Many actors have studied Stanislavsky innovative technique for actors, emphasizing emotional truth and inner motivation and known today as the Stanislavsky Method, revolutionized modern acting. This method has taught actors several techniques that have improved their style. Actor, Al Pacino is one of the greatest actors of all time. He studied at The Actors Studio, in New York and it has been the main source and inspiration for a naturalistic acting technique known in America as "the Method." Under its artistic director, Lee Strasberg, the Studio adapted many of the techniques developed by Russian director Konstantin Stanisalvsky for training actors to feel and realistically portray the emotions of their characters. The intense emotional realism achieved by workshop students—who have included Marlon Brando, James Dean, Geraldine Page, Rod Steiger, Robert De Niro, and Jane Fonda—has influenced actors worldwide. (Actors Studio," Microsoft® Encarta® Encyclopedia 2000)
Al Pacino better known, as Sonny has not only changed the way that I view actors. He has taught me what a true actor is. He is a brilliant man who has mastered Stanislavsky 's method. Pacino also has a sense of humor and there is never a dull moment on the set…"I was in a play once in Boston. It's a long play, about three hours and I'm on the stage a lot during it. And I caught... I got this feeling from the audience. These eyes were sort of looking at me. And I got a sense that there was a kind of rapport and I was relating and it was working, somehow it was giving me something back and. Well, I went through the entire play sort of gearing the performance in the part of the audience that I felt those eyes. So I had to see at curtain call who that was. Right? It came curtain call, I looked over in the direction of those eyes - it was Seeing Eye dogs. (The Today Show, NBC)
Al pacino said, "The actor becomes an emotional athlete. The process is painful - my personal life suffers". In other words, "Acting is simply more than walking out on the stage" as Dr. Stevenson would put it. It is more than just reading the lines. To be a true actor, I believe it takes inner capabilities such as learning life. In all the books I have read, all the chapters we have reviewed in class, and in all honesty…Al Pacino is an actor I cannot forget.
Stella Adler taught her student, Elia Kazan, the principles of method acting. The method created by a Russian director, Konstantin Stanislavsky, has actors become the character and have that character live their daily life (Barsam, 286). On the Waterfront is known for its method actors, Marlon Brando became Terry Malloy. The scene where Edie drops her glove was an accident, but Brando picked the glove up and continued as if he were directed to pick up and put on the glove. Another example of method acting is the scene where Terry’s brother, Charlie, pulls a gun out on Terry, but Brando pushes the gun away shocking Charlie since that was not meant to happen. Marlon Brando brought Terry Malloy to life throughout the film due to his method acting.
Clurman, Harold. “Actors-The Image of Their Era.” The Tulane Drama Review 4.3 (1960): 38-44. JSTOR.
However, little did they know, this man was none other than Richard Gere—a beloved, idolized, A-list celebrity. Human connection goes beyond words, but rather intimate, nonverbal gestures. One of these powerful gestures is through eye contact. To stare into someone’s eyes is like whispering to them that they are worthy of recognition. Celebrities
Tupac was one of the most notorious and influential celebrities of the 90s and today still. He sold over 75 million albums worldwide, reaching Spain, Brazil, South Africa, and all corners of America. His career was filled with controversy and luxury just the same. As a rapper, a poet, an activist, and an actor, Tupac gained many fans, and also enemies. Tupac’s down-to-earth personality, talent and relatable music allowed him to become one of the top icons of the rap industry.
Still running today, the Neighborhood Playhouse is a conservatory for actors to improve their talent, and is the home of the Meisner technique. When Meisner moved on to the Neighborhood Playhouse, he dedicated his time on teaching his own acting methods to students and would do so for the next forty-eight years. Even though Meisner’s acting was originally influenced through the Stanislavski method, he decided that he did not agree with the idea of emotional recall because he believed it took an actor’s mind out of their scene. Instead, Meisner believed that it was more beneficial to “Learn to live in the moment as an actor, and let go of any idea of result. Learn what it means to really “do” and to respond truthfully to a given moment based
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.
