The short story, as with other literary forms, is not defined by its actual parameters. Subject and theme may be as varied as those within full-length novels, just as the author's individual style plays an inevitable role in shaping the work. That said, there is a common element uniting short stories; they usually create impact due to the brevity itself, which authors typically rely on to make a more direct impression. Condensed, the form offers more overt power, and this is evident in how William Faulkner and Edgar Allan Poe employ it to achieve distinctly Gothic effects. “A Rose for Emily” and “The Cask of Amontillado” are very different stories set in very different worlds, and the tone of the narration in each is equally different. Nonetheless, the stories both offer strong symbolism, and they each rely on how the short story amplifies the Gothic, or dark, by virtue of brief presentation.
Poe's “The Cask of Amontillado” and Faulkner's “A Rose for Emily” both employ a narrator, if not of a similar kind. Each has a specific purpose and a unique story to tell, and the stories are uniformly dark, if not tragic. However, what greatly separates the narrators' voices is tone. With
Poe there is a powerfully elaborate and melodramatic voice in play, consistently demanding understanding and consistently expressing righteous anger. This is clear from the first line, which comes to the reader as a violent challenge acknowledged by the narrator: “The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge” (Poe). The stage is then abruptly set for high drama to follow, as the tone blatantly indicates a baroque attitude. Moreover, Montresor tells his story in a conf...
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...than Faulkner, if he also employs it in broad strokes. Beyond this, however, there remains the fact that both stories have distinct cores of Gothic darkness to reveal, and each revelation benefits from the brevity of the genre. Faulkner's “A Rose for Emily” and Poe's “The Cask of Amontillado” are very different stories set in very different worlds, and the tone of the narration in each is also different. Nonetheless, the stories each offer strong symbolism, as they each rely on how the short story amplifies the Gothic by virtue of shorter length.
Works Cited
Fargnoli, A. N., & Golay, M. Critical Companion to William Faulkner. New York: Infobase Publishing, 2009. Print.
Faulkner, W. A Rose for Emily and Other Stories. New York: Random House, 2012. Print.
Poe, E. A. “The Cask of Amontillado” 2014. Web.
Edgar Allan Poe has a style that is dark and morbid. His tone is very gloomy and obscure. The tone of “The Cask of Amontillado” is almost tame compared to the tone of “The Black Cat”, his other work we covered. The tone of that work is almost maddening. “The Cask of Amontillado” tone is very sinister and methodic. Whereas “The Black Cat”, has a pulse to a cadence and rhythm though no clear pattern is established. Poe’s style of writing seems so personal, as a reader I had to remind myself this was fiction. His first-person style of writing is so detailed and intricate it is very easy to become invested in the world he creates. “The Cask of Amontillado” and “The Black Cat” both have themes of revenge where the supposed victim is untimely
The narrators in both works prove to be similar in several ways. In “The Tell-Tale Heart” the story is told through a psycho narrator; both stories contain apparent psychological imbalances within their story tellers, “ -his central character or narrator so psychologically obsessed with a mysterious phenomenon that everything in the story irresistibly revolves around it...”(May, Charles E.) There really is no motive for the murder of the old man; just his eye that he cannot stand. He repeats himself frequently, trying to assure the reader, and himself, that he is sane; leading to believe he may not be psychologically stable. In “The Cask of Amontillado” the narrator can also be considered a mad man by the way he plays games with his victim. Montressor says to Fortunato that they should go home because “his health is precious.” This conversation is ironic because Montressor does not really want to protect Fortunato's health, but to kill him in the catacombs. Both of the narrators are proud of their murders and brag about them within the stories. Not only are the narrators similar but the settings are alike once the murders take place, both locations of the victims are buried in a dark place with no escape.
Poe, Edgar Allan. “ The Cask Of Amontillado.” Heritage Of American Literature .Ed. james E. Miller.Vol.2.Austin:Harcourt Brace Jovanovich,1991.20.Print.
Faulkner, William. "A Rose for Emily." The Norton Introduction to Literature. By Carl E. Bain, Jerome Beaty, and J. Paul Hunter. New York: W. W. Norton & Company, Inc. 1991: 69-76.
