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Not doing suitably what you are advised to do, are human downfalls having no recompense; whereas, following the rules on timely basis will be the most worthwhile outcome. Contrasting the Benjamin R. Foster’s and Stephen Mitchell’s translation “Gilgamesh,” to the Robert Altar’s translation “The Flood,” each story has a very different emphasis and draws a different moral. The emphasis of “Gilgamesh,” becoming eternal and what steps can be taken to receive it. However, the emphasis of “The Flood” is true righteousness will give a prolonged life. The different emphasis of each story causes the moral of each story to be different. For instance, “Gilgamesh” teaches; not doing what is advised will cause lost opportunities and “The Flood” teaches; righteousness will cause unforeseen blessings.
When looking at the emphasis of “Gilgamesh”, the translations of “Gilgamesh” begins with Gilgamesh, a mortal human, asking Utnapishtim, an eternal human, how he was able to become eternal. Utnapishtim says to Gilgamesh, “I will tell you a mystery, a secret of the Gods (Foster 26).” After explaining the story of the flood, Utnapishtim explains to Gilgamesh, he did as he was instructed by Ea, a God, and was set apart; along with his wife, with the endowment of immortality. Utnapishtim then offers immortality to Gilgamesh if Gilgamesh can abide by some simple instructions from Utnapishtim. Utnapishtim says, “First pass the test: Just stay awake for seven days. Prevail against sleep, and perhaps you will prevail against death (Mitchell 31).” However, Gilgamesh not taking seriously the advice, falls asleep shortly after sitting down. Utnapishtim seeing Gilgamesh asleep says to his wife, “Look as this Fellow! He wanted to live forever, but the v...
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...y on Earth can equal (33).” Gilgamesh built the wall before he went to Utnapishtim and Utnapishtim was aware of Gilgamesh feelings of superiority. Since the story of “Gilgamesh” starts with Gilgamesh saying to Utnapishtim, “Your limbs are not different at all; you are just as I am! (18),” moreover, proves Gilgamesh wanted eternity, but did not deserve it. The moral of the story being eternity is earned and not giving freely.
Works Cited
Alter, Robert. "The Flood." Lawall, Sarah. The Norton Anthology of Western Literature. 8th. Vol. 1. New York: Norton, 2006. 2 vols. 43-46.
Foster, Benjamin R. "Gilgamesh." Lawall, Sarah. The Norton Anthology of Western Literature. 8th. Vol. 1. New York: Norton, 2006. 2 vols. 18-26.
Mitchell, Stephen. "Gilgamesh." Lawall, Sarah. The Norton Anthology of Western Literature. 8th. Vol. 1. New York: Norton, 2006. 2 vols. 26-34.
Gilgamesh is not only a character of a story; he is actually a portrayal of people and how they act out of human nature. He, like many of us, does not want his existence to end when he leaves this world. He is not content with what he has, good looks, money, and power, and desires more in life. The Epic of Gilgamesh is a story that we, as people, can relate to. There are similarities between Gilgamesh’s journey and our own journey through life. Some of the texts that will be compared with The Epic of Gilgamesh, are the Bible, and Mark Twain's The Adventures of Huckleberry Finn. The characters of these stories are all have that burning desire to be successful in life, which we can relate to. These texts span across different time periods and societies illustrating how human nature, particularly the desire to obtain more than one possesses, plays a significant role throughout written and present human history.
The famous literary works of Gilgamesh, Ramayana, and The Odyssey have been studied, written about, and heralded in the literary world many times over. Each of the literary pieces has been held in the highest esteem for varying different reasons. Some of them have been because of the literary influences that they have produced over the subsequent years and the religious influences they had. The purpose of this writing assignment is to compare and contrast the religious influences found in each of the literary works.
Thorkild Jacobsen, "'And Death the Journey's End': The Gilgamesh Epic" “The Epic of Gilgamesh,” trans. and ed. Benjamin R. Foster, A Norton Critical Edition, New York: W.W. Norton & Company, Inc., 2001
Gardner, John and John Maier. Gilgamesh: Translated from the Sin-leqi-unninni version. New York: Alfred A. Knopf, 1984.
Gardner, John, John R. Maier, and Richard A. Henshaw. Gilgamesh: Translated from the Sîn-leqi-unninnī Version. New York: Knopf, 1984. Print.
While researching, I consulted the many translations of Gilgamesh found on the web. It seemed that the more sources I sought, the greater the amount of differing opinions and convoluted versions I uncovered. In an effort to remain true to the epic, I will mainly be referring to the book, World Mythology, written by Donna Rosenberg with a few inclusions from Kovacs' translations. Although Rosenberg's version lacks the flair of the latter, it provides a simple doorway opening to a complicated, yet profound, tale of the first great epic that brings time, mortality, and the anguish of humanity into a world of personal destiny basically related to our own (Campbell, OM, p. 87-90). The essay is written with the understanding that the reader has prior knowledge of the main subject matter, Dr. Carl Jung's theories of the unconscious, and Joseph Campbell's idea that myths are synchronistically reproduced across time.
Gilgamesh, The Epic of. Vol. A. The Norton Anthology of World Literature. Ed. Martin Puchner, et al. 3rd ed. New York: W. W. Norton and Company, 2012. 95-150. Print.
Gilgamesh is not only a character of a story; he is actually a portrayal of people and how they act out of human nature. he like many of us, does not want his existence to end when he leaves this world. He is not content with what he has, good looks, money, and power and desires more in life. In the story of Gilgamesh we, as people, can relate to. There are similarities between Gilgamesh’s journey and our own journey through life.
The Epic of Gilgamesh. Trans. Benjamin R. Foster. Text. Martin Puncher. New York: W.W and Company, 2013.Print.
In many literary works we see significant transitions in the hero's character as the story is developed. This is also true in the Epic of Gilgamesh with its hero, Gilgamesh. In this narrative poem, we get glimpses of who Gilgamesh is and what his purposes and goals are. We see Gilgamesh act in many different ways -- as an overbearing ruler resented by his people, a courageous and strong fighter, a deflated, depressed man, and finally as a man who seems content with what he's accomplished. Through all of these transitions, we see Gilgamesh's attitude toward life change. The goals he has for his own life alter dramatically, and it is in these goals that we see Gilgamesh's transition from being a shallow, ruthless ruler to being an introspective, content man.
Throughout time, people of all cultures have told stories of heroes and kings. The most ancient story we have on record is the tale of King Gilgamesh. This story is an account of the King's journeys and accomplishments. Although it was written over four thousand years ago, many comparisons can be made between the society in which the story was written and our own modern society. In this essay, differences and similarities between the two societies will be examined.
Gilgamesh has been through many adventures and he gained wisdom to go along with his god like physical powers. Gilgamesh learns that the greatest type of immortality is the noncorporeal. The worth of a man's life is many times said to be measured by the things he has done and the legacy that he has left behind. After realizing that he was not a god-man, Gilgamesh understood that the real glory is in the deeds you have done and the people you have affected in good ways over your life.
Gilgamesh is an epic of great love, followed by lingering grief that causes a significant change in character. It is the story of a person who is feared and honored, a person who loves and hates, a person who wins and loses and a person who lives life. Gilgamesh's journey is larger than life, yet ends so commonly with death. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed.
Stump, Colleen Shea, Kevin Feldman, Joyce Armstrong Carroll, and Edward E. Wilson. "The Epic." Prentice Hall
"Epic of Gilgamesh." Academy for Ancient Texts. Ancient Texts Library. Web. 12 Oct. 2011. .