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Essay of meursaults development in the stranger
Essay on the novel Stranger by Albert Camus
The stranger albert camus critique
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In Albert Camus’ The Stranger, Meursault is seen as a very unique character, but not in a good way. Throughout the novel, he continually fails to show normal human emotions to things like his mother’s death, Marie’s love, and the man he killed. Most people in his town, along with the reader at first, are not able to reason out his actions but as the final events of the novel unfold, the reader begins to see Meursault in a different light.
The novel starts out with Meursault getting a telegram saying that his mother had died. He takes time off work to go to her funeral and completely fail to show the emotion that the reader expects to see of a son towards his recently passed mother. First and foremost, when he arrives, the coffin is already sealed. The caretaker realizes that this is his mistake and is about to reopen the coffin, but Meursault tells him not to bother. Meursault then goes on to not cry and instead just dozes off. The next morning, someone asks Meursault how old his mother was and he could not remember. Later on in the novel, Meursault and Marie are sitting in Meursault’s apartment when Marie asks him if he loves her. He says, “I told her it didn’t mean anything but that I didn’t think so” (Camus 35). Loving or not loving a person is completely human, but saying that it does not mean anything is complete failure of recognition of a concept that almost all people value. Finally, at Meursault’s trial, Meursault does not show any remorse for killing the Arab and even says that he did not feel badly at all for what he had done. These are the kind of actions that lead the reader and the townspeople to think Meursault is some sort of evil and emotionless monster. The key ingredient in a serial killer is lack of remorse ...
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...s than he feels. He felt a certain amount of sadness for his mother’s death and expressed that much. Just because everybody else takes it a few steps farther does not mean that he should just to fit in.
Once the reader understands that Meursault only values the truth and is willing to die for it, the reader becomes a lot more sympathetic towards Meursault. Some readers might even consider it noble of him to die for what he believes in, since he could have gotten off if he had just overexpressed his emotion a little bit to the satisfaction of the judge. Without understanding that he actually has a system in place, people just think he is flat out weird and even a possible danger to society. The people asked and Meursault answered; they were disappointed because they did not understand that, “seeking what is true is not seeking what is desirable” (Albert Camus).
The Stranger by Albert Camus is a story of a sequence of events in one man's life that cause him to question the nature of the universe and his position in it. The book is written in two parts and each part seems to reflect in large degree the actions occurring in the other. There are curious parallels throughout the two parts that seem to indicate the emotional state of Meursault, the protagonist, and his view of the world.
Growing up Emily was an all-around vibrant girl. Over time, she becomes a secretive old woman. In a “A Rose for Emily, “she was described as shuttered, dusty, and dark just like the outside of her home. She inherited mental illness from her father side. “She exhibits the qualities of the stereotypical southern “eccentric”: unbalanced, excessively tragic, and subject of a bizarre behavior” (SparkNotes Editors 2007, pg 4). When her father passed away, she refused to give up his body. In all, Emily is a scared soul whose loneliness and co-dependent upbringing let her to remain socially unfit, and unable to make healthy human connections (Enotes, 2016 pg 1). Her upbringing slowly affected her ability to function like the rest of the townspeople. The townspeople never labeled her with a mental illness, but she was constantly talked about because of the relationship she had with Homer, and curiosity of the way Emily was living got the best of the
Life has been defined as the property or quality that distinguishes living organisms from dead organisms and inanimate matter, manifested in functions such as metabolism, growth, reproduction, and response to stimuli or adaptation to the environment originating from within the organism. Further, that very definition from the Webster's dictionary says nothing when it comes to the everyday experiences one faces throughout a lifetime. The experiences one faces makes, breaks, and shapes us into how we act and live. T.S. Eliot's poem "The Hollow Men" portrays a world in which humans lack connections to each other and to G-d. Similarly, the main character, Meursault, from the short novel The Stranger, by Albert Camus, represents a man who does not feel any condition to anyone or anything. Meursault seems not to have a sense of emotion for the occurring actions in his life, and as a result, Camus pictures him as a senseless man. Many people in society go through life-breaking crisis that takes them several weeks even months to get over, meanwhile Meursault goes through some of the most immense problems during his life, yet he shows little emotion to ward his reality.
...s obsessive with keeping homer by her side forever. Miss Emily becomes mentally unstable and poisons homer. I do believe that the fatalities and changes she goes through have a greater effect on her emotions and actions than the townspeople and readers see without analyzing the story. Argiro states that, “The story is an allegory of misreading signifying backwardness, mystification and psychopathology…” (par.50). Miss Emily is misunderstood by the townspeople and is resistant to the changes around her as well in her life.
Meursault resists being typecast into an archetypal moral category in many of his deeds and actions. Many of his actions in Part One of the novel help contribute to the fuzzy picture of the character. For example, at his mother's funeral, Meursault does not cry or weep in the typical mourning fashion, but rather sleeps during the vigil and entices one of the other mourners present to smoke a cigarette with him. This would be typically considered "evil" behavior, in the context of the story. He could easily been seen as disrespectful and seditious toward his mother and the established procedures of mourning, which seem to be fairly definite at that era in France. However, this "evil" mold can easily be shaken if one considers that Meursault may be more shaken than anyone else present at the funeral. Considering the other events in the novel, it seems as though he does not have a large capacity for emotion. Based on this, it is not unreasonable to assume that the events leading up to and including his mother's death may have overtaxed his limited scope of emotion, and he was therefore nearly incapable of mourning in the "normal" or expected way for his mother, but rather had to resort to his own, more c...
