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Othello characters analysis
Othello characters analysis
Othello characters analysis
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Shakespeare said, “Who could refrain that had a heart to love and in that heart courage to make love known?” What better way to express Desdemona’s deep affection for Othello than this quote. Courage is a trait that is exhibited through many characters in the play, Othello, by Shakespeare. It is the capability to stand up for what one believes in even in the face of great adversity. Courage is a characteristic that sets a person apart from the rest. In Othello, by Shakespeare, two characters, Desdemona and Emilia, share a common trait: courage. An act of courage is already seen early in the play. In Act 1, Scene 3, Desdemona goes against her father’s will. Her father despises the fact that his daughter is married to a Moor and would not accept their marriage. However, she follows her heart rather than listening to her father. “I am hitherto your daughter. But here’s my husband. And so much duty as my mother showed to you, preferring you before her father, So much I challenge that I may profess due to the Moor my lord” (Act 1, Scene 3, Lines 214-8). She shows a great deal of courage because back in the days, in Shakespeare’s time, women really did not have a voice in society. They would have to obey to their father’s commands. Therefore, Desdemona’s action truly shows the courage that she possesses within her, which makes her different from the other characters. Another character that possesses this outstanding trait is none other than Emilia. After seeing Desdemona's lifeless body after Othello killed her, Emilia demonstrates her courage. "I will not charm my tongue, I am bound to speak" (Act 5, Scene 2, Line 220). Though threatened with her own husband's dagger, she maintains her virtue and "will speak as liberal as the north..... ... middle of paper ... ..., Emilia, Logan, and the nurses in New Zealand, set them apart from others. The persistent and courageous actions of the United States sets them apart from other countries around the world. Works Cited Ernst, Amy. "Notes from a Young American in Congo: The Stigma of Rape - NYTimes.com." Globalization and Human Rights - Nicholas D. Kristof Blog - NYTimes.com. Web. 31 Dec. 2011. "PERSISTENCE AND COURAGE." St. Petersburg Times [St. Petersburg, FL] 3 May 2011: 12A. Gale Opposing Viewpoints In Context. Web. 31 Dec. 2011. Shakespeare, William. Othello. New York: Pocket Books, 1993. Print. "Stories of courage and leadership." Kai Tiaki: Nursing New Zealand 17.3 (2011): 17. Health Reference Center Academic. Web. 31 Dec. 2011. "William Shakespeare Quotes." Find the Famous Quotes You Need, ThinkExist.com Quotations. Web. 21 Dec. 2011.
Based on the Merriam Webster dictionary, courage is defined as the,“mental or moral strength to venture, persevere, and withstand danger, fear, or difficulty.” In the play, the characters are tested and forced to make life or death decisions, with
The presentation of moral issues in Othello focuses on Emilia’s courage to challenge the social and religious morality of their time in Act 4, Scene 3. For instance, Emilia’s Speech establishes cynicism towards men as Shakespeare’s lexical choice of ‘would not’ demonstrates that with the contraction displayed, Emilia is willing not to ‘marry.’ Therefore, her courage presents a moral issue in the play because challenging the social and religious morality of her time establishes that she disobeys the main principle that “Wives submit…to husbands and the Lord.” She knows that marriage is an obligation and her refusal demonstrates she has “Sense like the men....
This quote not only relates heavily with Othello and two of its main characters, but also with the idea of human weakness. The belief that an individual’s cruelty originates from weakness provides explanation towards some of the major scenes within the play involving cruel behavior. The most prominent example being the change in Othello and Desdemona’s relationship during the time in which Othello becomes increasingly suspicious and aware of his wife’s supposed affair with Cassio. Some examples explaining the progression of cruel behavior from Othello consists of yelling at her without explanation, hitting her in public, and of course murdering her in the last scene of the play. As mentioned before, his inability to control his emotions and rationalize with the situation perfectly demonstrates his character’s weaknesses. During the final scene of the play, Othello has an exchange with Lodovico as he commands him to speak about his intentions behind the murder in which he replies, “Why, anything: / An honorable murderer, if you will; / For naught did I hate, but all in honour” (5.2.293-295). The cruelty in which he unleashes upon Desdemona can be viewed as a type of defense mechanism towards his pride and sanity, as it is possible he believes that hurting Desdemona is a way to redeem his lost honour. Establishing the dynamic between Othello and Desdemona early on in the play, where
Chen, Tina. "'Unraveling the Deeper Meaning': Exile and the Embodied Poetics of Displacement in Tim O'Brien's The Things They Carried." Contemporary Literature. 39.1 (1998): 77. Expanded Academic ASAP.
Desdemona represents many characteristics throughout the play Othello. The attributes of one such as Desdemona appear to be the perfect qualities that a woman can possess. Yet it is these same seemingly wonderful qualities that turn against their host, blinding them to the realities of society. Her trust in her husband does not allow her to see the beast he has become. Her loyalty to her friends blurs how the relationship may be seen from outside sources. Overall, this “perfect” Desdemona leads herself to her death, yet has no knowledge of doing so while on her life's journey. She leads on the perfect life, but in the end shows to every extent, that not everything can last forever. Not even your own loyalty to a relationship can last forever.
