“It is artistic directors Dwight Rhoden and Desmond Richardson’s lifelong appreciation for the artistic and aesthetic appeal of the multicultural that forms the cornerstone of Complexions Contemporary Ballet’s singular approach to reinventing dance”. During the month of February, the company, Complexions, traveled around the nation to perform to different audiences. Dwight Rhoden and Desmond Richardson are the Founding Artistic Directors of the company. This critique will be focusing on the performance at the South Miami Dade Cultural Art Center. It is a contemporary dance company that consists of 14 professional dances; seven are males and the other half are females. A performance by the Complexions consists of three acts. The acts in chronological order are: Moon Over Jupiter, choreographed by Dwight Rhoden; Recurs, choreographed by Jae Man Joo; and Innervisions, choreographed by Dwight Rhoden. When choreographing the dances, the choreographers had different incentives and ideas to bring forth to the audience.
The first act, Moon Over Jupiter, was the most challenging to interpret out of the three. This piece seemed to be about relationships, because the dancers were paired up on stage. The dancers’ facial expressions gave the impression that the dancers were experiencing intimate sentiments. The female dancers mostly did leaps, while the male partners would accompany or aid her in the air. Despite the interpretation of the dance, Dwight Rhoden, the choreographer, effectively used dynamics throughout the dance. For most of the piece the entire company was on stage, therefore Rhoden effectively used space when distributing the dancers on stage. In addition, the dancers used a lot of space vertically. In other wo...
... middle of paper ...
...ical and close together. This dance involved a lot of spinning and pelvic motion, which added to the flirtatious mood; all of these movements were done in sync with the tempo of the music. Furthermore, Rhoden did a wonderful job of conveying trust in the relationships. Rhoden did this by having the danseurs catch the ballerinas in motion while in the air. The female dancers did a lot of leaps and sashays, which also added to the happy mood.
In conclusion, the Complexions company was well rehearsed. Although there were certain scenes that were hard to interpret, Dwight Rhoden and Desmond Richardson effectively used dynamics, lighting and music to set the tone of the performance. The tones varied from serious and frantic to happy and flirtatious. However, the performance never ceased to have the audience attention from the beginning to the end of the performance.
The theatre is full of young men and women. The gas lanterns dimly light the room and the silhouette of a figure can be seen in the shadows of the stage. As she emerges, she is like a dream: a tall, elegant body with a form fitting bodice and tutu. She is entrancing on her tiny pointe shoes as she floats across the stage. Love and passion fill the air as she moves in such a way that is almost magical. The Romantic Ballet Period introduced the aspects of theme, costume, and new technique to the dance world and its influences are still seen in contemporary works in ballet.
In the dance world a staggering number of choreographers have made a lasting impact on the way dance is seen to its audience. Alonzo King’s exceptional oeuvre of work includes him in this great history of significant choreographers. He not only created the link between modern and ballet in the twentieth century, but he bridged the ...
As the first African-American to create a multicultural, international concert dance company, Alvin Ailey’s dance company has been dubbed the “cultural ambassador of the world” (Gorman 36). Through his Alvin Ailey Dance Company, he addressed the racism and injustice faced by ethnic minorities across the globe. Ailey clearly revolutionized African American participation in 20th century concert dance as well as revived interest in modern dance. As an extremely talented dancer and choreographer, Ailey’s success is attributed to his dedication and passion for expression through dance, but what is often overlooked is his resilience to the hardships he faced, the mentors he had, and the opportunities
Throughout the years, America has pursued the performing arts in a large variety of ways. Theatre plays a dramatic and major role in the arts of our society today, and it takes great effort in all aspects. Musical Theatre, specifically, involves a concentration and strength in dance, acting, and singing. This is the base that Musical Theatre is built upon. For my Senior Project, I helped choreograph multiple scenes in a community musical “Thoroughly Modern Millie”. Choreography is a way of expressing oneself, but it has not always been thought of for that purpose. Agnes de Mille’s expressive talent has drastically affected how people see choreography today. Agnes de Mille’s influence in the world of dance has left a lasting impact in the Performing Arts Department, and her revolutionary works are still known today for their wit, lyricism, emotion, and charm.
Li’s passion for ballet shows on and off stage through his arabesques, flexibility, fouettés, grande jeté and pirouettes that were nothing less than perfection. I understood that becoming a dancer requires commitment, passion and having a great memory as there’s many moves, routines and ballet terms that you need to learn. When I was performing on stage, I felt free and that I could own the stage as it felt like it was my second home. I also felt complete within myself just as Li felt. To perform on stage, you need to be light and graceful along with connecting to the music using precise steps, poses and formal gestures. The film used dance, music, scenery, and costumes to portray a story characterised by Li’s dance. Classical ballet dancers require the utmost grace and I’ve found that you also need a tremendous level of concentration and memory. This portrays when his choreographer Ben Stevenson asked Li Cunxin to replace the main male role due to an injury on the day of the performance to memorise new dances and perform them in front of an enormous crowd. Many of my performances have been in a group where we all need to be in sync and work together. This film highlighted that in order to become a professional ballet dancer, you have to prepare to work extremely hard no matter how gruelling the schedule is in order to
The element that stood out the most to me was how effectively the music and the footwork corresponded. The best examples of this are seen through the dancers solos. Especially Albrecht's solo, his feet glide on the stage at the same tempo as the music. Similarly, Giselle's graceful footwork is truly amazing. I really like the similarities between the choreographed footwork and the music, it makes Giselle seem much more elegant and beautiful. This also seems to make the work look more put together and in sync because the dancers are dancing in harmony with the orchestra. The choreography by itself is amazing. The footwork is rapid and intricate, however, at the same time it is delicate and graceful. The ballerina (Giselle) made it look very easy to do the choreography, when it rea...
