In Buffy the Vampire Slayer episode 410 “Hush” A group of demon like creatures known as the Gentlemen take over Sunnydale by stealing everyone in the towns voice, and then stealing seven random people’s heart. Leading up to that part Buffy and Willow have started college and Buffy has met a boy name Riley who is a teacher aid in their class. During class Buffy has a dream of a little girl holding a wooden box who is singing a cryptic rhyme about the Gentlemen that says things like “Can’t even shout” and “Can’t say a word.” After class Riley tries to get Buffy to tell him about her dream, but she tells him “I’m not saying a word.” After the episode goes to Xander and his girlfriend Anya who is upset with Xander for never asking about how she feels and tell him “we never talk.” All these scenes are foreshadowing that the group uses their voice for granted and how overwhelming each get when they are misinterpreted. When the Gentlemen steal the their voices it causes them to not be able to talk to each other, and they realize how important communication really is. In chapter nine “Tough Enough”: Female Friendship and Heroism written by Sharon Ross focuses on the importance of a new vision of heroism, by discussing epistemic negotiation. The chapter also discuss how important both a female friendship, and a group friendship can help while fighting crime. The main idea of epistemic negotiation is shown throughout the show of Buffy the Vampire Slayer because Buffy “almost always consults with her friends before taking action.” (240) In the episode “Hush” without the help of her friends, Buffy wouldn’t have been able to figure out who the Gentlemen were, what they came to Sunnydale for, or how to kill them.
Epistemic negotiation is a “...
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...off the Gentlemen after they stabbed her, and Riley didn’t know that the box needed to be smashed.
When the characters have their voice back, everyone sits down and has a serious conversation with the people who mean the most to them. Willow and Tara talk about their similar passion in witch craft; Xander and Anya make up and talk about their relationship and how they both truly feel about each other; Giles and his lover Olivia talk about Giles duties of a watcher and fighting monsters, vampires, and demons. When Riley goes to see Buffy in her dorm room they sit down on the bed and Riley says “I guess we have to talk” Buffy replies “I guess we do” but then neither of them say anything they just stare at each other. Overall, “Hush” shows the importance of communicating with the people you care the most about, and how it is something that is often taken for granted.
Nicole stated that she was trying to eat some food in the kitchen when Brandon entered and started yelling at her. Brandon then grabbed the fork out of Nicole's right hand and proceeded to stab her in the left fore arm. Following Brandon stabbing her and in order for her to get him off of her, Nicole grabbed a kitchen knife and scraped Brandon's head just next to his left temple. Michael Clodfelter, who was asleep in the bedroom, then came out and started pushing Brandon to keep him away from Nicole. Nicole went and sat in the bedroom to wait for my arrival.
needed to kill her. Barton finds a way to let her live for a couple more hours, that way she could
Revisiting the quote, one important symbol between the main characters is what silence portrays. As the quote states, Zeena’s voice was ...