The love between Othello and Desdemona is a great venture of faith. He is free; she achieves her freedom, and at a great cost. Shakespeare, in creating the figure of her wronged father, who dies of grief at her revolt, sharpened and heightened, as everywhere, the story in the source. Her disobedience and deception of him perhaps cross her mind at Othello’s ominous ‘Think on thy sins.’ If so, she puts the thought aside with ‘They are loves I bear you.’ . . . Othello is a drama of passion and runs to the time of passion; it is also a drama of love which, failing to sustain its height of noon, falls at once to night. (141)
As their relationship grows in the first true heartfelt interaction between Desdemona and Emilia, Desdemona is innocent, true, and loyal towards her relationship with Othello with her questioning, “Dost thou in conscience think-tell me Emilia- That there be women do abuse their husbands in such gross kind?” (4.3.64-65). Emilia is more realistic and pragmatic in her response, “There be some such, no question” (4.3.66). As they continue it is Emilia teaching Desdemona about the ways of the world, but Desdemona is still innocent of the world and faithful to her husband despite Emilia’s words. “Beshrew me if I would do such wrong for the whole world” (4.3.81-82), and skeptical that these kind of women really exist, “I do not think these is any such woman” (4.3.86). Emilia is cynical towards men and she once again shares her views about them with Desdemona, “but I do think it is their husband’s faults if wives do fall. Say that they slack their duties”
These behaviours allude towards tension due to their dissimilarity to the accustomed conduct of Othello and Desdemona. Desdemona’s growing fear of Othello is evident. in the precautions she takes to avoid his anger. Desdemona places the importance of Othello’s commands above her need to confide in Emilia.... ...
Shakespeare illustrates the injustices done to women by demonstrating the treatment Desdemona and Emilia received after having been framed of adultery. Because both women are though of cheating on their husbands, they no longer fit in society’s model of an exemplary wife. Despite having proved their affection for their husbands countless of times, not having a pure image led to Iago and Othello mistreating of the women they once loved. Once both women began to stand up for themselves and challenge the authority of their husbands, the repercussions of their bravery were both women’s death. Which shows, women’s only source of authority was their reputation as a wife. Once they lost that status, they no longer held any form or respect in society or with their husband’s.
The true test of strength in a person is marriage. Throughout the play Othello, Desdemona is regarded as a strong, independent woman with a sharp tongue and the ability to stand up for herself. She defies the stereotypical mold of a wife during the 17th century, and is not merely an obedient servant of Othello, but a strong life partner with her own ideas and personality. Her passionate, yet rushed relationship to the Moor, Othello, gives readers the opportunity to discover whether or not Desdemona’s strength allows her to achieve her superobjective in the entire play: to maintain a happy, loving relationship with her husband, or if her strength becomes a hindrance.
“Courage - a perfect sensibility of the measure of danger, and a mental willingness to endure it.” Courageous people understand the danger that they face when they act how they do. That is what courage is all about. Many historical events occur due to people having the courage to do what they think is right, or because of those who use their courage to do what they want. Having the courage to stand alone in one’s beliefs may be one of the hardest thing a person can do.
Othello serves as an example to demonstrate the expectations of an Elizabethan society, the practice of privileges in patriarchal marriages and the suppression and restriction of femininity. According to Elizabethan beliefs, women were vassals for both marriage and breeding, seen as passive subordinates in comparison to the patriarchy of male domination. Patriarchal rule justified women’s subordination as the natural order, because women were thought to be psychologically and physiologically inferior to men In terms of Othello, representations of women clearly conform to the expectations of an Elizabethan society. For instance there are three female characters in Othello: Desdemona, Emilia and Bianca, with each of these characters behaving and conducting themselves in ways that are linked to the ideological expectations of men. This is demonstrated through the character of Desdemona who as Othello’s wife is the embodiment of passitivity and vulnerability. This is illustrated through her submissive nature, which represents her as passive throughout, regardless of whether she has done wrong or not. For example her use of language defines her passive nature, where she states ‘ I am obedient’, reflecting her subservience to masculine rule ( act 3 scene 3 p.g. 89). Alternatively it could be argued that the use of the pronoun ‘I’ is authorative suggesting that the sentence has a double meaning ; she is obedient yet an individual in her own right. It infers that although she does fit the stereotypical convention of a passive female, she will also stand up for herself when it matters. However a critique of this viewpoint is that throughout she continues to conform to masculine rule and is faithful, even when she is being victimized...
The Christian Bible tells us that “pride goeth before destruction, and an haughty spirit before a fall” (Prov. 16:18 KJV). For Desdemona in William Shakespeare’s Othello, this is certainly true. Although Desdemona is innocent of the sins of which she is accused, she still bears responsibility for her own downfall. If not for Desdemona’s pride, she could have lived a long and happy life with Othello. From a psychological standpoint, Desdemona is ultimately responsible for her own demise because of her prideful nature.
First, in order to defend Desdemona's chastity, Emilia challenges the societal norm of silence. Recall the incident when Othello calls Desdemona a "whore" for cheating. In response, Emilia protests loudly against Othello and attempts to disprove his belief that Desdemona is not chaste: "A halter pardon him [Othello]! And hell gnaw his bones! / Why should he call her [Desdemona] whore? (4.2. 143,144). Instead of Emilia conforming to the attribute of Renaissance women as silent, she condemns Othello for his false accusations against her mistress, Desdemona. Later in the play, after finding Desdemona killed, Emilia challenges silence again: "As ignorant as dirt! Thou hast done a deed-... / The Moor hath killed my mistress!" (5.2. 171,174). Although Othello tells Emilia that it would be "best" for her to remain silent, she ignores his request and ridicules him for killing "sweet" Desdemona (5.2. 169).
Othello and Desdemona are both very loyal and noble people, but their vulnerability makes it easy for predators fall prey on them. Othello is a combination of greatness and weakness, in his own words "an honorable murderer. He is a general in the Venetian defense forces, and, although a foreigner from Africa, he has won this post by excellence in the field of war. He has courage, intelligence, the skill of command, and the respect of his troops. Under pressure, he makes an inspiring speech. Othello is very vulnerable in many cases, such as he naive when it comes to Venetian women, doesn't question the information he has been given, he is socially insecure, he is an outsider and he is black but his biggest vulnerability is jealousy and his unableness to think.