In analysing the poetry of W.B. Yeats, I have come to understand the multiple conflicting themes and positions he presents in his poetry. However, my understanding has been influenced most by Yeats’s exploration of key conflicts in ageing along with political anarchy. These are conveyed respectively in the poems “Wild Swans at Coole” (1916) and “Leda and the Swan” (1923), using the central symbol of the swan. In “Wild Swans at Coole”, Yeats conveys the conflict within his heart; where he is an ageing, old man opposed to the young, revitalised swans. He laments the loss of his playful energy which he sees in the abundance of love and vitality in the swans. In “Leda and the Swan”, Yeats conveys the political dichotomy of the Irish nationalistic struggle against the opposing British suppression; exemplified by the swan’s advances towards the vulnerable Leda.
Yeats presents the key conflict of ageing through exploring his own life in decline compared to the spiritual transcendence of the swans in “Wild Swans at Coole”. Yeats wrote this poem in October 1916 after his latest rejection by Maud Gonne, following the death of her husband, John MacBride, in the Easter Rebellion. Yeats therefore reflects on the inertia of his own life, while regathering himself at Lady Gregory’s Coole Park estate. While revolving around the idea that sexual fulfilment with Maud has been lost. Yeats retains the last of his romantic preoccupations in perceiving a spiritual element through the natural world, where nature is reflective of youth and beauty. The main way this is conveyed is through the swans, symbolising youth, vitality and freedom, the conflicting position to Yeats’s personal state.
Yeats conveys this through a reflective, sorrowful tone, as h...
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...he spiritual element of life, discovered through the natural world with “Wild Swans at Coole”, and history with “Leda and the Swan”.
Works Cited
1. Bogan, L., 1938, “William Butler Yeats”, The Atlantic Monthly, May 1938, accessed 8 June 2012, http://www.theatlantic.com/magazine/archive/1938/05/william-butler-yeats/4672/
2. Holstad, S., n.d., "Yeats's 'Leda and the Swan’: Psycho-Sexual Therapy in Action", California State University, accessed 8 June 2012, http://www-scf.usc.edu/~erdemoz/Write/leda.html
3. “Modernist Poetry 2: W. B. Yeats”, lecture by Dr. Aaron Kelly, 20th April 2004, from the green booklet “Module B: The Critical Study of Texts: William Butler Yeats”.
4. Morrison, A., 1998, “Theories of Post-Coloniality: Edward W. Said and W.B. Yeats", The Imperial Archive Project, accessed 9 June 2012, http://www.qub.ac.uk/imperial/ireland/saidyeat.htm
Keats, John. “The Eve of St. Agnes”. The Norton Anthology of English Literature: The Romantic
John Keats’s illness caused him to write about his unfulfillment as a writer. In an analysis of Keats’s works, Cody Brotter states that Keats’s poems are “conscious of itself as the poem[s] of a poet.” The poems are written in the context of Keats tragically short and painful life. In his ...
Rovee, Christopher. "Trashing Keats." ELH: English Language History 74.4 (Winter 2008): 993-1022. Project MUSE. Web.
In these lines from "All Things can Tempt Me" (40, 1-5), Yeats defines the limitations of the poet concerning his role in present time. These "temptations" (his love for the woman, Maude Gonne, and his desire to advance the Irish Cultural Nationalist movement) provide Yeats with the foundation upon which he identifies his own limitations. In his love poetry, he not only expresses his love for Gonne, he uses his verse to influence her feelings, attempting to gain her love and understanding. In regard to the Nationalists, he incorporates traditional Irish characters, such as Fergus and the Druids, to create an Irish mythology and thereby foster a national Irish identity. After the division of the Cultural Nationalists, Yeats feels left behind by the movement and disillusioned with their violent, "foolish" methods. He is also repeatedly rejected by Gonne. These efforts to instigate change through poetry both fail, bringing the function of the poet and his poetry into question. If these unfruitful poems tempt him from his ?craft of verse,? then what is the true nature verse and why is it a ?toil? for the poet? Also, if Yeats cannot use poetry to influence the world around him, then what is his role as a poet?
It has been acknowledged by many scholars that Yeats' study of Blake greatly influenced his poetic expression. This gives rise to the widely held assertion that Yeats is indebted to Blake. While I concur with this assertion, I feel that the perhaps greater debt is Blake's.
Though written only two years after the first version of "The Shadowy Waters", W.B. Yeats' poem "Adam's Curse" can be seen as an example of a dramatic transformation of Yeats' poetic works: a movement away from the rich mythology of Ireland's Celtic past and towards a more accessible poesy focused on the external world. Despite this turn in focus towards the world around him, Yeats retains his interest in symbolism, and one aspect of his change in style is internalization of the symbolic scheme that underlies his poetry. Whereas more mythological works like "The Shadowy Waters" betray a spiritual syncretism not unlike that of the Golden Dawn, "Adam's Curse" and its more realistic fellows offer a view of the world in which symbolic systems are submerged, creating an undercurrent of meaning which lends depth to the outward circumstances, but which is itself not immediately accessible to the lay or academic reader. In a metaphorical sense, then, Yeats seems in these later poems to achieve a doubling of audience, an equivocation which addresses the initiate and the lay reader simultaneously.