“I can make a big-looking movie for very little money by just being resourceful, being creative, using the rubber band versus a lot of technology, and not being ashamed about it.” ~ Robert Rodriguez
The first question is why use "commedia dell' arte" as a training tool for modern actors at all, since drama and the business of acting has hopefully moved on since the Italian Comedians finally left Paris. The fact remains, however, that the dominant form of acting today that both exists as the aspiring young actor's performance role model and as a category of performance in itself is T.V. naturalism. We are lucky in that something both inspirational and technical has survived from those heady times. When contemporary acting technique does not provide all the answers that actors may be looking for, it is not surprising that they look towards the past for inspiration. It is in this grey area between researching historical certainties and reconstructing guessed at acting technique that we must look. These Martinellis and Andreinis were the superstars of their day and the question that most often gets asked is "how did they do it?"(Oliver Crick).
It was quite hard for me to pick a favorite actor for this assignment; however, after thinking a bit about it, Jack Nicholson has claimed the number one spot on my list of preferred actors. He gets the top spot, because he has starred in many movies, which I believe are highly noteworthy. Moreover, he tends to play psychotic characters, and he often makes a viewer believe that he is truly psychotic in many cases. For example, Nicholson stared in One Flew Over the Cuckoo's Nest (1975), which was directed by Miloš Forman, and pulled off the role of a mental patient quite well. Nicholson also tends to have a unique flare about him that makes him stand out from other actors. He is truly a superb actor, for he is so believable.
Since the last century, the City of New York has been epicenter of the entertainment industry. Its neighborhoods and the many emblematic places such as The Empire State building or the Statute of Liberty have been part of the most ambitious films. Accordingly, New York City is one of the famous metropolises around the world. Besides the attractions and places that belong to this urban jungle, its undeniable fame is due to its appearance as an arena in production films. One of my favorites movies filmed in New York City is “Carlito’s Way”.
Konstantin Stanislavski was a well- renowned Russian-born seminal Russian Theatre practitioner. He was born on January 17, 1863 in Moscow, Russia. Growing up, Stanislavski had a very privileged life. He grew up in one of the wealthiest families of Russia, the Alekseievs. He used much of his inherited wealth towards his acting and directing pursuits. As a young child his however, his family didn’t really support much of his acting, yet he still had hopes in making a name for himself. At the tender age of 14, he joined a theatrical group organized by his family, and he soon gained attention by it. He slowly began to develop his theatrical skills over time, and he began to gain more experience by performing with other acting groups. In 1885, he decided to give himself the stage moniker of “Stanislavski”- after the fellow actor he’d met. Three years later he married the love of his life, Maria Perevoshchikova, and she
I believe the reason that, 'The Godfather', is such a great film is because it lets audiences decide whether they like the characters or not. Too many movies made about organized crime begin with some seemingly random act of violence. 'The Godfather', however, lets it be known from the start to judge the characters in the film based on what type of person they are instead of the criminal activities they may engage in.
Stage acting is more dramatic than the rest, hence the reason why it is performed on stage. It can also be argued that stage acting is one of the hardest kinds of acting, due to its requirements. The physical requirements for a stage actor tend to be very specific since they are performing in live theatre. These actors must be tall, have large normal features, while being in supreme physical condition. They also need the ability to: control body language, move naturally, and adjust body movement to play different characters. However, with this type of acting, age happens to not be that big of deal because the actors are not seen up close. Since they are not seen up close, stage actors must be able to control their voice and make it expressive....
Even though they are both under the same industry, they have a lot of differences in their times of rehearsal, their relationship with an audience, and their emotional challenges, etc. After my research, I noticed that each type of actor has their own challenges to overcome and not one is easier than the other. Even though stage actors performed in chronological order, they still need to be on top of their lines at all times. There will never be anyone reading their lines to them while they are performing. If they miss a line, the show must go on. As for film actors, if they forget a line during filming, someone can easily give them their line onset and the director will just shoot another take. Even though they don’t have to be totally familiar with their lines, they have to be mentally and emotionally ready to shoot any scene from the movie. Which type of actor would you rather be? If it was up to me, I’m happy to be either
This is a movie about a professional killer, or "Cleaner", named Léon played by Jean Reno, and his unlikely interaction with a 12-year old girl, Mathilda played by Natalie Portman. Mathilda's family is murdered by corrupt Drug Enforcement Agents (DEA) lead by Agent Stansfield played by Gary Oldman. Agent Stansfield, is portrayed as a drug addict, mentally unstable and an overtly violent and corrupt law enforcement team leader.