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The role of women in literature
Love in literature essay
The role of women in literature
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When it comes to defining love one needs to take into account that there are numerous variations. It isn’t as simple as meeting someone, falling for them, then getting married. These books offer an incite into the many ways a person can love someone else. From the traditional courtly love, to the vilest, greedy love, the characters in Don Juan, Marie de France, Assemblywomen, and Faust go through the whole spectrum. The Lais of Marie de France is another way of saying your about to read short love stories. The first type of love we see in these stories is courtly. Courtly love, as shown in the series, is the action of swaying another person through polite actions or “sweet-talking” them, such as telling them how beautiful they are and that …show more content…
At the start of the book, Sganarelle is using snuff. This foreshadows Don Juan because he expresses “…whenever a man takes a pinch of snuff, he becomes gracious and benevolent towards everybody, and delights in offering his snuff-box right and left” (Wilbur, 7). The snuff represents an attraction of Sganarelle compared to Don Juan’s attraction to women. Just as he loves to share his snuff with others when he is in contact with it, Don Juan loves to share himself sexually when he see’s other women. The most prominent form of love seen here is sexual. He marries many women and divorces them once he finds a new one. Don Juan believes he should share himself with everyone to experience it. “He’ll marry anything” (Wilbur, 10). Through courtly love he convinces a woman into marriage solely to have her in bed. Don Juan also see’s this fling form of love for women as a trial. “There’s nothing sweeter than overcoming the resistance of an attractive woman” (Wilbur, 15). The sexual love he feels for pretty women is a game of wits to him. Don Juan is best described as a witty and self-absorbed player due to the amount of girls he’s had close proximity with. This is especially known when he describes his view of women. “…until some new beauty appears…enchanting the heart with the prospect of a new conquest” (Wilbur, 15). As a being he can sexually be with, each woman is a …show more content…
Through Faust it seems that he had an indirect love with the Devil. Through his pact he gained all knowledge and strength to live on as all knowing. “And ask me, now, who’ll bring it to the light: One gifted with Mind’s power and Nature’s might” (Goethe, 1. 4895). Faust made this deal for self-love. His desire to experience all the joys of life was beneficial to only himself so in a way his wish has a loving connection, or faithfulness, to the Devil for granting it. The fantasy world Faust wants at the end of the play connects to his love for illusioned happiness. This is another instance of Faust thinking about his self-proclaimed love that exists in a delusionary world he can’t get to. He also has a love for power, which isn’t seen in the other works. He seems to desire the things that aren’t as tangible as a lover, but hold high meaning such as when he states, “I’ll win power, and property!” (Goethe, 2. 10187). This love of power goes as far as attempting to destroy an elderly couples home because it ruined his view of what he’s conquered in his seemingly perfect life. “My gaze revealing, under the sun, a view of everything I’ve done…A masterpiece of the human spirit” (Goethe, 5. 11245-11250). Another manifestation of love in Faust is the Sirens. The song is meant to lure sailors to their death through feelings of lust. They use persuasions of happiness and escape along with their singing to create a false love for the
Throughout the history of literature, love has always played a large role in plot because it is a feeling that is universally shared by all humans and has been throughout human history. Spanish culture specifically, tends to be a culture more associated with romance and love than others. It is no surprise that because of this high importance placed on love and romance in Spanish culture that many Spanish authors and playwrights incorporate some form of love into all of their works. Lope De Vega was no exception and was one of the most famous playwrights of his time during the Spanish Golden Age. Something that makes Lope’s plays, specifically some of his unpublished ones such as Fuenteovejuna and Punishment Without Revenge so interesting is not the presence of perfect, harmonious love but rather of corrupt and distorted love within the characters’ relationships in his plays. By writing plays involving imperfect love, Lope comments on the culture around love and marriage of his time and even criticizes it, something Spanish audiences during this time were not ready to handle, which is the reason why some of these plays were never published until recently.
In France’s “Lanval,” Marie de France emphasizes the ideal and pure body of Lanval’s Fairy Queen. France describes the Fairy Queen as “elegant, her hips slim, her neck whiter than snow on a branch, her eyes bright, her face white, a beautiful mouth…” (France, 109). The Fairy Queen is presented to the reader as the classic, ideal beauty that captures the attention and, unknowingly, the mind of her lover. After meeting the Fairy Queen, Lanval pledges his life to her. He states, “There is nothing you might command, within my power, that I would not do, whether foolish or wise. I shall obey your command…” (France, 108). ...
de France, Marie. The Lais of Marie de France. Second edition. New York: Penguin Classics, 1999.
Love is often misconstrued as an overwhelming force that characters have very little control over, but only because it is often mistaken for the sum of infatuation and greed. Love and greed tread a blurred line, with grey areas such as lust. In simplest terms, love is selfless and greed is selfish. From the agglomeration of mythological tales, people deduce that love overpowers characters, even that it drives them mad. However, they would be wrong as they would not have analyzed the instances in depth to discern whether or not the said instance revolves around true love. Alone, true love help characters to act with sound reasoning and logic, as shown by the tales of Zeus with his lovers Io and Europa in Edith Hamilton’s Mythology.
