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Social media campaigns by two different alcohol companies will be analyzed in this report. A comparison would follow after a detailed analysis of the companies’ uses of social media.
“Transform Today” is a campaign launched by Absolut Vodka in August 2013. The alcohol company teamed up with artists from all over the world and interacted with consumers via social media. One of the main strategies used in the campaign was ‘#NextFrame”, a collaboration between consumers and graphic artist Rafael Grampa via social media to create a crowd-sourced animation project. According to ____, “To build strong brands, you need to have a higher purpose” (__) - this is why Absolut Vodka had come up with such an elaborate campaign, seeking to “connect with the creative spirit in everyone and to inspire artistic transformation around the world.”. (__)
It is clear that from the organization’s use of social media, its goal is to inspire users to create art. However, its business goal is not clear. Through the promotion of the arts, it does not blatantly include its products in the campaign - however, it seeks to foster closer relationships with its consumers, increase brand loyalty, and thus increase profits. “#NextFrame” is an action strategy that is part of the Transform Today campaign. It was designed to reach the objective of inspiring audiences to think about their own creative potential by giving an opportunity to act on the messages of the campaign by collaborating with one of the artists. (___) As for the tactics, the organization utilized FaceBook as the main medium - every week, a FaceBook photo album of an “episode” was released, consisting of a brief storyboard of the animated film. FaceBook users were invited to submit plot decision ide...
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...gets artsy, wants to 'transform toda'y. Retrieved from http://www.clickz.com/clickz/news/2294492/absolut-gets-artsy-wants-to-transform-todayLBBonline. (2014, Febuary 20). Your shot: Absolut’s ‘next frame’. Retrieved from http://www.lbbonline.com/news/your-shot-absoluts-next-frame/
Nudd, T. (2012, March 23). Belvedere vodka apologizes for rapey ad on facebook. Retrieved from http://www.adweek.com/adfreak/belvedere-vodka-apologizes-rapey-ad-facebook-139162http://www.thefix.com/content/belvedere-vodkas-rapey-ad-social-media-fail
Wilkerson, M. (26, March 2012). Belvedere vodka's rapey ad: Social media fail?. Retrieved from http://www.thefix.com/content/belvedere-vodkas-rapey-ad-social-media-fail
Woman sues vodka company for using likeness in 'rape' ad. (2012, March 30). McClatchy-Tribune. Retrieved from http://search.proquest.com.libproxy1.nus.edu.sg/docview/962489192
There is no denying that women are given high standards when it comes to their appearance. Advertisements make women look flawless and always perfectly groomed; no matter what she is captured doing in the advertisement. Skyy vodka, especially in their July 2010 Maxim magazine advertisement, is guilty of discriminating against woman. At a first glance upon this hypnotizing ad, the white, flawless, perfectly groomed female appears to be in a dress with a matching background. At a closer look, the girl with luscious locks of orange hair is simply lying naked in a bed, under what is safe to assume, her man or any man’s sheets. Male dominance in our society is still a major problem. Males either create or are exposed to advertisements
Kilbourne includes various advertisements where the woman is the victim and target. The advertisements and media depicted women being overly sexualized, they promoted or glorified date rape, sex is the most important aspect of a relationship, fetishizes various products, and made men believe these were the correct ways to view or treat women. The audience these advertisements are appealing to are men because media depicts women as always being the victims. Men are lead to believe that they should buy certain products as portrayed in media or advertisements because they will get the attention from the ladies. “The violence, the abuse, is partly the chilling but logical result of the objectification” (Kilbourne 498). When women are so used to seeing themselves as objectified they soon start to believe it. Women become more vulnerable because it shows men that anything is possible with just a spritz of perfume or a certain brand of an alcoholic drink. Industries do not think twice before making an advertisement because they are not the victims. Violence is the main problem that arises due to advertisements. “Women are always available as the targets of aggression and violence, women are inferior to men and thus deserve to be dominated, and women exist to fulfill the needs of men” (Kilbourne 509). As long as industries make money, nothing is off limits to put on advertisements even if it is making someone a victim. No remorse of any sort is shown because as long as money is present nothing else matters to the
Kilbourne, Jean. “‘Two Ways a Woman Can Get Hurt’: Advertising and Violence.” From Inquiry to Academic Writing: A Text and Reader. 2nd ed. Eds. Stuart Green and April Lidinsky. Boston: Bedford/ St. Martin’s, 2012. 459-480. Print.
