In the film “Bordertown”, the protagonist, Johnny Ramirez ultimately finds solace, happiness and satisfaction in the aftermath of his own failure. If one were to believe the notion that we are all at a fixed station in both life and society, then the Mexican protagonist’s ambitions and their disastrous outcomes would only serve to bolster this opinion. This is, however, what the film “Bordertown” attempts to convey to its audience. As Johnny Ramirez ambitiously sets out, attempting to acquire material success, in the world outside of his neighborhood, he finds only offers of wickedness and corruption. His final retreat back into his barrio is where he finds goodness and love. This film, then, suggests that not only should Ramirez not have bothered in his undertaking, but that any venture outside of one’s own “station” or “place” would put that person out of his or her natural element. The results of this can be dangerous or disastrous. The film’s message is clear: Stay where you belong. The protagonist is to find disappointment and failure in all his pursuits. “Bordertown” opens with a law school commencement where Johnny is introduced as a “tough kid” who came out of the barrio and overcame many obstacles to successfully graduate from law school. Here, we are also introduced to Johnny’s over- affectionate, dim- witted mother and his local parish priest. Together, they act as his support group and often discourage his ambitions. Johnny’s experience as an attorney falls far short of being the legal crusader that he envisioned for himself. Rather, it is quite short-lived . His legal career ends abruptly when his unpreparedness for an easy trial against a wealthy white woman causes him to lose the case for his client. Upon his hu... ... middle of paper ... ...ays, "You belong to a different tribe, savage. The death of this character illustrates yet another grave misfortune in Johnny's trek of ambition. It is thus in the wake o f such event s that the protagonist sells the casino and returns to live with his mother. The closing scenes show Johnny's return, joyously reunited with his mother and the parish priest. It is when the story reaches resolution that the film delivers its message more plainly than ever. Upon his return, Johnny Ramirez is all too happy to realize that he is now home, “where he belongs…with his people”. Ironically, the protagonist, now devoid of everything, is shown to be happier now that he has retreated to his barrio. The f film’s happy ending is, therefore, that Johnny has l-earned his lesson and is happy to be back in his lowly station. He now knows his place. Maybe ignorance is bliss after all.
Pagan writes a captivating story mingled with the challenges of the Eastern Shore legal system. This book gives a complete explanation backed up by research and similar cases as evidence of the ever-changing legal system. It should be a required reading for a history or law student.
In Richard Rodriguez’s “Proofs,” Mexican immigrant’s destination is described, as well as their perceptions and expectations of America. Rodriguez describes the passage to the United States as difficult, yet worthy. He states: “The city will win. The city will give the children all the village could not- VCR’s, hairstyles, drum beat. The city sings mean songs, dirty songs. But the city will sing the children a great Protestant hymn.You can be anything you want to be.” He also states: “Mexico is poor. But mama says there
Based on a true story, “Gideon’s Trumpet” covers the events of Gideon vs. Wainwright and how it proved to be an important case for the United States legal system. ¬¬¬¬It shows that even after 200 years of changes and refinement, the United State’s legal system is far from perfect and is always improving. The movie provides a visual representation of the struggles between the haves and have-nots. The haves, also known as repeat players, are people who have superior access to resources, money, and superior legal experience. They are usually people who have been in multiple legal situations and know how to handle themselves in these legal situations. On the opposite end of the spectrum are the have-nots. The have-nots, also known as one shotters,
In Borderlands, the realities of what happens by the border instill the true terror that people face every day. They are unable to escape and trapped in a tragic situation. After reading my three classmates’ papers, I was able to learn a lot more about this piece than I originally encountered just on my own. I was able to read this piece in a completely new light and expand on ideas that I did not even think of.
“Corruption is like a ball of snow, once it’s set a rolling it must increase (Charles Caleb Colton).” Colton describes that once corruption has begun, it is difficult to stop. Corruption has existed in this country, let alone this very planet, since the beginning of time. With corruption involves: money, power, and favoritism. Many people argue today that racism is still a major problem to overcome in today’s legal system. American author (and local Chicago resident) Steve Bogira jumps into the center of the United States justice system and tells the story of what happens in a typical year for the Cook Country Criminal Courthouse, which has been noted as one of the most hectic and busiest felony courthouses in the entire country. After getting permission from one of the courthouse judges’ (Judge Locallo) he was allowed to venture in and get eyewitness accounts of what the American Legal System is and how it operates. Not only did he get access to the courtroom but: Locallo’s chambers, staff, even his own home. In this book we get to read first hand account of how America handles issues like: how money and power play in the court, the favoritism towards certain ethnic groups, and the façade that has to be put on by both the defendants and Cook County Workers,
In a story of identity and empowerment, Juan Felipe Herrera’s poem “Borderbus” revolves around two Honduran women grappling with their fate regarding a detention center in the United States after crawling up the spine of Mexico from Honduras. While one grapples with their survival, fixated on the notion that their identities are the ultimate determinant for their future, the other remains fixated on maintaining their humanity by insisting instead of coming from nothingness they are everything. Herrera’s poem consists entirely of the dialogue between the two women, utilizing diction and imagery to emphasize one’s sense of isolation and empowerment in the face of adversity and what it takes to survive in America.
