 74.4 (Winter 2008): 993-1022. Project MUSE. Web.
Peterson, J. Michael and Hittie, Marie Michael. Inclusive Teaching : Creating Effective Schools for All Learners. Pearson Publishing. (2003)
In Donald M. Murrays’s essay “What is Practical Education” he explains his reasoning behind why he allowed his students to write badly. He shares his own experience with police-like teachers who drove him to hate writing. In hopes of helping his students find their voice he allows his students to write the words down as they come, no matter how awkward they sound. Often times they find out that they have more to say then they thought. Rhetorical devices are used to help the readers relate to his point of view on writing.
In “Writing to Learn: Writing across the Disciplines,” Anne J. Herrington finds different sources stating that writing is to be taken serious. Janet Emig says, "writing represents a unique mode of learning-not merely valuable, not merely special, but unique” (1) meaning that writing is far more essential than we ought to make it seem. Anne Herrington wants educators teaching in economics, history, chemistry or any other subject to guide their students into understanding why progressing their writing skills will be more helpful to them. At the end of the day, it all comes down to the educator; whether he/she wants their students to use writing as a way for students to adapt to different disciplines.
John, Keats. "Eve of St. Agnes." The Norton Anthology of English Literature. Ed. Greenblatt, Stephen. 8th ed. New York: W.W Norton & Company, 2006. 1830-840
Keats, John. “The Eve of St. Agnes”. The Norton Anthology of English Literature: The Romantic
Every animal on the planet is capable of communicating, be it verbally, physically, or possibly by some means yet discovered. Writing on the other hand is a form of communication exclusive to human beings (and maybe the occasional ape). Children are taught to read and write almost as soon as they can speak. Writing becomes a part of everyday life, and because of this it is easy to forget that writing "is a means of "communication [one] must consciously learn" (Heffernan and Lincoln 3). For this reason writing in college can be a challenge for even the most skilled of writers. While the basics of academic writing may seem like common knowledge, knowing them and understanding them can prove to be quite different. In the writing center it is our job to help writers take what they know about writing, and begin to understand it. Understanding is the basis for ...
power.” The English Review 13.1 (2002): 17+. General OneFile. Web. 10 Jan. 2014. Shmoop Editorial Team. “John Keats: Biography.” Shmoop.com. Shmoop University, 11 Nov.
In the 1950s, authors tended to follow common themes, these themes were summed up in an art called postmodernism. Postmodernism took place after the Cold War, themes changed drastically, and boundaries were broken down. Postmodern authors defined themselves by “avoiding traditional closure of themes or situations” (Postmodernism). Postmodernism tends to play with the mind, and give a new meaning to things, “Postmodern art often makes it a point of demonstrating in an obvious way the instability of meaning (Clayton)”. What makes postmodernism most unique is its unpredictable nature and “think o...
Maurer, Robert E. "Notes on John Keats." John Keats: A Collection of Critical Essays. 1972: 79-99.
Keats, John. Ode to Autumn. The Norton Anthology of English Lit. Ed. M. H. Abrams, et al. 7th ed. Vol 2. New York: Norton, 2000.