Joseph Campbell’s definition of a hero states that “A hero is someone who has given his or her life to something bigger than oneself” (Campbell 123). The concept of the hero has been present and in active use by storytellers since humans first began telling stories. Myths and legends of every culture and tradition have heroes whose purpose is to serve as role models and character lessons to those who hear or read their stories. The hero of a story can take many forms depending on the purpose of the story, reflecting the society of the writer. The purpose of post WWII German literature is largely to tell the story of those world-changing events as the individual authors felt it needed or deserved to be told at a particular point in time. As time passed, however, that purpose shifted in focus as the society shifted its focus in how the war era was to be remembered and dealt with in both politics and society. A look at the heroes of Thomas Mann’s Doctor Faustus and Jurek Becker’s Jacob the Liar shows how the concept of the hero in post WWII German literature changed from the mid 1940s to the late 1960s in parallel to the societal changes in the interpretations and memories of the war that took place over the same years.
...rays three themes of love. First of all, the character of the Chauvelin exhibited a great love for his country, even if it meant dying for it. In addition, the type of family love resided between Marguerite and her brother, even though parting separate ways, where their love is described on page 45 as, “the same deep, intense love.” Lastly, Marguerite and Percy’s relationship showed the intimate love of another person, between a couple. Overall, this book renders the different types of love, which leaves the reader yearning to follow the character’s good examples. In-between the lines, this beautiful story weaves a charming picture of true love and what the consequences of such feelings may behold, either good or bad. Analyzing love may sound sappy, but in the long run, will help individuals personally decided which relationships to keep or liberate themselves from.
von Goethe, Johann Wolfgang. Faust. Trans. Randall Jarrell. New York: Farrar, Straus and Giroux, 2000. Print.
Johann Wolfgang von Goethe, the brilliant mind behind the 17th century’s epic poem “Faust”, illustrates a combining structure of desire and self-indulgence. His idea was to capture the ideal image of good vs. evil and how easily it can be misconstrued. “Of all the great dualities of hum an experience 'good and evil' have been the most instrumental in shaping the beliefs, rituals, and laws, of Homo Sapiens.”(Argano)
In the Middle Ages, when The Canterbury Tales was written, society became captivated by love and the thought of courtly and debonair love was the governing part of all relationships and commanded how love should be conducted. These principles changed literature completely and created a new genre dedicated to brave, valorous knights embarking on noble quests with the intention of some reward, whether that be their life, lover, or any other want. The Canterbury Tales, written in the 14th century by Geoffrey Chaucer, accurately portrays and depicts this type of genre. Containing a collection of stories within the main novel, only one of those stories, entitled “The Wife of Bath’s Tale”, truly outlines the 14th century community beliefs on courtly love.
In this essay I would like to emphasize different ideas of how love is understood and discussed in literature. This topic has been immortal. One can notice that throughout the whole history writers have always been returning to this subject no matter what century people lived in or what their nationality was.
Goethe, Johann Wolfgang von. The Sorrows of Young Werther. Trans. Elizabeth Mayer and Louis Bogan. 1774; New York: Random House, 1970.
Love has been expressed since the beginning of time; since Adam and Eve. Each culture expresses its love in its own special way. Though out history, though, it’s aspect has always been the same. Love has been a major characteristic of literature also. One of the most famous works in literary history is, Romeo and Juliet by William Shakespeare. This story deals with the love of a man and a woman who’s families have been sworn enemies. There love surpassed the hatred in which the families endured for generations. In the end they both ended up killing their selves, for one could not live without the other. This story is a perfect example of true love.
Love is not a god as the fine philosophers of Greece once suggested. Love is something far more powerful and universal, for not all people believe in gods, yet people cannot refuse the existence of love. Instead, love is a condition of the human body that cannot be denied. True love is obstinate; in the way that music pours into the ears of an audience, love pouring into the heart of a man cannot be stopped, denied, or set off course. Love is a natural instinct. You cannot artificially make love where there is none or where it does not belong. Yet, the condition of being in love grows independent of all rationale. It grows places where an observer may not understand its existence. Attempting to fight love in such a situation leaves even powerful and noble families, such as the Capulets and Montagues, suddenly powerless. When love takes control of two souls, it takes the lovers on a journey. The journey is the growth of love throughout its many progressive stages. In this way, the growth of love between two people is analogous to the growth and development of a painted masterpiece. A work of art and a bond of love both have distinct stages and characteristics. A painting initially begins with a vision in the mind of the artist. This vision is a perfect vision that the artist will strive to replicate on her canvas. Similarly, love often begins on a visual level based on the physical attractions between two people. The vision of the painter is soon transformed into quick, loose sketches. The pencil freely marks the page; the artist has no control over where it goes, he merely paints. Similarly, lovers have no control over their new feeling of love that has taken over their bodies and rendered them helpless. After an artist has loos...
In 1564 Christopher Marlow was born in Canterbury. His father was a shoemaker, and it was only through scholarships that Marlow was able to attain his education. He attended Corpus Christi College, Cambridge, where he wrote Tamburlaine. According to The Norton Anthology of English Literature, Marlow wrote Dr. Faustus in the last stages of his life. Christopher Marlow only lived to be twenty-nine years old; he was killed in London during an argument over the bill at a bar (1: 970-971). This essay will discuss the aspects of plot and theme as well as explaining the purpose of the chorus in Christopher Marlow's Dr. Faustus.
Love is an assortment of emotions, states, and dispositions that range from interpersonal affections. It can also be a virtue representing human graciousness, sympathy, and friendship. Among all types of love, family love is undoubtedly the most important. In the novel, although the concept of love and caring are expressed indirectly through one’s thoughts and actions, it can easily be noticed.