Correlation between Baroque Music and Cool Jazz

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What exactly is jazz? As defined by Merriam Webster Dictionary jazz is “American music developed especially from ragtime and blues and characterized by propulsive syncopated rhythms, polyphonic ensemble playing, varying degrees of improvisation, and often deliberate distortions of pitch and timbre”. While this definition is true and a “cookie cutter” definition of jazz it is not completely accurate Jazz is one large genre with many sub-genres within it such as swing, bebop, free jazz, hard bop, and cool jazz. Yes jazz was derived from ragtime and blues but what is not commonly known is that Baroque music had a hand in the development of this art form. In this paper I show the correlation between Baroque music and cool jazz and how their structure and improvisatory natures are analogous.
Before jazz or its sub-genre of cool jazz came to be in existence, Baroque music had already been established in the 17th century. Transitioning from the end of the Renaissance, this was a new age of an exciting, intellectual, artistic and social atmosphere which in so many ways indicated the birth of modern Europe. Baroque music is originally derived from the word Baroque itself. The term was not only applied to music but art, drama, and literature were also included. The Baroque era started in the early 1600s in Rome, Italy, and eventually spread to most of Europe. Subsequently it ended around 1750. In regard to music, the Baroque relates to the last period of dominance of imitative counterpoint, which combined two or more melodic figures in such a way that they establish a harmonic relationship while retaining their linear individuality. The Baroque period along with Baroque music of the early 1600s initially had a negative connotation. During ...

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...asier for whomever is playing this piece.
In the first movement of Vivaldi’s Concerto for Violin and Orchestra in A minor there is a difference between the tutti sections (ritornello) and the solo sections (episodes). In comparison to cool jazz music the episodes spin out material that focuses either on elements seen previously from the ritornellos or now new figuration. Also the motives in the first movement are treated in sequence over changing harmonies, with motion around the circle of fifths frequently used for modulations. An example of this can be seen from measures 51-55. Although So What does not modulate around the key circle using the circle of fifths it still modulates from D dorian minor to Eb dorian minor. Just like there was sequencing going on in this movement, So What sequences down as well with the main melody. This can be seen from measures 7-11.

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