One of the most horrifying lines in the story is given by Montresor after Fortunato says, “I will not die of a cough” (Baym ). Montresor says, “True— true....” (Baym ). It seems that Montresor 's murder plot became subconsciously manifest in those two words. Dramatic irony is irony that is inherent in speeches or a situation of a drama and is understood by the audience but not grasped by the characters in the story (“dramatic-irony”) and Poe uses this effectively in this story. For example, Montresor expresses concern about Fortunato and says, "Come, I said, with decision, we will go back; your health is
Hoping to obtain revenge, Montresor, the narrator, lures Fortunato, one of his friends, into the depths of his catacombs to be murdered. Montresor says, "The thousand injuries of Fortunato I had borne as best I could, but when he ventured upon insult I vowed revenge"(149). This is the first line in the story, and this is why Montresor seeks revenge. There is no explanation of the insults that Montresor received, so the reader may infer that Montresor is just lying. The insults that were received could possibly be just outdoing in the business arena. Montresor might be using that excuse for his desire to kill Fortunato, because he may be killing Fortunato out of jealousy. Montresor is likely telling this story to a family member, friend, or his doctor while lying on his deathbed. Montresor says, "…your health is precious. You are rich, respected, admired, beloved; you are happy, as once I was. You are a man to be missed. For me it is no matter."(150). Montresor just admitted that he knows Fortunato is better than he. Montresor may have been under the influence of jealousy. Redd 4 There are different theories to ...
Faulkner, William. “A Rose For Emily.” An Introduction to Fiction. 10th ed. Eds: X.J. Kennedy and Dana Gioia. New Yorkk: Pearson Longman, 2007. 29-34.
Three key elements link William Faulkner's two short stories "A Rose for Emily" and "Dry September": sex, death, and women (King 203). Staging his two stories against a backdrop of stereotypical characters and a southern code of honor, Faulkner deliberately withholds important details, fragments chronological times, and fuses the past with the present to imply the character's act and motivation.
Conclusively, Edgar Allan Poe’s distinctive writing style comes from his use of punctuation, sentence structure, word choice, tone, figurative language. Commas, dashes, semicolons, and exclamation marks appear frequently in his writing. Simultaneously, they affect the organization and length of his sentences. Word choice sets the tone. Literary devices imbue it with life. On comparing “The Cask of Amontillado” and “The Tell-Tale Heart”, this is observed.
Faulkner, William. "A Rose for Emily." The Norton Anthology of Short Fiction. Shorter 5th ed. Ed. R.V.Cassill. New York: W.W. Norton & Comp., 1995.
Gothic literature is known for captivating readers by bringing to light the dark side of humanity. The Gothic possesses many key elements such as paranoia, anxiety, death, etc. It strikes fear and suspense in the reader not by creating fictional monsters, but showing the reader the types of monsters that lurk within human beings. In “the Cask of Amontillado” by Edgar Allan Poe, various themes of the Gothic are present throughout the short story such as gloom and doom, darkness, and madness. These elements are used to enhance the central theme of the piece: revenge. I will argue that Poe uses a number of the Gothic elements to craft an intense dark tale of revenge: an unreliable narrator, madness, darkness, a haunted setting, and evil/devil
Faulkner, William. "A Rose For Emily." The Bedford Introduction to Literature: Reading, Thinking, Writing. Ed. Michael Meyer. 9th ed. Boston: Bedford/St. Martins, 2008. 91-99. Print.
Edgar Allen Poe’s gruesomely fascinating tale of vengeance and murder, “The Cask of Amontillado”, achieves its effect only through its usage of the first person point of view. This unusual perspective enables the reader to view the characters and conflicts through the eyes of the narrator, as he first discusses and justifies, and eventually, carries out his plans for the ruthless murder of his friend. The eerie tone and disorienting and materialistically-related setting of the story contribute to its theme of defending one’s honor and name and avenging all wrongdoings, even something so small as an insult.
Poe, Edgar Allan. “The Cask of Amontillado.” The Norton Anthology: American Literature. Ed. Wayne Franklin, Philip F. Gurpa, Arnold Krupat. New York: Norton, 2007. 1612-1613, 1616. Print.
William Faulkner’s “A Rose for Emily” has many gothic themes such as, when Emily buys the arsenic and the tomb that lay buried in her house. These themes show that gothic literature consists of cryptic and dark settings and tones. This mysterious story is filled with violent events and creates suspense and terror.