Speak is an about the story of Melinda Sordino, a 13-year-old rape victim, and her high school experience in the 9th grade. When Melinda went to a party in the summer of 8th grade, she and her friends went to a party. Something happened at the party where Melinda had to call the cops. Later it is known that Andy Evans, a popular womanizer, sexually assaulted Melinda. Melinda was too embarrassed about what happened and did not tell anyone why she called the police. Now everyone hates her and Melinda becomes a loner. Melinda only has one friend, Heather from Ohio. Heather is a new girl at Merryweather High School in Syracuse and craves popularity. The only reason that she is friends with Melinda is because to her Melinda is a placeholder
Silence is another way of talking for the Saunders'. It's how Reb Saunders taught Danny because it was the only way he knew how to teach his son. Reb said, "My father never talked to me, except when
Speak is a cleaver and an ironic title for a story in which the main character chooses not to speak. The story is written in first-person narration from the point of view of protagonist, Melinda Sordino. Speak is written like an interior monologue in the mind of an introverted teenage girl, like excerpts from her personal diary during her miserable freshman year of high school. Instead of blending in and finding her way through high school. She withdraws and secludes herself from the other students. She calls herself an "outcast." Melinda is so desperate to hide from the world; she turns an old janitor's closet at the high school into her safe haven. She cuts classes to hide in her closet. How lonely could this teenage girl be? All of these characteristics are common in assault victims. Melinda has been seriously disturbed by something traumatic and doesn't feel comfortable talking about it, nor does she really trust anyone. Teenage depression is a common
Reuven and Danny are friends when they enter Hirsch College. While they are at college, many of the students and faculty members have different stances on Zionism. During this time, David Malter organizes a pro-Zionist rally at Madison Square Garden that turns out to be very successful and over joys Reuven. However, when Reuven returns to school, he finds out that Danny is not allowed to be friends and talk with him anymore because of the rally. Reuven is extremely upset and furious. He calls Reb Saunders a "fanatic" and cries about Danny. Danny and Reuven do not talk for the whole semester and Reuven feels horrible about the situation. He thinks that silence is "cancerous, [and] was death" (221). By the next semester, Reuven promises to forget Danny and his silence; but he can't, even if he's mad. Later, Reuven and Danny start communicating in silence. David Malter told Reuven in the beginning of the novel that "two people who are true friends are like two bodies with one soul." (74) This shows the reader that Danny and Reuven still had to communicate with each other, even in silence, because they were bonded with a "true" friendship.
Silence was used in many different ways throughout this book. It was used to demonstrate and strengthen character emotions and reactions, and it helped to add depth to important or poignant moments in the story. It was used to show thought process or hard decisions and impeded thoughts. Though they were all different, they were the same in that they were all used to emphasize emotions and to amplify the messages in the story, as well as the imagery. Anguish, pain, and anger in particular were emotions that appeared many times in the story and were almost always accompanied by a silence that amplified their qualities. Chaim Potok’s use of silence in The Chosen deepens the meaning of the story, helps to clarify and outline its emotional structure, and makes the anecdote more thought provoking and inducing for the reader.
Does Kogawa intend these lines to introduce "silence" as a character of sorts? Does the second line clarify the first, or does it instead differentiate one silence from another, an involuntary muteness from a willed refusal to speak?
In literature, authors often show people who solve their problems by talking them out. In the book The Secret Life of Bees Sue Monk Kidd shows characters that solve their problems by talking them out. When the main character, Lily Owens faces her problem by talking things out with her father T.Ray she becomes more independent and was able to stay where she was like she wanted to in the beginning of the book. When Lily talks things out with August she solves the mystery of her mother although this upsets Lily she becomes very understanding in the end. Finally when Lily talks thing out with Rosaline she was able to convince her to start a new life with her in another town where they wouldn’t be recognized.
A lonely man receives a special invitation to an exclusive club of killers, who have gotten away with it and saying no to the club has deadly consequences.
Octavia Butler is one of the most outstanding African American feminist writers who write science fiction stories toward a utopian society. However, Butler’s short story Speech Sounds can be read as a depiction of an anti-utopian society that represented by misery, chaos, violence, and disorder. It feels as if Butler seems to be criticizing her society through her own depiction of the society in her story that Rye is a woman that has the ability to speak among other people who are not able to communicate with each other because of the illness that Butler describes as pandemonium. In most circumstances a small misunderstanding is how altercations between individuals and other unfortunate situations come about. Communication is the center basis for civilization and without it society would be thrown into a world pool of chaos.
alone and although she acted fine about it most of the time, she was upset about Bingley
that. She suffered 13 stab wounds to the back five of them so violent the knife
In Shakespeare's The Tragedy of King Richard the Third, the historical context of the play is dominated by male figures. As a result, women are relegated to an inferior role. However, they achieve verbal power through their own discourse of religion and superstition. In the opening speech of Act 1, Scene 2, Lines 1-30 Lady Anne orients the reader to the crucial political context of the play and the metaphysical issues contained within it (Greenblatt, 509). Lady Anne curses her foes, using strong language to indicate her authority. She speaks in blank verse, by which she utilizes imagery to emphasize her emotions and reinforce her pleas. Her speech clearly illustrates the distinction between the submissive female role within the male sphere of war and the powerful female voice within the realm of superstition.