Oprah Winfrey lied on the opposite end of Zora Neale Hurston’s spectrum when she produced her atrocious rendition of Hurston’s stellar novel, Their Eyes Were Watching God. She modified characters and symbols, altered the theme and relationships, and utterly desolated the significance of the title, making it almost unrecognizable to someone who has read the book. Winfrey totally eviscerated Hurston’s unsurpassed novel, extrapolating what she thought important without going in depth in to the true meaning of the story. Oprah took Hurston’s writing and morphed it into her own abominable movie.
Oprah’s first mistake, changing Janie’s character to making her equal to men, strengthened Janie in order to show that she controlled her life. Zora Neale Hurtson wrote Janie as a woman subordinate to men, such as Logan Killicks or Joe Starks. “‘She’s uh woman and her place is in de home’” (Hurston 51). By making Janie lesser to men, Hurston portrays the way that men treated women in the 1920s and 1930s and how their husbands expected their wives to act. Janie, a wife, and strictly that, bound to the things that wives existed, at the time, to do had known that she had to follow these unspoken rules and act subordinate to men. Oprah’s change creates an essence of strength for her character in order to make Janie independent and that she does what she wants. In the movie, she played checkers with the people of Eatonville, mouthed off to Joe in front of the town, and even worked in the field with Logan Killicks. Joe Starks nor Logan Killicks would not allow Janie to do these things as the men believed that a wife should do her womanly duties of cooking and cleaning, not a man’s work. Oprah’s alteration created equality with Janie’s character, ther...
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"SparkNotes: Their Eyes Were Watching God: Plot Overview." sparknotes. SparkNotes, Web. 20 Nov. 2013. .
"Their Eyes Were Watching God Summary." shmoop. Web. 20 Nov. 2013. .
"SparkNotes: Their Eyes Were Watching God: Chapter 17-18." sparknotes. SparkNotes, Web. 25 Nov. 2013. .
"Their Eyes Were Watching God: Literary Critic Review Article." theireyeswerewatchinggod-awwoetzel.blogspot. Web. 20 Nov. 2013. .
Their Eyes Were Watching God. Dir. Darnell Martin. Perf. Halle Berry. Harpo, 2005. DVD.
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The somber and effusive tone of the selected passage from Their Eyes Were Watching God, by Zora Neale Hurston, is shown through its general diction and imagery. Hurston uses skillfully chosen words to enhance the imagery, and both devices contribute to the tone of this scene.
Crabtree, Claire. "The Confluence of Folklore, Feminism and Black Self-Determination in Zora Neale Hurston's 'Their Eyes Were Watching God'." The Southern Literary Journal 17.2 (Spring 1985): 54-66. Rpt. in Contemporary Literary Criticism. Ed. Roger Matuz and Cathy Falk. Vol. 61. Detroit: Gale Research, 1990. Literature Resources from Gale. Web. 14 Jan. 2014.
In, Their Eyes Were Watching God, the author takes you on the journey of a woman, Janie, and her search for love, independence, and the pursuit of happiness. This pursuit seems to constantly be disregarded, yet Janie continues to hold on to the potential of grasping all that she desires. In, Their Eyes Were Watching God, the author, Zora Hurston illustrates the ambiguity of Janie’s voice; the submissiveness of her silence and the independence she reclaims when regaining her voice. The reclaiming of Janie's independence, in the novel, correlates with the development and maturation Janie undergoes during her self discovery.
Their Eyes Were Watching God is written by Zora Neale Hurston in the year of 1937. In the novel, the main character is Janie Crawford. Janie has been treated differently by others during her life because of how she was raised and the choices she has made throughout her life. The community is quick to judge her actions and listen to any gossip about Janie in the town. Janie is known to be “classed off” from other members in her community in various ways. “Classed off” means to be separate or isolated from other people.
Oprah Winfrey mutilated the classic novel, Their Eyes Were Watching God written by Zora Neale Hurston by turning the movie into a story with no resemblance to the book. Throughout Janie Crawford’s life, love is a dream she wished to achieve. Oprah makes changes to Janie’s character, her marriages, and the differences of symbolism, the change of themes, and the significance of Janie’s childhood which will alter the entire moral of the story. Another difference is the way the townspeople gossip. Oprah changes the point of Janie’s life journey to find herself to a love story.
In Their Eyes Were Watching God, Zora Neale Hurston uses colloquial language to show readers exactly why Nanny raised her granddaughter, Janie Crawford, the way she did. When Janie is sixteen years old, her grandmother wants to marry her off. The teen pleads to her grandmother with claims of not knowing anything about having a husband. Nanny explains the reason she wants to see Janie married off is because she is getting old and fears once she dies, Janie will be lost and will lack protection. Janie’s mother was raped by a school teacher at the young age of seventeen, which is how Janie was brought into the world. Nanny has many regrets about the way her daughter’s life turned out after Janie was born. She resorted to
"SparkNotes: Their Eyes Were Watching God: Themes, Motifs & Symbols." sparknotes. SparkNotes, 2013. Web. 20 Nov. 2013. .
Throughout the movie of Their Eyes Were Watching God, Oprah Winfrey alternates Zora Neale Hurston’s story of a woman’s journey to the point where nobody even recognizes it. The change in the theme, the characters, and their relationships form a series of major differences between the book and the movie. Instead of teaching people the important lessons one needs to know to succeed in this precious thing called life, Oprah tells a meaningless love story for the gratification of her viewers. Her inaccurate interpretation of the story caused a dramatic affect in the atmosphere and a whole new attitude for the audience.
Jordan, Jennifer. “Feminist Fantasies: Zora Neale Hurston’s Their Eyes Were Watching God’.” Tulsa Studies in Women’s Literature 7.1 (Spring 1988): 105-117. Literature Resource Center. Web. 9 Feb. 2011.
———. Their Eyes Were Watching God. 2006. Reprint, New York: Harper Perennial: Modern Classics, 1937.
Their Eyes Were Watching God provides an enlightening look at the journey of a "complete, complex, undiminished human being", Janie Crawford. Her story, based on self-exploration, self-empowerment, and self-liberation, details her loss and attainment of her innocence and freedom as she constantly learns and grows from her experiences with gender issues, racism, and life. The story centers around an important theme; that personal discoveries and life experiences help a person find themselves.
When Oprah made Their Eyes Were Watching God into a movie, she changed the story beyond what Zora Neale Hurston intended it to portray. During the movie, the characters and their relationships changed. The directors portrayed Janie as a more confident, independent women. Unlike the submissive, docile Janie the readers would come to know. The unnecessary modifications made for the movie took something from the readers of an amazing book.
Walker, Kristen. "Feminism Present in Zora Neale Hurston's Their Eyes Were Watching God." 7 February 2007. Yahoo Voices. 27 January 2014 .
In the novel “Their Eyes Were Watching God”, by Zora Neale Hurston there were many contrasting places that were used to represent opposed forces or ideas that are central to the meaning of this work.
Hurston, Zora Neale. Their Eyes Were Watching God. Harper Perennial Modern Classics: Reissue Edition 2013