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Why do scholars think “Her Kind” by Anne Sexton is valuable
Why do scholars think “Her Kind” by Anne Sexton is valuable
Essay on confessional poetry
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Confessional poetry is a style that emerged in the late 1950’s. Poetry of this type tends to be very personal and emotional. Many confessional poets dealt with subject matter that had previously been taboo. Death, trauma, mental illness, sexuality, and numerous other topics flowed through the works of the poetry from this movement. Confessional poetry was not purely autobiographical, but did often express deeply disturbing personal experience. (Academy of American Poets)
Three important poets who are typically associated with the confessional poetry movement are Anne Sexton, Allen Ginsberg, and Denise Levertov. An analysis of selected works from these poets yields a deeper insight into the individual poets and the broad differences among them. Poetry rarely flourishes in a vacuum. As such, the influences and history of each poet is important to understanding their work. Additionally, the interactions and society of poets of this era lend a glimpse into the similarity of experience of each author.
Despite the analytical simplicity by which some poets become caged into one genre or another, there are tremendous irreconcilable rifts between them. To generalize such diversity of work is to lose the egocentric theme they supposedly share. A closer look at writing style, theme, and the experiential component of the works analyzed show that the term confessional poet is far too shallow a description. Very thin threads bind a group of otherwise immensely diverse poets.
Anne Sexton began her writing on the advice of her psychiatrist, Dr. Martin T. Orne. (Spinello) Her active poetic career began following multiple bouts with severe depression and a suicide attempt. Sexton “offers the reader an intimate view of th...
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...ts of Cambridge, U.S.A. 2006. 10 December 2009 .
Morgan, Bill. Alines Drawn in the Sand - The Life and Writings of Allen Ginsberg. 2001. 10 December 2009 .
Penguin Academics. Literarure A Pocket Anthology. Ed. R.S Gwynn. 4th. Penguin Academics, 2009.
Poetry archive. The Poetry Archive. 2009. 10 December 2009 .
Poetry Foundation. Anne Sexton Biography. 2009. 10 December 2009 .
Spinello, Serena. Associated Content. 2008. 11 December 2009 .
The Academy of American Poets. Poets.org. 10 December 2009 .
This anthology is beautifully diverse and unique. Although the poems are new, they take reader back in time through issues that are relevant to the 21st century life. Most of the poems are experimental form probably because the poets are trying to get their voices heard by doing new things, which I think work well for a majority of these poems and others, not so much. Analicia Sotelo’s “I’m Trying to Write a Poem About A Virgin and It’s Painful” is an experimental prose form, and it’s beautiful. A part of the poem reads, “Some people said I should take her out of the poem. Other people said No, take her out of the lake and put her in the bedroom” (40). The poet making the process of writing a poem the poem itself is something new for me. The contrast in this piece also works well, although I still do not understand the metaphor of the lake. Also, Damian Caudill has a beautiful form in “Tuesday Ordinary.” The form and the style seem experimental but worthwhile. The poem is written from the perspective of Trayvon Martin’s hoodie, which many, especially in the African-American community believed contributed to his murder. The depth of thought that might have gone into the penning of this poem is commendable. However, I did not think this experimental form works well for “It was a miracle route everyone had been searching for and the story caused a sensation” on page 5. The later part of the first section left me with the question, “why is this a poem, or included in a poem? And I find it hard to comprehend why these different sections are fused under one poem. Also in Kara Kai Wang’s “Idiom,” I find the footnote alienating as a reader, because of the language used. I would have preferred if the footnoted words are in another languag...
Rosenthal, M.L. "Poet of the New Violence". On the Poetry of Allen Ginsberg. Ed. Lewis Hyde. Ann Arbor: University of Michigan Press, 1984. 29-31.
Sexton was a pioneer. As member of the "confessional school" of poetry that arose in America in the early '60s, she helped put an emphasis in American culture on revelation that continues today.
“Poet Billy Collins has said of her work, “Julie Sheehan possesses a range of tones- tender, sassy, quietly observant, deeply cutting” (www.poetryfoundation.com). In an interview with Julie Sheehan, the interviewee h...
