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Essay about Buddhist Japanese Art

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Introduced by a mission from Korea in 552 C.E., Buddhism has long been a central theme in Japanese artwork. Since the king of Paekche, a kingdom in the South East of the Korean peninsula, first gave the Japanese emperor a bronze Buddha statue, the Buddhist art forms that were periodically introduced from China and Korea were tempered in the crucible of local custom and usage, to yield a rich tradition of religious art.
The role of Buddhism in Japan was greatly amplified during the life and reign of Prince Umaydo, known better by his Buddhist name, Prince Shotoku. Shotoku, meaning “Sagely” and “Virtuous,” was born into a family that had been importing foreign Buddhist images for nearly 20 years, and had begun to embrace the religion. During this tumultuous time in Japanese history, proponents of Japan’s native religion, Shinto, set out to destroy the newly created Buddhist temples. Once Shotoku took power of the pro-Buddhist Soga clan, he set out to unite the warring clans that had been dictating the Japanese lifestyle. In doing so, Shotoku made Buddhism the state religion, defeating the powerful proponents of the Shinto religion. This catalyzed Japanese Buddhism, and within 50 years of the original presentation of the Buddhist statue there were 46 temples and 1385 ordained monks and nuns.
During Shotoku’s drive to formalize Buddhism as Japan’s official religion both his palace and temple at Ikaruga were destroyed. But due to Shotoku’s unparalleled effects on Japanese society, the temple was rebuilt around 607 C.E. The Horyu-ji temple buildings are the oldest surviving wooden structures in the world. The temple has since become a treasure trove of priceless value for art of the Asuka Period, deserving the title “the cradle ...


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...brows arch out and up; the eyes are narrow slits with a straight upper lid and the lower curved; the nose is narrow and distinctly ridged. The groove beneath it flares as it reaches the lips, which bifurcate from left to right. The chin is less prominent than in the Tori style, and the face more rounded. All of these changes allow for a more gentle, softer vision of a Bodhisattva.
Widely considered to be one on the most important pieces of East Asian Buddhist art, the Shaka Triad exemplifies a period of radical change for the Japanese Empire. The Asuka period brought the first significant “invasion” of Asian culture, including art, to the Japanese mainland, provided by initial impetus of Buddhism. Although a variant of a foreign tradition, Japanese Buddhist Art, created a unique style all of its own, and helped to bring Buddhism to the forefront of Japanese society.


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