The Count of Monte Cristo is fabulously entertaining with its mixture of revenge, love, suspense, and action sequences; transporting audiences back to a time when honor and loyalty were highly valued and a man’s last name was more important than the man himself. It seems there is something for everyone in this film. While the beautiful love story speaks to the romantic, the dueling swordplay and thought of buried treasure speaks to the inner child. Everyone in between will likely be moved by some aspect of the film. While the plot is exciting enough on its own, the awe-inspiring scenery, flavorful language, and superb acting are what turn this classic story into a truly enthralling and passionate film.
The most recent adaptation of Alexander Dumas’s classic novel, The Count of Monte Cristo, was directed by Kevin Reynolds and released in 2002. The story takes place in the 1820’s when France was moving away from the rule of Napoleon Bonaparte. The character of Edmond Dantes played by James Caviezel starts out a young lowly sailor who is madly in love with Mercedes Iguanada (Dagmara Dominczyk) and hopes to marry her once he acquires enough money to do so. His best friend Fernand Mondego (Guy Pearce) who also seems infatuated with Mercedes, knowingly turns Edmond over to the authorities for treason where he is imprisoned in Chateau d’If on a remote island for 13 years. During the first part of his stay in prison, Dantes wallows in misery and despair, but his luck begins to change when Abbe Faria (Richard Harris), an ex-soldier and priest, accidentally emerges in Dantes’s cell by way of an underground tunnel Faria dug intending to take him out of the prison. Faria then enlists Dantes to help him dig the tunnel in exchange for knowled...
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...lm critic Roger Ebert, “ This is the kind of adventure picture the studios churned out in the Golden Age—so traditional it almost feels new” (Ebert). Under the direction of Reynolds, The Count of Monte Cristo shined not only at the box office, but continues to shine in the hearts of its audiences. Aside from other aspects, the stunning scenery, intriguing dialogue, and outstanding acting alone make this a truly pleasurable film for people of all ages.
Works Cited
Ebert, Roger. "The Count Of Monte Cristo :: Rogerebert.com :: Reviews." Rogerebert.com. 25 Jan. 2002. Web. 06 Mar. 2011.
Scott, A. O. "Movie Review - The Count of Monte Cristo - FILM REVIEW; And Swashes Buckled All Around - NYTimes.com." The New York Times. 25 June 2002. Web. 06 Mar. 2011.
"The Count of Monte Cristo (2002) - Memorable Quotes." The Internet Movie Database (IMDb). Web. 06 Mar. 2011.
In the story “The Count of Monte Cristo”, there is also a meaning full theme to the story too. The story talks about a man named Edmond who hears noises in his jail cell, then wonders who is making the noise, why they are making
November 1998, written for FILM 220: Aspects of Criticism. This is a 24-week course for second-year students, examining methods of critical analysis, interpretation and evaluation. The final assignment was simply to write a 1000-word critical essay on a film seen in class during the final six-weeks of the course. Students were expected to draw on concepts they had studied over the length of the course.
	The Count of Monte Cristo, written by Alexandre Dumas, tells the story of a man, Edmond Dantes, a sailor who goes through being betrayed by his enemies and thrown in to a dark prison cell to planning revenge on his enemies. His behavior and personality changes after spending 14 years in jail for a crime that he didn’t commit. Edmond Dantes was thrown in jail ,after being framed by his enemies, accused of committing treason and being a bonapartist. The story takes place during the Napoleonic Era while the usurper, Napoleon has escaped to his place of exile, the Isle of Elba, located in the Mediterranean Sea.
“Little Caesar.” Magill’s Survey of Cinema (June 1995): n. pag. eLibrary Curriculum Edition. Web. 14 Apr. 2011.
Concannon, Phil. "Review - Mary and Max." Phil on Film. N.p., 19 Oct. 2009. Web. 22 Apr. 2014.
Morrison, James. ìThe Thin Red Line (motion picture review).î Film Quarterly. v.53 no1 (Fall 1999): 35-38.
Suderman, Peter. "MOVIE REVIEW: ‘Argo’." The Washington Times. N.p., 11 Oct. 2012. Web. 10 Dec. 2013.
...e tragic celebration of young, forbidden love told by William Shakespeare, Romeo and Juliet, has been tailored for many motion picture adaptations. The most famous of these adaptations are Franco Zeffirelli’s version and Baz Lurhmann’s film produced in 1996. These two films applied Shakespeare’s most well-known work as a basis for their motion pictures. Both films had similarities, but the differences were much more apparent. Ever since William Shakespeare’s Romeo and Juliet has been debuted, it has and forever will be an artistic influence for playwrights, directors, and other artists.
Ebert, Roger. Rev. of Almost Famous, dir. Cameron Crowe. Rogerebert.com. Chicago Sun-Times, 15 Sept. 2000. Web. 29 March 2011.
The main character falls in love with a female character that have quixotic features, wanting to change the world and therefore involve in many clubs and organization opposite to the main character, in a way the main character could represent Sancho. Here is the twist, after being dump, the main character decided he want to be a somebody and to impressed his ex ends up in the fiction island of San Marco, after some mishaps and the dictator trying to get rid of both the main character and the rebels and later rebels helping him out, the main character join the group. Later he become the leader of the island and return home in which he was sent to court for trying to take over the USA “from within and without” later to be sent free with the punishment of not moving in to his neighborhood. The film was a satire of politics, the same how Cervantes novel was a satire of chilrary romance. The full component and the concrete presentation of Don Quixote was not present, but hints of characteristic were such as having the main character in Bananas seek adventure to impress a
Overall this film was exciting to watch and was good to help learn a little about the Elizabethan Era. Although the goriness is too much for someone who is sensitive to that kind of thing, you can still enjoy the movie. The costumes are eccentric, the set design is, although outdated, extremely detailed, and was a good movie if you were looking for something to watch and enjoyed a little bit of history in your life.
Barsam, Richard. Looking at Movies An Introduction to Film, Second Edition (Set with DVD). New York: W. W. Norton, 2006. Print.
...director did not limit the film to its historical context but extended the same to romance and fantasy. From a different angle of view, the director made use of the theme to communicate with the viewers and the fictional characters can be considered as his tools. Besides, ample importance is given to historical and fictional characters. In short, the amalgamation of history, fantasy and romance constituted much to the film’s importance as a historical/fictional masterpiece.
Ebert effectively points out the highs and lows of Schumacher’s The Phantom of the Opera. Though the film is visually stunning, much is left to be said for the storyline, acting, and length. Few redeeming qualities make Schumacher’s version of The Phantom of the Opera worth watching. By glorifying the Phantom, Schumacher detracts from the demon that he was and the torment that he inflicted on those around him.
In the play Othello by William Shakespeare there are many great themes that can be seen. For instance, jealousy, hatred, marriage, love, manipulation and more. This book can be related to the movie The Count of Monte Cristo by Kevin Reynold because they both share many themes. In the film there are themes like revenge, perseverance, ambition, manipulation, hatred, jealousy and more. The main themes that both stories have in common are hatred, manipulation and jealousy, because in both stories there were many situations were all these themes could be seen.