I have chosen to write about Virginia Woolf, a British novelist who wrote A Room of One’s Own, To the Lighthouse and Orlando, to name a few of her pieces of work. Virginia Woolf was my first introduction to feminist type books. I chose Woolf because she is a fantastic writer and one of my favorites as well. Her unique style of writing, which came to be known as stream-of-consciousness, was influenced by the symptoms she experienced through her bipolar disorder. Many people have heard the word "bipolar," but do not realize its full implications. People who know someone with this disorder might understand their irregular behavior as a character flaw, not realizing that people with bipolar mental illness do not have control over their moods. Virginia Woolf’s illness was not understood in her lifetime. She committed suicide in 1941.
Whitehead argues that these confessional poets blend both personal and artistic life. They narrow down the abyss between reality and fiction
In today’s modern view, poetry has become more than just paragraphs that rhyme at the end of each sentence. If the reader has an open mind and the ability to read in between the lines, they discover more than they have bargained for. Some poems might have stories of suffering or abuse, while others contain happy times and great joy. Regardless of what the poems contains, all poems display an expression. That very moment when the writer begins his mental journey with that pen and paper is where all feelings are let out. As poetry is continues to be written, the reader begins to see patterns within each poem. On the other hand, poems have nothing at all in common with one another. A good example of this is in two poems by a famous writer by the name of Langston Hughes. A well-known writer that still gets credit today for pomes like “ Theme for English B” and “Let American be American Again.”
In her poem entitled “The Poet with His Face in His Hands,” Mary Oliver utilizes the voice of her work’s speaker to dismiss and belittle those poets who focus on their own misery in their writings. Although the poem models itself a scolding, Oliver wrote the work as a poem with the purpose of delivering an argument against the usage of depressing, personal subject matters for poetry. Oliver’s intention is to dissuade her fellow poets from promoting misery and personal mistakes in their works, and she accomplishes this task through her speaker’s diction and tone, the imagery, setting, and mood created within the content of the poem itself, and the incorporation of such persuasive structures as enjambment and juxtaposition to bolster the poem’s
I do not know how without being culpably particular I can give my Reader a more exact notion of the style in which I wished these poems to be written, than by informing him that I have at all times endeavored to look steadily at my subject; consequently, I hope that there is in these Poems little falsehood of description, and my ideas are expressed in language fitted to their respective importance. Something I must have gained by this practice, as it is friendly to one property of all good poetry, namely, good sense; but it has necessarily cut me off from a large portion of phrases and figures of speech which from father to son have long been regarded as the common inheritance of Poets.
Anne often expressed her feelings through her poetry and in this particular poem gave thanks to her father. After reading this poem for the first time, accepting it at it’s face value, leaves the reader with a sense of bewilderment, as if there may be a second meaning in her poem.
Strand, Mark and Evan Boland. The Making of a Poem: A Norton Anthology of Poetic Forms. New
Rothenberg, Jerome and Pierre Joris, eds. Poems for the Millennium: The University of California Book of Modern and Postmodern Poetry, Vol. 2. Berkeley: University of California, 1998.
The 20th Century American poet, Anne Sexton once said, “Poetry should be a shock to the senses. It should almost hurt.” Sexton displays this belief through her writing style and set of controversial themes, which unquestionably shocked critics at times. Many of Sexton’s poems reflect on her personal struggles with mental illness and her numerous encounters with suicidal feelings. Sexton became known as a confessional poet because of her autobiographical style of writing. The main themes of her poetry are depression and death. “Wanting to Die”, “The Truth the Dead Know”, “The Abortion”, and “The Starry Night”, are all examples of Sexton’s writing that portray her central poetic themes. Through the use of vivid visual imagery, especially natural
Plath’s works were known for their extremely feminist and suicidal themes. Plath wrote about whatever came to her mind and used writing as a way to express her feelings. Plath is credited with furthering the genre of confessional poetry. Plath was also the first poet to receive the Pulitzer Prize after death. Although Plath had taken her life, her legacy still lives on in many ways.
Stirman, S. W. & Pennebaker, J. W. (2001): Word Use in the Poetry of Suicidal and Nonsuicidal Poets. Psychosomatic Medicine. 63, p. 517-522 � 2001 American Psychosomatic Society, Retrieved December 20, 2004 from http://www.psychosomaticmedicine.org/cgi/content/full/63/4/517