The Glass Menagerie is a tale of a family caught up in their own deep struggles and sometimes selfish dreams. Throughout this memory play, the Wingfield’s struggles and conflicts lie deep within themselves, but also with each other. Laura and Tom each have profound conflicts with their mother, Amanda. What Laura wants for herself is completely different from what Amanda wants for her, as it is with Tom and Amanda. Laura’s quiet, timid life with her glass figurines greatly differs from the vivacious, successful, gentlemen- seeking life that Amanda wishes her to pursue. And Tom wants to escape the stifling home he inhabits with his mother and sister, and become lost in literature, movies, liquor, and adventure, and just get away, like his father did. But Amanda wants Tom to become a thriving businessman, and simply escape the shoe factory that employs him. These conflicts complicate the relationships that the characters hold with each other, and the world. The conflicts that divide Laura and Amanda, and Amanda and Tom, not only obscure their ties with each other, but ultimately weaken their grasp on reality.
Throughout the play, Tom and Amanda continually feud. Tom is working-class citizen employed in a shoe factory. Usually, he seems fine with this, but always seems to be sneaking off to write poems, to the point that he gets fired for writing one on a shoebox lid. And when this lifestyle doesn’t please him, he loses himself in literature, such as D.H. Lawrence. And then even further loses himself in alcohol or his frequent trips to the movies. He’s caught between staying at the shoe factory and supporting and attempting to please his family, and going off on his own, like his father. Amanda, on the other hand, wants Tom to be a...
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...o easily be shattered.
As it was obvious, the conflicts with Laura, Tom, and their mother, greatly drove them apart, both from each other and from reality. Had they been able to accept each other, and themselves, each would have had a greater grasp on the reality of the world around them. Instead, they chose to accept the reality of life and themselves, and dove deeper into their fantasy worlds they had created for themselves. Their inability to accept each other and reality continued to drive them apart, to the point that Tom left, and Laura would forever be entrenched in her glass world. Had they taken a look at the world around them and accepted themselves, each other, and the world, they could have attempted to grasp at the harsh realities of the real world, instead of turning the other way, and grasping at their own fantasies, far from the realms of reality.
The Glass Menagerie is a play about the character Tom trying to escape his living situation that traps him. He is doing to best to cope with his dependent, demanding mother Amanda and take care of his quiet sister Laura. Amanda and Laura solely depend on Tom’s income from his warehouse job, but Tom is desperately wanting to leave both his mother and sister to lead his own adventurous life. Laura is mainly embodied by her precious glass menagerie and Jim O’Connor’s nickname for her, “Blue Roses.” Her livelihood revolves around taking care of her glass animals and protecting them, and in doing so, she isolates herself from the normal world around her. In Tennessee William’s play The Glass Menagerie, symbolism is use to uncover the unearthly beauty and delicacy of Laura and to portray Tom’s need to escape from his oppressive responsibilities.
...e through Laura. To cement the concept, Laura and Jim’s discourse later on in the play reveal her deepest insecurities and how he perceives her, as well as his reasons for leaving her. Consequentially, dialogue serves as the final nail in the coffin and gives the viewer an intimate glimpse inside each character’s struggles and insecurities.
The Glass Menagerie is a play about the memories of a young man named Tom Wingfield. Tom dreams of escaping his complicated and completely dependent family. Tennessee Williams uses symbolism to emphasize Tom’s yearning to leave. The first symbol of this the fire escape which serves as a bridge to reality from the illusive wo...
Because of him working in the warehouse and having to put his dreams on hold, it seems to make him bitter and rude to his mother. His mother puts a lot of pressure on him with working and making the money to pay the bills. Also his mother is always getting mad when he goes out. In the play Tom snaps at his mother one night after she’s nags him about going out, some of the stuff he said wasn’t necessary, but we all say things we don’t mean when we are upset. His mother does work by trying to sell magazines, but during this time period the Great Depression was going on so it was hard on everyone with money.
how society forced them to change and Laura to lose her status in order to fit
When he asks what she gives it to him for, she replies, “A—souvenir.” Then she hands it to him, almost as if to show him that he had shattered her unique beauty. This incident changed her in the way that a piece of her innocence that made her so different is now gone. She is still beautiful and fragile like the menagerie, but just as she gives a piece of her collection to Jim, she also gives him a piece of her heart that she would never be able to regain. Laura and her menagerie are both at risk of being crushed when exposed to the uncaring reality of the world.
