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sociology and childhood
sociology and childhood
sociology and childhood
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‘Childhood is a social construct, a product of our collective imaginations. Different ads and different films construct childhood in different ways’ (Video 1 Band 3 pp.341-342).
I intend to explain how different visual representations of children are influenced by the four discourses of childhood. I will discuss views and ideas of the three main childhood discourse philosophers and the sociologist.
Social constructionism approach distinguishes different discourses of childhood as a result of different cultures, believes, experiences and time in history. It suggests that ‘child’ and ‘childhood’ only exist because adults made them meaningful (Aries, 1962). The approach sees our understanding and knowledge as a construction through our childhood experiences.
“The term discourse is taken to mean a whole set of interconnected ideas that work together in self-contained way, ideas that are held by particular ideology or view of the world.” (Rogers, 2003, p.21)
In the painting Beside the River by Agnes Gardener King (Book 1, p. 22) the girl portrays the Romantic view of childhood which sees a child as an innocent and guiltless. That approach is mainly observed in Victorian fine art and book illustrations. Like the girl in the painting, romantic view looks for the goodness in the child. The white dress, the girl, the tress and lamb are symbols of the innocence. The painting looks peaceful, the colours are calm; the girl walks slowly and smiles gently. That type of image was the main massage of the Romantic discourse of childhood. The concept was greatly influenced by the eighteenth-century French philosopher Jean-Jacques Rousseau (1712-1778), who wrote a book ‘Emile’ which became one of the most important textbooks of French ...
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After reading the U212 Book Chapter 1&2 and watching the Video of ‘Representation of childhood’ I think that the discourses of childhood an adult sees in child greatly depends on the gender of the young person. The Puritan discourse of childhood usually is represented by boys as mischievous and evil kid that needs disciplining. Whereas the girls are usually represented in the Romantic discourse of childhood, innocent and sin free. The films and adverts shows different discourses of childhood where sometimes is the sexual or violent aspect which shocks us and makes us think. How we see the childhood it very much depends on our own experiences of early days, believes and cultural up bringing. Two people looking at the same picture, film or advert may see two different things. There is no common childhood there are only similar experiences of childhood.
In societies across the world it is clear that many children never have a ‘childhood naivety’ due to events, circumstance or even people in their lives. I have chosen to explore the theme “the tragic premature loss of childhood innocence.” We are shown this theme in the novel The Hunger Games by Suzanne Collins, the film My Sister’s Keeper directed by Nick Cassavetes, the film Slumdog Millionaire directed by Danny Boyle and the novel Goodnight Mr Tom by Michelle Magorian.
Maybin, J. &Woodhead, M. (2003). Childhoods in context. Southern Gate, Chichester: John Wiley & Sons Ltd
All theories are research-based, and all investigation is centred on interacting with children and interviewing people involved in their lives, trying to understand the child’s view of the world. Childhood studies recognize that every child is different and socially constructed, influenced by external factors, such as cultural and social constituents.
Children in this stage (aged 4 to 8) understand the world by perceiving it, being influenced by it, and acting on it. In turn, the surrounding world shapes the child. This demonstrates the role of nurture within the child’s
The dictionary definition of a child is a young human being, an immature person and offspring (Oxford, 1976). This idea is reflected in Mead’s statement ‘that children to adults are representative of something weak and helpless in need of protection, supervision, training, models, skills, beliefs and ‘character’’ (Montgomery et al, 2003, p vii). The emphasis is on the concept of the child by adults rather than the size or mentality raising the notion that a child, and therefore childhood, is not just a biological concept but also an ideological one (Falconer, 2009). This ideology makes an oxymoron of Children’s Literature according to Rose (Hunt, 2009a) as adults write, publish and purchase books with each set of adults having their own ideas about childh...
Views on childhood have and still continue to change (Waller, 2009). The contemporary view that children are empty vessels (Skinner, 1974) is being disregarded as children are no longer perceived as passive recipients in an adult world (O’Kane, 2008...
According to Philippe Aris a famous sociologist who studied childhood saw it as a social and historical construction (Montgomery 2009) he believed childhood did not really exist until the sixtieth century before that children had been treated as small and inadequate adults (Penn 2008). Sociologist Rinaldi also believed that it is society and different times in history that created childhood (Neaum 2010) Mayall believes children lives are lived through childhoods constructed for them by adults understanding of children and what children are and should be (Kehily 2009) a sociologist who has a different idea would be James and Prout 1990 who believe childhood is both ...