In the scene, “Agony” (Into the Woods) and even the “Agony (reprise)” (Into the Woods) was probably the best scene in the play. The characters were two princes, played by Kevin Williams and Jacks Key, who were chasing their princesses. The two actors complimented each other so well, they made their performance look like it was real life and not actually acting. If Williams was singing about finding his princesses, Key would be reacting, doing gestures and facials. It made the audience feel as if they were out there with the two princes talking about their dream to find the princesses. The performers listened and responded naturally to one another. When one was speaking, the gestures they would add to it made the scene more memorable. The tone of their voice when they sang or spoke, gave the “idealistic” character for being a price. It was funny when the two actors would make jokes about the princesses, like about brushing her hair. During the “Find Your Grail” (Spamalot) the ensemble would use the set design affectively. One member of the ensemble stood out the most from the others. She was leaning her back against the stair case and portrayed the look of defeat and depressed. Being a part of the audience, her developed use of gesture and most of all her
I had the pleasure of being in Western Kentucky University Dance Department’s concert, An Evening of Dance. The performance took place on April 29th through May 2nd in Russel Miller Theatre. It consisted of many works from faculty and guest artists. I felt like the concert was a success and that the choreography was all unique in its own way. I enjoyed the pieces that I performed, and the ones that my fellow company members were in. Through the analysis of “Petrichor”, I found that each production and chorographic element plays a large part in the successful outcome of a dance and emotional responses can be evoked by the simplest ideas.
Learning about Dance: Dance as an Art Form and Entertainment provides visions into the many features of dance and inspires scholars to keep an open mind and think critically about the stimulating, bold, ever-changing and active world of dance. Learning about Dance is particularly useful for those who do not have a wide and diverse dance contextual, such as students in a preliminary level or survey dance course. This book consists of twelve chapters. Chapter one dance as an art form focuses on the basic structures of dance. Dance is displayed through the human body, it has the control to communicate and induce reactions. Dance can be found in many different places, it enables the participants and seekers to touch and knowledge the joy of movement. Dance is discovered as being one of the oldest art forms worldwide. Dance existed in early cultures was recognized in a sequence of rock paintings portrayed dance. Since this discovery of rock paintings, several other forms of art have been found that depict dance. People used rituals in order to worship the gods and believed that the rituals held magical and spiritual powers. During the ancient period civilizations sentient decisions began to be made with regard to dance. Other periods that had an impact on dance were the medieval period, the renaissance period, and the contemporary period. Chapter two the choreographer, the choreographer is a person who comes up with the movements created into a dance routine. The choreographer expresses themselves through choreography because this is their way of communicating with the audience. In order to be a choreographer you must have a passion for dance. Each choreographer has their own approaches and ways of making up a routine. Choreographers ...
During the performance, the principle of spacing was demonstrated when the dancers scattered themselves across the stage and used excellent spacing. As each scene approached, they respectfully stationed themselves in their allotted positions. Never was the stage oddly spaced or bare. Also, the core principle of dance was demonstrated by using rhythm/time. This referred to the speed of moment of the dancers. Throughout the play, the time of the dancers fluctuated. There were times of excitement when the dancers expressed feelings of joy and therefore they had a fast speed but there are other times when the dancers were confused and uncertain and as a result, their speed were much slower and calmer.
The next work of the program, Courtly Airs and Dances, is a multi-movement work composed by Ron Nelson. The piece is split into six movements: Intrada, Basse Danse, Pavane, Saltarello, Sarabande, and Allemande. Each of these present distinct characteristics that separate it from each other movement, yet all are united by being a style of dance. The first movement, Intrada, presents a fanfare-like opening to the multi-movement work. The trumpets and brass section as a whole lead this, as they create a sense of nobility. The key is major and the tempo is one that could be described as allegretto—it is not a fast tempo, yet more brisk than an andante pace. The texture is homophonic, as there are different parts being performed by different
Every dance that is created by a choreographer has a meaning and or purpose behind it. The dance choreographed could be used to send a political, emotional, or a social message. Regardless of the message being sent, each dance created possesses a unique cultural and human significance. This essay will examine and analyze two dance works from history and give an insight into what each dance work provided to the society of its time.
Steve Paxton: Speaking of Dance – Conversations with Contemporary Masters of American Modern Dance. Academic Internet Video. Directed by Douglas Rosenberg. Oregon: Alexander Street Press, 1996.
However, in this ballet concert, the choreographer had designed the scenes to be more like a comedy. The movement of the sisters are more amusing than cruel. For example, when they pulled each other for being eager to dance with the prince, or when they tried to hurt and bully the Cinderella, these movements are not that cruel but amusing. Even the stepmother was drunk and danced comically in the prom scene. Moreover, the movements of all the girls who wanted their feet to fit in to the ballet shoe which Cinderella had dropped in the prom are also very funny. These kinds of design successfully made the audience laugh out loud and without hurting the hearts of the little girls who went to see the performance with their
Dancing is a beautiful form of expression that reveals a good deal about a person in a matter of minutes. Characters that dance in plays and novels usually flash some sort of underlying meaning pertaining to their story, shining light on themselves, other characters, and the movement of the action. In Ibsen's A Doll's House, Nora's performance of the tarantella summarizes the plot of the entire play.