We live in a fast paced society that is ruled by mass media. Every day we are bombarded by images of, perfect bodies, beautiful hair, flawless skin, and ageless faces that flash at us like a slide show. These ideas and images are embedded in our minds throughout our lives. Advertisements select audience openly and subliminally, and target them with their product. They allude to the fact that in order to be like the people in this advertisement you must use their product. This is not a new approach, nor is it unique to this generation, but never has it been as widely used as it is today. There is an old saying 'a picture is worth a thousand words,' and what better way to tell someone about a product than with all one thousand words, that all fit on one page. Take for example this ad for Hennessy cognac found in Cosmopolitan, which is a high, priced French liquor. This ad is claiming in more ways than one that Hennessy is an upscale cognac and is 'appropriately complex' as well as high-class liquor. There are numerous subliminal connotations contingent to this statement.
Jeff Koons is one of the most controversial artist in the modern art world. His artworks are mostly appurtenances of childish holiday celebrations such as Easter eggs, Valentine hearts, ice-cream sundaes, etc. All of those kiddie kitsch are scaled up, covered in glossy, colorful materials. In critics’ eyes, his works are banal, trivial, meaningless, are “affront to great tradition” of art. They believe Jeef Koons is able to sell those ridiculous pieces and became famous because of his sale experience, not because of the art itself. They criticize his endorsement of selling, advertising, marketing, and commercial life in general. Jeff Koons, instead of defending himself, admits that he completely believes in the power of marketing and media.
Often in advertising, there are images of women that offend some people, who see them as degrading, while others think they are harmless. However, upon a closer examination of the facts we will find that it is truly demeaning and not just a situation propelled out of proportion by ultra-feminists or what some people term “femi-nazis.” Although it is a feminist issue, it is also a family issue. Everyone has a sister, a mother, a grandmother or female friend who could potentially be harmed by being objectified in these ads. This can incite violence against a woman, damaging the woman as well as her family or friends. In Jean Kilbourne’s “Killing us Softly 3,” Kilbourne advances the idea that the advertising industry makes “. . . deliberate choices,” and “. . . tactical decisions designed to sell their particular brands by selling particular brands of femininity . . . undermining the way girls and women see themselves, while normalizing the violence done to them by men” (mef pp 3). Nevertheless, why do people, including women, still till tend to buy from the stores/retailers who advertise in this fashion? As we attempt to answer this question we will look at the biases created by these ads, and their affect on the people who are looking at them. With this evaluation, we shall discover that it is not just feminists over-reacting, but an issue for all humanity with ramifications for women’s rights, health and safety for years to come.
One of the most notable changes in practices when it comes to Super Bowl ads has been the sharing of snippets, details or even the entire ad itself on social media prior to its release during the Super Bowl. While such an action may seem illogical since the entire point of a Super Bowl ad is to capture the attention of audiences, the fact is that with the development of social media platforms comes the creation of new methods of generating brand awareness and interest in a company's products. Social media has ena...
Amos, Silas. "Champions of Designs: MTV." Editorial. Marketing 30 May 2012: 20. Ebscohost.com. Marketingmagazine.co.uk. Web. 22 Feb. 2014.