Generally when some one writes a play they try to elude some deeper meaning or insight in it. Meaning about one's self or about life as a whole. Tennessee Williams' "The Glass Menagerie" is no exception the insight Williams portrays is about himself. Being that this play establishes itself as a memory play Williams is giving the audience a look at his own life, but being that the play is memory some things are exaggerated and these exaggerations describe the extremity of how Williams felt during these moments (Kirszner and Mandell 1807). The play centers itself on three characters. These three characters are: Amanda Wingfield, the mother and a women of a great confusing nature; Laura Wingfield, one who is slightly crippled and lets that make her extremely self conscious; and Tom Wingfield, one who feels trapped and is looking for a way out (Kirszner and Mandell 1805-06). Williams' characters are all lost in a dreamy state of illusion or escape wishing for something that they don't have. As the play goes from start to finish, as the events take place and the play progresses each of the characters undergoes a process, a change, or better yet a transition. At the beginning of each characters role they are all in a state of mind which causes them to slightly confuse what is real with what is not, by failing to realize or refusing to see what is illusioned truth and what is whole truth. By the end of the play each character moves out of this state of dreamy not quite factual reality, and is better able to see and face facts as to the way things are, however not all the characters have completely emerged from illusion, but all have moved from the world of dreams to truth by a whole or lesser degree.
As Winfield 's wife, Amanda is worthy of love and respect. Amanda is a southern lady, when she was young, she had an attractive appearance and graceful in manner, and her families were also quite rich. These favorable conditions made her the admiration of many men. Still, her final choice was a poor boy. She did not hesitate and bravely to choose her own love. Though her marriage was not as good as she had imagined the happiness of life, and the husband, Winfield meager income also drinking heavily, finally abandoned Amanda and two young children, but she still remembered and loved her husband. Her husband 's weakness did not make Amanda fall down; instead, she was brave enough to support the family, raising and educating of their two young children. Daughter Laura was a disability to close her fantasy world, and she was collection of a pile of glass small animals as partners. Amanda knew Laura sensitive, fragile, she was always in the care and encourages her daughter. Because of her shortcomings, Laura sometimes frustrated and Amanda immediately replied that "I 've told you never, never to use that word. Why, you 're not crippled, you just have a little defect". Amanda for the care of the children was more reflected a mother 's strong from the play that Amanda paid money to send Laura to typing school. She hoped daughter have a better future and married a good man to take care of the family, and encouraged her daughter, prompting her to go out of the glass menagerie to experience her real life, but Amanda placed more expectations for his son Tom because her husband left home, Tom is the only man and the mainstay of the family. She wanted Tom to realize that is a kind of family responsibility, also is a kind of essential social
In The Glass Menagerie, Tennessee Williams uses the roles of the members of the Wingfield family to highlight the controlling theme of illusion versus reality. The family as a whole is enveloped in mirage; the lives of the characters do not exist outside of their apartment and they have basically isolated themselves from the rest of the world. Even their apartment is a direct reflection of the past as stories are often recalled from the mother's teenage years at Blue Mountain, and a portrait of the man that previously left the family still hangs on the wall as if his existence is proven by the presence of the image. The most unusual factor of their world is that it appears as timeless. Amanda lives only in the past while Tom lives only in the future and Laura lives in her collection of glass animals, her favorite being the unicorn, which does not exist. Ordinary development and transformation cannot take place in a timeless atmosphere such as the apartment. The whole family resists change and is unwilling to accept alteration. Not only is the entire family a representation of illusion versus reality, each of the characters uses fantasy as a means of escaping the severity of their own separate world of reality. Each has an individual fantasy world to which they retreat when the existing world is too much for them to handle. Each character has a different way of dealing with life when it seems to take control of them, and they all become so completely absorbed in these fantasies that they become stuck in the past.