The push-and-pull factors in Enrique’s yearn for the U.S not only allows him to rediscover himself as an individual in a world of uncertainty, it also eliminates his constant fear of failing as a promising human being; in addition exhibits the undying hope of a desperate man found in hopeful migrants. In Sonia Nazario’s “Enrique’s Journey,” his mother’s trip streamed “emptiness” into the heart of a once comfortable child and left him to “struggle” to hold memories they shared. Enrique’s life after Lourdes’ departure triggered the traumatizing demise of his identity. He threw this broken identity away while facing many obstacles, nevertheless each endea...
This nation was relatively stable in the eyes of immigrants though under constant political and economic change. Immigration soon became an outlet by which this nation could thrive yet there was difficulty in the task on conformity. Ethnic groups including Mexicans and Chinese were judged by notions of race, cultural adaptations and neighborhood. Mary Lui’s “The Chinatown Trunk Mystery” and Michael Innis-Jimenez’s “Steel Barrio”, provides a basis by which one may trace the importance of a neighborhood in the immigrant experience explaining the way in which neighborhoods were created, how these lines were crossed and notions of race factored into separating these
...ewish enclave to a predominantly Mexican community” (Sanchez, 2004, p. 640) due to the fact that the “Jewish community of Los Angeles as a whole was transformed by the demographic changes, clearly becoming “white” in the racial hierarchy of the region both geographically and politically” (Sanchez, 2004, p. 640). The place of the Jewish community changed along with their identity. Once they became “white” they no longer were restricted to living in Boyle Heights. In Los Angeles, it is clear through what happened to this one group of people that one’s metaphorical place in society, meant to be one’s racial and class status in what Sanchez refers to as a hierarchy, has a direct link to one’s literal or geographical place in the city. The ongoing divisions within society caused by stratification have become the basis of the meaning of place in contemporary Los Angeles.
Literary magazines were not remotely interested in publishing Gilb’s stories, which focus primarily on the professional and personal struggles of working-class Mexican Americans. But his unapologetic stories about working-class Mexican Americans have made him a voice of his people (Reid130). Gilb’s short stories are set vividly in cites of the desert Southwest and usually feature a Hispanic protagonist who is good-hearted but often irresponsible and is forever one pink slip or automotive breakdown away from disaster (Reid130).
Los Angeles, California is often seen as the city of dreams. Hollywood paints the picture of Los Angeles as a place of endless possibilities. Los Angeles is also thought as the city where dreamers can come with nothing in their pocket and become an over night success story. Many Americans and immigrants come to Los Angeles with the same dream of success. In The Tattooed Soldier Tobar describes how this fictionalized “American dream” version of the Los Angeles affects immigrants. In the novel Tobar followed two Guatemalan immigrants Antonio and Longeria who live very different lifestyles in their home country and in America. Los Angeles seemed to be the land of dreams and promise to both characters, however; Los Angeles becomes a place of harsh reality for Antonio and Longeria. In the novel we watch how Antonio and Longeria adjust to the struggles of being immigrants in Los Angeles, , and what makes man a man.
Martinez, Oscar. Border People: Life and Society in the U.S.-Mexico Borderlands. (Tucson: The University of Arizona Press, 1994), 232.
Ending their journey, they have learned more of what it feels to be a Mexican traveling the desert. Bowden has also decided to write this story about his experiences to give readers an insight on what happens to people who are willing to risk their lives to live the American Dream.
The struggle to find a place inside an un-welcoming America has forced the Latino to recreate one. The Latino feels out of place, torn from the womb inside of America's reality because she would rather use it than know it (Paz 226-227). In response, the Mexican women planted the seeds of home inside the corral*. These tended and potted plants became her burrow of solace and place of acceptance. In the comfort of the suns slices and underneath the orange scents, the women were free. Still the questions pounded in the rhythm of street side whispers. The outside stare thundered in pulses, you are different it said. Instead of listening she tried to instill within her children the pride of language, song, and culture. Her roots weave soul into the stubborn soil and strength grew with each blossom of the fig tree (Goldsmith).
Starting off as a criminal defense attorney himself, John Grisham had a very valuable grasp of law before writing the novel. When writing his books, he likes to make lawyers the major characters (“GJ”). John Grisham can connect his real life