Mr. Fantastic
It all started when an experienced aeronautical engineer named Reed Richards, born in Central City, California, made some miscalculations which resulted in newfound superheroes. With Sue Storm, Johnny Storm and Ben Grim, Richards got caught off course into a comic ray, and transformed each person in the rocket in a different way. Richards gained the power to stretch his body in unrealistic lengths while Sue gained invisibility as her power. Johnny acquired a new flammability which therefore gave him the name, Human Torch, and Ben with the unfortunate power of turning into a “rock man” earned the name as Thing. Especially for Ben’s transformation, Richards held himself accountable for the accident since it was his rocket. When Stan Lee and Jack Kirby created this quaternate alliance in 1961, coined as the Fantastic Four (FF), they were trying to bring a group of ordinary and unmasked heroes into a group, and represent the flaws of ordinary people in superhuman as well. Richards was named Mr. Fantastic as the fatherly figure of the group, with his beloved Sue, or now Invisible Girl, at his side. Mr. Fantastic and the rest of the Fantastic Four are just a few of the hundreds of superheroes created by the hopeful citizen to better American society one city at a time. The American superhero is depicted as an optimistic and wishful representation of the good, values, and morale that all Americans encompass deep within, just as Mr. Fantastic symbolizes the well-rounded man everyone hopes to be.
Creating Mr. Fantastic stemmed from creating a new fatherly superhero. Lee and Kirby wanted to portray a more ordinary circumstance of the becoming of a superhero. To the mass market of children that the comics reach, t...
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... can happen, and with that, the country has developed into a more hopeful place to be.
Works Cited
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The Death Ray by Daniel Clowes is a graphic novel about the story of Andy and how he learned about his superpowers. A superhero is someone who has saved the day by accomplishing something heroic. Even though we look at superheroes as a something fiction, based on this we have everyday heroes around us such as firefighters, police officers, doctors and many more. In Clowes work, we quickly discover that this superhero theme plays out a little differently than what we are used to. The way that Clowes presents Andy to his super power, it is evident this is not an ordinary superhero story. It is arguable that despite the fact that Andy did more harm than good with his powers, his intentions were good. Therefore, he would be considered a superhero.
Stanley Martin Lieber, or as the nerd world calls him, Stan Lee, found national renown by building the Marvel Franchise into what it is today, a multi-million dollar company that publishes comic books, shoots movies, designs video games, and creates their own television shows.
We are currently living in the Golden Age of Superheroes. They dominate our cultural life, and have become seemingly permanent fixtures in modern media. Since X-Men burst onto the screen fifteen years ago, we have witnessed the release of over forty superhero movies. By 2020 we will have seen the release of more than twenty-five more. Today, the much anticipated film Superman vs. Batman has come to theaters. Though a plethora of superhero movies have been released, it is to the dissatisfaction of many, having long been exhausted by the stories of the Hulk, Batman, and Spider-man. Although I must agree that it is quite easy to get bored with the constant action, and flashing colors of these films, if one looks deep enough into the story they will discover universal themes and metaphors. Though they may be fighting off alien invasions, these heroes are also battling with their personal challenges, challenges which we can
One way he influenced the comic book world was by revolutionizing the way characters behaved in his stories. Many of the characters in the older comic books were given makeovers to make the audiences like them more because they were flat and lacked emotion. This was called the Silver Age of Comics. The older characters lacked a personality. Stan Lee was an office assistant at Timely Comics in 1939 and soon after that he became an interim editor in the 1940s (Stan). When Martin Goodman, the publisher of Marvel Comics, Timely Comic’s new name, since 1939, asked Stan Lee to create a team of superheroes better than the Justice League of America, their rival in comic books, Stan Lee had his doubts. Mr. Goodman thought that comic books should be dumbed down because they were for “stupid children.” Stan Lee did not agree with Martin Goodman’s idea. Stan Lee already wanted to quit, so his wife advised him to go ahead and write the story the way he wanted to write it. If Goodman fired him it would be okay since he already was contemplating quitting. Lee decided to write a story about four people who got superpowers after an accident in space. They were completely different from other superheroes because they did not wear costumes. The story was also based in New York City instead of Metropolises or Gotham City like Superman and Batman. These characters also had a real personality along with a real job, no secret identity, or alter egos. This story was known as the Fantastic Four. It was extremely different than many other comic books. (Garcia)
In Superhero Worship by Virginia Postrel published in The Atlantic explores the glamour of comic heroes coming to live, and what that glamour really is. From paper to screen superheroes have caught the wonder of the American people. The most wellknown superheroes were introduced in the 1930s through the late 1950s, during the time of warfare and national pride. Superman was welcomed in America in 1937 to keep spirits alive during the breakout of WWII, fighting Nazis or the Japanese Imperial Army. These heroes that were created used propaganda
In the 40s, comic books had a large audience. There would have been at least a dozen people in your class who read comics, claims Chabon. A few years later in the 70s, there would have been less than a dozen but more than one or two people who read comics. Now, it is hard to find more than a few people that you know who actually read comics. If you read comics today, you are considered unique. Children are loosing interest in everything that stimulates the mind in a positive way. Chabon claims that the obvious decline in interest in comic books should make authors want to take initiative and fix the
famous comic company “Marvel” in America.The story is mainly about the hero behavior of the
...ort the same element that this graphic novel supports. These people rushing to the aid of the woman (Moore and Gibbons XI, 25, panel 7) suggest that a true hero is not always in a costume, and does not always cover his/her face, however heroes are ordinary citizens that put their own issues aside just to help others.
Hughes, Jamie A. "Who Watches the Watchmen?: Ideology and 'Real World' Superheroes." Journal of Popular Culture39.4 (2006): 546-557. SPORTDiscus with Full Text. EBSCO. Web. 25 Feb. 2010
Daniels, Les (1991). Marvel: Five Fabulous Decades of the World's Greatest Comics. Harry N. Abrams. p. 37. ISBN 0-8109-3821-9.
Lawrence, John Shelton. "The Stan Lee Universe." Journal Of American Culture 36.1 (2013): 64-65. Academic Search Elite. Web. 30 Mar. 2014.
“The Golden Age of Comics” PBS. PBS, 2011 Web. Retrieved on February 11 2014 from http://www.pbs.org/opb/historydetectives/feature/the-golden-age-of-comics/
Every child in the United States has heard or read the Marvel and DC comics books. If you have not then you have probably have heard of their characters like the famous star spangled hero, Captain America, or the Dark Knight himself, Batman. Both Marvel and DC has influenced the children and adults of American in its darkest times. The great wars affected many by its poisonous grasps, and its victims sought comfort with the antidote provided by the marvelous illustrators and writers of comic books. Now their cinematic counterparts are here to inspire the 21st century. The Marvel and DC cinematic universes have similar content, they both have unique characteristics that set them apart.
Wright, Bradford W.. "Origins of The Comic Book Industry." In Comic Book Nation: the transformation of youth culture in America. Baltimore: Johns Hopkins University Press, 2001. 4.
The classic comic book is a polar opposite of the complex nature of poetry. The comic book is designed for the younger reader and possesses a simplistic nature that allows the creator to use visual media combined with short written dialog to tell a story. The pictures in a comic book are an integral part of the makeup of a comic book. The pictures allow the creator to portray the protagonist and antagonist in a way that is common to all readers. This however inhibits the use of imagination by the reader. The pictures are all an artist's interpretations of the actions and settings that make up each scene. When a person reads descriptive text with no pictures, it allows the reader to build a mental picture of each scene that is unique to his/her own personality. The comic book does not allow for this expressiveness in its prefabricated structure.