Letting Children be Children - Report of an Independent Review of the Commercialisation and Sexualisation of Childhood {resource)
While all societies acknowledge that children are different from adults, how they are different, changes, both generationally and across cultures. “The essence of childhood studies is that childhood is a social and cultural phenomenon” (James, 1998). Evident that there are in fact multiple childhoods, a unifying theme of childhood studies is that childhood is a social construction and aims to explore the major implications on future outcomes and adulthood. Recognizing childhood as a social construction guides exploration through themes to a better understanding of multiple childhoods, particularly differences influencing individual perception and experience of childhood. Childhood is socially constructed according to parenting style by parents’ ability to create a secure parent-child relationship, embrace love in attitudes towards the child through acceptance in a prepared environment, fostering healthy development which results in evidence based, major impacts on the experience of childhood as well as for the child’s resiliency and ability to overcome any adversity in the environment to reach positive future outcomes and succeed.
James, Jenks and Prout (1998) argue that childhood is characterised by sets of cultural values whereby the ‘…western childhood has become a period of social dependency, asexuality, and the obligation to be happy, with children having the right to protection and training but not to social or personal autonomy’ (James, Jenks and Prouts 1998 pg. 62). Here, childhood is described in sets of distinguished features and these features imply that the concept childhood may vary from place, culture and time. Therefore suggesting that there is no fixed or universal experience of childhood, for example, childhood in the medieval UK will be extremely different to the childhood in modern UK and therefore it varies over time, place and culture. Since the definition and state of childhood may vary depending on our cultural and historical background, some sociologist claim that childhood is not just biological, but must have been socially constructed for a specific society needs at a particular time. In this essay, I will attempt to explore ways in which childhood is said to be socially constructed by looking at historical childhood and how it has led to construction of modern childhood in the modern society. I will also explore the agency of children as competent social actors able to construct their social world.
There are proponents of the debate that childhood is disappearing which will be discussed in this section which include Postman (1983), Elkind (1981) and Palmer (2006). In considering these points of view which are mostly American, one must firstly set in context what is meant by the disappearance or erosion of childhood. This key debate centres on Postman (1983) who wrote “The disappearance of childhood” which is a contentious book about how childhood as a social category which is separate from adulthood is eroding. He defines a point where childhood came into existence, which was treated as a special phase in the middle ages based on the work of Aries in his book “Centuries of childhood” (1962, cited in Postman 1983). According to Postman, a major influence on how childhood was perceived differently to adulthood was the invention of the printing press and literacy in the mid sixteenth century. That is to say children had to learn to read before the secrets of adulthood in particular sex and violence was available...
Abstract In this essay, I intend to explain how everyday lives challenge the construction of childhood as a time of innocence. In the main part of my assignment, I will explain the idea of innocence, which started with Romantic discourse of childhood and how it shaped our view of childhood. I will also look at two contradictory ideas of childhood innocence and guilt in Blake’s poems and extract from Mayhew’s book. Next, I will compare the images of innocence in TV adverts and Barnardo’s posters. After that, I will look at the representation of childhood innocence in sexuality and criminality, and the roles the age and the gender play in portraying children as innocent or guilty. I will include some cross-cultural and contemporary descriptions on the key topics. At the end of my assignment, I will summarize the main points of the arguments.
Over the years, childhood has changed in many ways. With the invention of the printing press and the spread of a print culture, this culture became the causal agent of the rise of childhood. When the print culture was replaced with an electronic medium, it became the primary agent in the decline of childhood (Postman, 1994).
Children live in a world designed for them by adults. The two cultures, child’s culture and adult’s culture exist side-by-side. As the children eventually mature into the adult world, they grow up learning the structure of what is expected of them. As children challenge the authority or expectations, they are battling the construction that was predetermined by the adults. Children have to live in a world where they are living in the structure, as well as being active agents. The two combating ideas are one component that makes growing up a difficult learning experience.
A childhood is the delicate phase of every adolescent's life where they must mature into their own person, with their own responsibilities. Although every individual will eventually bloom with their own personality, morals, and perspectives, the education and values we learn and see along the way add to the fingers that mold. We begin when we are born, and are taken in by strangers. These priceless people show us love, and just how strong attachments can be. Family ties snare us in their loving webs and become the support network to catch us throughout our youthful falls. They are our first real pictures of people, and their actions and emotions immediately become examples.