The emotionless anti-hero, Monsieur Meursault, embarks on a distinct philosophical journey through The Stranger. Confident in his ideas about the world, Meursault is an unemotional protagonist who survives without expectations or even aspirations. Because of his constant indifference and lack of opinions about the world, it can be denoted that he undergoes a psychological detachment from the world and society. It is through these characteristics that exist in Meursault that Camus expresses the absurd. Starting from the very first sentence of the book, “Maman died today. Or maybe yesterday, I don’t know.” (Camus 1) The indifferent tone from these short sentences convey a rather apathetic attitude from Meursault’s part. Not only does he not feel any sorrow, he also “felt like having a smoke.” (Camus 4) Communicating perfectly Meursault’s disinterest, “[he] hesitate, [he] didn’t know if [he] could do it with Maman right there. [He] thought it over; it really didn’t matter.” (Camus 4) The death of his mother prompts an absurdist philosophy in which he experiences a psychological awakening and begins to place no real emphasis on emotions, but rather on the physical aspect of life.
In the novel, we are given a more complete view of Meursault. The story is told from his point-of-view, which allows us to understand the situation as Meursault perceives it. Looking at the situation in this light, we can see Meursault as not evil, but simply indifferent and detached from life. He doesn’t attempt to get wrapped up in emotion or relationships, he just takes things as they come, doing whatever is easiest for him. He becomes friends with Raymond and agrees to marry Marie simply because he doesn’t have a very good reason not to. Seeing the story from Meursault’s viewpoint, we understand that even killing the Arab wasn’t an act of malice or evil intent. As Meursault puts it, “My nature is such that my physical needs often get in the way of my feelings.” With this in context, things begin to make more sense. Meursault’s seemingly cryptic statement that he murdered the Arab “because of the sun” can be taken as truth. Meursault does things that society judges as wrong not because he is evil or wants to appear immoral, but because the sun and heat, symbols for Meursault’s emotional state, cause him to become uncomfortable and act “inappropriately.
In The Stranger, Camus portrays women as unnecessary beings created purely to serve materialistically and satisfy males through the lack of a deep, meaningful, relationship between Meursault and females. Throughout the text, the main character, Meursault, creates closer, more meaningful relationships with other minor characters in the story. However, in his interactions with females in this book, Meursault’s thoughts and actions center on himself and his physical desires, observations, and feelings, rather than devoting his attention to the actual female. Living in Algiers in the 1960s, Meursault originates from a post-modernist time of the decline in emotion. Meursault simply defies the social expectations and societal ‘rules’, as post-modernists viewed the world. Rather than living as one gear in the ‘machine’ of society, Meursault defies this unwritten law in the lackluster relationships between he and other females, as well as his seemingly blissful eye to society itself. In The Stranger, males, not females, truly bring out the side of Meursault that has the capacity for compassion and a general, mutual feeling relationship. For example, Marie and Meursault’s relationship only demonstrate Meursault’s lack of an emotional appetite for her. Also, with the death of Maman, Meursault remains virtually unchanged in his thoughts and desires.
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
In Albert Camus’ novel, The Stranger, the protagonist Meursault is a character who has definite values and opinions concerning the society in which he lives. His self-inflicted alienation from society and all its habits and customs is clear throughout the book. The novel itself is an exercise in absurdity that challenges the reader to face the nagging questions concerning the meaning of human existence. Meursault is an existentialist character who views his life in an unemotional and noncommittal manner, which enhances his obvious opinion that in the end life is utterly meaningless.
The Stranger by Albert Camus was written in 1942. The main character Meursault is indifferent and absurd, and chooses to live day by day. In this novel, Meursault commits a murder by killing an Arab and did not have any further investigation on the crime. However, Kamel Daoud an Algerian writer decided to write a response to Camus’ book called The Meursault Investigation. This novel is about the victim’s brother that was killed in The Stranger by Meursault. Haroun tells his own version of the story from an Arab’s point of view by giving an homage to his brother Moussa. Dead Man’s Share is a detective novel, but also a political novel announcing the excesses of an authoritarian regime. The author also demonstrates his commitment and his affection
In many works of literature, a character conquers great obstacles to achieve a worthy goal. Sometimes the obstacles are personal impediments, at other times it consists of the attitude and beliefs of others. In the book The Stranger by Albert Camus, shows the character Meursault who is an emotionless character that let’s other people show their opinions and emotions into him, giving him a type of feeling even if Meursault doesn’t care. Meursault is a victim of emotional indifference between his friends and social indifference. This essay will be about the character’s struggle that contributes to the meaning of the work as a whole.
Every character that revolves around Meursault seems to be in direct contrast to him. Meursault is an amoral person who does not seem to care passionately about anything. He acts in accordance with physical desires. In other words, Meursault is a sensualist person. At this particular time in his life, his path crosses with his neighbor, Raymond, who feels as though his girlfriend is cheating on him. He decides to take revenge with minor aid form Meursault. Meursault helps him only because he thinks he has nothing to lose if he does. As things lead into one another, the first major violent act of the book is committed.
William Faulkner’s Southern background plays a constituent part of the creation of his story “A Rose for Emily”. With his creative mind Faulkner created a county in Mississippi called Yoknapatawpha. Like the southern town he was born and raised in, Faulkner peopled this story with both African American and Caucasian people of the late 1800’s. Faulkner’s idea of writing this story was to focus on the events causing destruction and suffering in one’s inner and outer situations.
The physical, historical and social settings are linked through the Grierson house in unique ways that highlight Miss Emily's reluctance to change with her surrounding environment. Throughout her life Miss Emily is determined to control the thoughts of the townspeople in order to protect the status of her family name. Miss Emily's social prestige is the highlight of her life and in order to protect this she has to live her life in the past. Upon her death, however, the town learns about Miss Emily's secrets and the life she really lived. Miss Emily's attempts may have worked, at least in her mind, but now the town of Jefferson will not remember the Grierson family as one of high social status, but rather as one of insanity.