However, it can also be assumed that a large percentage of rape victims also never seek professional help or counseling when it comes to dealing with the effects of sexual assault. The statistic also makes a logical appeal due to the fact that it uses information that came from a study from the U.S. Department of Justice to let the audience understand that this is an issue that isn’t unique to them, but many other individuals all over the country. The citation of the statistic at the bottom left corner of the ad adds an ethical appeal because the audience would readily believe the statistic because it came from a credible source that specializes in issues such as dealing with sexual assault. Moreover, if the argument of the piece wasn’t clear enough to the viewer, a caption is located under the face of the young woman to ensure that the argument is explicit and does not leave the intended message misunderstood. This also makes a logical appeal because it adds detail to an argument that could potentially be misconstrued. Thus, it is important that the two issues of breaking their silence and seeking professional help are apparent to the victim, which this ad
The Tiger Beer advertisement shown in the appendix is a clear example of the objectification of women in advertising. The Tiger Beer advert was made to appeal to men from the age of 20 to 60. The advert seeks to get a cheap laugh from the target audience with the image of the woman in a sexual pose and the picture of the beer. The ad promotes the idea that beer is the most desirable thing in the ‘Far East’ and that beer is much more important than women. It also openly laughs at the South East Asian sex trade by putting a prostitute in the middle of the ad. The ad also implies that women in the ‘Far East’ are only good for sex (dressing in revealing, sexual clothes designed to make the woman in the ad seem more desirable).
A small smile, a booming laugh, and a little play on words helped Pepsi’s ad “Scary Halloween” reach viral status on social media in 2013. Ads can be a triumph or a failure depending on how well the rhetorical appeals of logos, ethos, and pathos are used to convey an ad’s message. This ad’s largest draw was its use of pathos, making the viewers laugh and smile alongside Pepsi over their sly jokes.. “Scary Halloween” also engaged the audience by causing the viewers to cringe at the thought of their chosen soft drink being replaced. Pepsi also has massive amounts of credibility in the soda industry since it has been on the market for over 100 years, giving it ample room to poke at its competitors. Pepsi’s Halloween ad was successful because of
The signs employed within the ad and the connection between signifiers and the signified were subjective and based on cultural representations. The denotative and connotative meanings that a message represents along with ‘doctrine of sign’s’ known as iconic, indexical and symbolic dimensions engaged by the advertiser to send ideology and mythical messages within the Katy Perry ad, such as wealth, authority and beauty are desirable and this can be attained if you buy this perfume. On a border and more thought provoking ideological level, the ad could perhaps interpret the message of freedom, prosperity and justice that women have culturally fought for throughout history. The basis of the selling pitch of the advert is sex, beauty and wealth. A contradiction perhaps, is an alternate meaning with the syntagm “Own the Throne’ intentionally placed underneath her genital area with Katy’s legs crossed. This may signify a deeper meaning that she is truly the one that ‘owns’ her sexuality not the advertiser. It is crucial advertiser’s understand that accomplishment of linguistic and non-linguistic communication is a result of the integrated system of cultural norms that allows potential buyers, to organise their world and give collective representations. In order to permit the reader to receive and successfully decode the
The ad appears in Adbusters Magazine, a web page created by The Adbusters Media. This is a Canadian foundation that uses ads to fight issues in society like smoking and alcoholism. For example, in this case they are discrediting the Absolut vodka brand, creating a mockery ad against the product...
In many clothing advertisements, particularly jeans and lingerie ads, women are used as the main subjects to entice the viewer to notice the ad and most importantly, be excited about the product. In one photo, Calvin Klein Jeans promotes its clothing through what seems to be unwilling, reluctant sexual activity – rape. The advertisement displays the woman resisting the man with the palm of her right hand, and she is pulling her shirt down to cover her stomach with her left hand; yet he is still pursuing her and attempting to remove her top. Her body language and gaze – devoid of emotion – reveal that she is not interes...
‘Creative without strategy is called “art”. Creative with strategy is called ‘advertising’. Creativity grabs attention. People are flooded with millions of ads each day, but screens most of them out. Creativity allows advertisements to get past the filtering process and appeal to the intended audience. (Altstiel & Grow 2012) Advertising agencies nowadays are forced to think outside the box, by looking at the bigger picture and constantly discovering new ideas and ways to grab people’s attention. A successful creative advertisement results from the ability to incorporate strategic concepts in order to draw the line between plain art and advertising. There are no rules, no patterns to creating highly creative advertising. (Lee 2000)