Analysis of William Butler Yeats' Poems; When You Are Old, The Lake Isle of Innisfree, The Wild Swans at Coole, The Second Coming and Sailing to Byzantium
...n though William Butler Yeats had a great impact on Modernism, especially during his time, he still wrote in the Victorian style. Therefore, William Butler Yeats was a great poet, who greatly influenced the style of writing during his time, and the Modernistic style of writing after him.
...otism is established in a seemingly simple testament to a dead soldier. What better way to honor the dead than to personify Lady Ireland through his character! The passion that Yeats subconsciously incorporates into his poem equals that of his love for Ireland. An Irish Airman Foresees His Death begins on a low and desperate note, but reaches its’ climax upon Gregory answering Ireland’s call, and ends by, essentially, posing a question to the reader. ‘As a collective people, which side of the teeter-totter do we belong?’ He leaves his hero (Gregory) hanging in the balance of an important national question. The poem may be about Yeats’ character foreseeing his death, but the fact remains: he is in the act of ‘foreseeing,’ he is not dead yet…and neither is Ireland.
“Sailing to Byzantium”, published in 1928, “An Irish Airman Foresees His Death”, published in 1919, and “The Second Coming”, published in 1920, are all some of the most highly regarded works of William Butler Yeats. Although each poem seemingly contains its own personal ideas and focus on particular topics, one common theme is found throughout all three: death. In “Sailing to Byzantium” Yeats discusses the matter of growing old and attempting to find a way to live eternally after death has taken its toll, while in “An Irish Airman Foresees His Death” he creates an internal dialogue of an Irish airman as he feels he is about to take his final flight into death, and lastly in “The Second Coming” he creates an allegory for post-war Ireland by alluding to the Apocalypse. Each of these poems is popular not only due to the incredible manner in which they were written, but rather, due to the voice in which Yeats discusses each of the poem’s respective subjects. Through his modernist style, yet traditional form, William Butler Yeats wrote “Sailing to Byzantium”, “An Irish Airman Foresees His Death”, and “The Second Coming” as an attempt to answering the difficult questions that surround death in a way which resonated so strongly onto the audience that continues its legacy to this day.
The first stanza is crowded with sensual and concrete images of nature and its ripeness during the first stages of Autumn. Autumn is characterized as a “season of…mellow fruitfulness” (1). It is a season that “bend[s] with apples the mossed cottage-trees” (5), “fill[s] all fruit with ripeness to the core” (6), “swell[s] the gourd, and plump[s] the hazel shells” (7), and “set[s] budding more” (8). The verbs that Keats uses represent the bustling activity of Autumn and also reflect the profusion of growth. Autumn also acts as the subject of all the verbs, indicating its dynamic behavior. Furthermore, the multitude of these images depicting the ripening of nature contributes to the sense of abundance that characterizes the first stanza. The stanza also contains many short phrases, again calling up images of abundance. Keats, through his use of sensual imagery, draws readers into the real world where there will ultimately be decay and death. The sound devices in this stanza further develop the sensual imagery and...
Throughout many of his poems, W.B Yeats portrayed important aspects of Ireland’s history especially around the 1900’s when Ireland was fighting for independence. During this time, Ireland was going through an agonizing time of struggle. The Employers’ Federation decided to lock out their workers in order to break their resistance. By the end of September, 25,000 workers were said to have been affected. Although the employers’ actions were widely condemned, they refused to consider negotiation or compromise with the Union. His readers are able to see how Yeats reflects the political, cultural, and societal atmosphere in Ireland during the early 1900’s. The poems September 1913 and Easter 1916 both reflect the political, cultural, and societal atmospheres that were found in Ireland around the 1900’s.
Author of poetry, William Butler Yeats, wrote during the twentieth century which was a time of change. It was marked by world wars, revolutions, technological innovations, and also a mass media explosion. Throughout Yeats poems he indirectly sends a message to his readers through the symbolism of certain objects. In the poems The Lake Isle of Innisfree, The wild Swans at Cole, and Sailing to Byzantium, all by William Yeats expresses his emotional impact of his word choices and symbolic images.
W. B. Yeats is one of the foremost poets in English literature even today. He was considered to be one of the most important symbolists of the 20th century. He was totally influenced by the French movement of the 19th century. He was a dreamer and visionary, who was fascinated by folk-lore, ballad and superstitions of the Irish peasantry. Yeats poems are fully conversant with the Irish background, the Irish mythologies etc. Yeats has tried to bring back the “simplicity” and “altogetherness” of the earlier ages and blend it with the modern ideas of good and evil. Almost all his poems deal with ancient Ireland ...
Yeats' poetry is very dramatic because he usually creates dramatic contrasts within his poems and because his tone changes regularly. When he wasn't in conflict with the world around him he was in conflict with himself. He was never satisfied with modern Ireland, even when he was younger. As he grew older, his dissatisfaction became even greater.