The three family members are adults at the time of this play, struggling to be individuals, and yet, very enmeshed and codependent with one another. The overbearing and domineering mother, Amanda, spends much of her time reliving the past; her days as a southern belle. She desperately hopes her daughter, Laura, will marry. Laura suffers from an inferiority complex partially due to a minor disability that she perceives as a major one. She has difficulty coping with life outside of the apartment, her cherished glass animal collection, and her Victrola. Tom, Amanda's son, resents his role as provider for the family, yearns to be free from him mother's constant nagging, and longs to pursue his own dreams. A futile attempt is made to match Laura with Jim, an old high school acquaintance and one of Tom's work mates.
The Glass Menagerie is a play written by Tennessee Williams in 1945. The play takes place in the Wingfield’s apartment in St. Louis. Tom is the protagonist in the play and he stays at home with his mother Amanda and his sister Laura. Tom’s Father left the family when he was younger leaving him as the man of the house. His mother Amanda expects him to do everything a man would do. This included working, paying bills, and taking care of herself and Laura. Laura is disabled and she doesn’t work therefore Tom is left providing for his whole family. Being abandoned by Mr. Wingfield left the family distraught. No one seemed to be able to cope with the fact that he was gone even though he left many years ago. Amanda is constantly treating Tom like a child. She tells him how to eat, when to eat, and what he should and should not wear. Tom eventually gets fed up with everything. He can’t stand his factory job, the responsibility of being the man or being treated like a child by his mother. Tom decides to follow in his father’s footsteps and leave the family. It seems as if Tom thinks that running away from his problems will make them go away but things didn’t turn out that way. Although the play was written many years ago, young adults in this day and age can relate to Tom and his actions. The main theme in the play is escape. All of the character use escape in some way. Laura runs to her glass menagerie or phonographs when she can’t handle a situation, Amanda seems to live in the past, and Tom constantly runs away when things aren’t going his way. Escape is a short term fix for a bigger problem. Running away may seem like the easiest thing to do, but in the end the problem is still there and it may be unforgettable. As time goes on esc...
Tom and Laura fail to survive in the present because they are always trying to live through the past. However, the past no longer exists, causing them distress in their journey through life. Tom is unsuccessful with his job at the warehouse and Laura cannot seem to fit in with the outside world.
Tom is the main character and is known as the man of the house since his father left them some years ago. Laura is the shy daughter of Amanda and is stated in the character list as “having failed to establish contact with reality, continues to live vitally in her illusions” (Williams 1247). Laura has a physical handicap, with one leg being shorter than the other. With this handicap Laura was picked on and led to high anxiety and stress. The anxiety and stress led to her not going to business college, as stated when Amanda went to Laura’s class and talked to Laura’s teacher.
Their relationship is strained because Tom reminds Amanda of her husband. He just doesn't quite fit in with the rest of his family. He aspires to travel and see the world. He does not want to just get by; he wants to live and experience life.
The role of abandonment in The Glass Menagerie can best be described as the plot element that underlies the overall tone of despondence in the play because it emphasizes the continuous cycle of destruction and hardship that the Wingfield family experiences; indeed, abandonment in the play is a reiterative element that strips the excesses from the three main characters in the play and leaves them in their barest forms, united by a sorrowful reality and clutching each other through the ever-present need to sink into a self-constructed oblivion. The first, and perhaps the most notable and most frequently discussed, example of abandonment in the play would be that of Amanda Wingfield’s husband’s abandonment of his family; he left them at an unspecified time in the past because “he fell in love with long distances,” and evidently forsook any obligations and emotional affiliations that he may have had with his wife and offspring (Williams 5). Having been abandoned by a man who was both husband and father affected Amanda, Tom, and Laura in that it established many of their familial dynamics...