The Satire of Blazing Saddles
Blazing Saddles, a Mel Brooks film, is a perfect example of satire. The main object of the movie is to make fun of the western genre of films. Mel Brooks is notorious for his satires of many different films and film genres, and Blazing Saddles follows true to form. Many of the film’s ideas and problems are common in most westerns, although Mel Brooks has added a twist. In addition, the movie pokes fun at a more modern theme, racism.
Many westerns contain some of the same elements. For instance, almost every western ever made involves a sheriff. He is usually the peace-keeper of a small town overrun by outlaws and cowboys, which he eventually chases out of town or kills. Another element of westerns is a gunslinger. A gunslinger is usually a young man who makes his living shooting other men in showdowns, a classic example is Billy the Kid. Railroads are also a recurring image in westerns. Since the railroad was the major mode of transportation in the old west, it is always present in westerns. Finally, westerns always have a villain. The villain, usually a man, dresses very slick and will stop at nothing in his quest for power. In addition, the villain usually has a gang to carry out his dastardly deeds. The gang is usually full of incompetent, but loyal thugs, who would love to destroy a small town just for the pleasure of wanton destruction. The elements of a western are very simple, but easily manipulated into a very interesting plot.
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Satire is defined as the use of irony, sarcasm, or exaggeration to expose and criticize human folly or vice. Mark Twain’s, Huckleberry Fin, is a novel that in order to be fully appreciated and understood must be seen as a work of satire. Twain uses satire in an attempt to both mock aspects of society as well as jeer at the American people. Why twain uses satire . Religious hypocrisy, a need for war and unnecessary fighting, cowardice of the average man.
Somewhere out in the Old West wind kicks up dust off a lone road through a lawless town, a road once dominated by men with gun belts attached at the hip, boots upon their feet and spurs that clanged as they traversed the dusty road. The gunslinger hero, a man with a violent past and present, a man who eventually would succumb to the progress of the frontier, he is the embodiment of the values of freedom and the land the he defends with his gun. Inseparable is the iconography of the West in the imagination of Americans, the figure of the gunslinger is part of this iconography, his law was through the gun and his boots with spurs signaled his arrival, commanding order by way of violent intentions. The Western also had other iconic figures that populated the Old West, the lawman, in contrast to the gunslinger, had a different weapon to yield, the law. In the frontier, his belief in law and order as well as knowledge and education, brought civility to the untamed frontier. The Western was and still is the “essential American film genre, the cornerstone of American identity.” (Holtz p. 111) There is a strong link between America’s past and the Western film genre, documenting and reflecting the nations changes through conflict in the construction of an expanding nation. Taking the genres classical conventions, such as the gunslinger, and interpret them into the ideology of America. Thus The Western’s classical gunslinger, the personification of America’s violent past to protect the freedoms of a nation, the Modernist takes the familiar convention and buries him to signify that societies attitude has change towards the use of diplomacy, by way of outmoding the gunslinger in favor of the lawman, taming the frontier with civility.
The story is an Eastern take on the Hollywood western with a dash of satire,
In the short story “Being There”, by Jerzy Kosinski, there are multiple examples of satire that are displayed throughout both the book and the movie. A few of them are: media, death, politics, and racism. The satire of the media was very similar in the book and the movie. Media played a big role in society and still does to this day.
Further exploring the similarities on the surface, a true western always has the same type of characters and props. Blake is shown in the same outfit throughout the film much like the one outfit that a westerner wears. Blake encounters a whore in the town who is not opposed to the usage of guns, which also goes along with a whore’s values in a true western film. The town of Machine is desolate, dirty, and ruled by guns. In western movies there is always a dirty town with the same characteristics. All of those similarities are not used in the same way, however; they are used as tools to give this surface western a deeper meaning that no true western film ever explored. The themes are pessimistic as they deal with death and afterlife, rather than hope and rebirth. The killings in the movie mock the way people are killed in westerns. Blake doesn’t kill to protect his honor; he kills to survive and in turn mocks the system.
BoJack Horseman follows the life of ex-TV star and anthropomorphic horse, BoJack, as he attempts to regain his former fame and glory.. Going into the show, I expected myself to find it completely unfunny and unnecessarily vulgar, much like many adult cartoons (Mr. Pickles, Ren and Stimpy Adult Party Cartoon). However, I found myself chuckling consistently at the various puns and ridiculous scenarios. At some point towards the end of the episode that I was watching, my Student Advisor entered the lounge and excitedly informed me that he was a fan of the show and that watching the full series would be rewarding. Considering that information, I was excited that I had made a seemingly right choice. I started the series at the first two episodes of season one and after forming my own opinions about the show as well as having read positive reviews for it, I would like to go ahead and attempt to watch the entire show in my free time.
A typical Western would usually be set in the late 19th century in the mid-west of America in a remote town. The town is usually small, lonely and unwelcoming. Typically a western set looks like it is in the middle of a desert with sand, cacti and tumbleweed which gives a desert look, there are usually never any lakes or rivers around these features make the place look really hot and deserted. The buildings are generally timber board houses with swinging doors and outside the buildings are places to keep their horses, there is also always a General Store and a Saloon. Horses and carriages and cattle are used to give a western feel. The cowboys are typically dressed in western style clothing for example they wear simple shirts and jeans they may also wear ponchos, waist coats, hats, boots with spurs, guns and a belt to hold the gun and bullets, Hero's tend to wear lighter clothing and the villain’s tend to wear darker clothing.
The story of the American West is still being told today even though most of historic events of the Wild West happened over more than a century ago. In movies, novels, television, and more ways stories of the old west are still being retold, reenacted, and replayed to relive the events of the once so wild and untamed land of the west that so many now fantasize about. After reading about the old west and watching early westerns it is amazing how much Hollywood still glorifies the history and myth of the old west. It may not be directly obvious to every one, but if you look closely there is always a hint of the Western mentality such as honor, justice, romance, drama, and violence. The most interesting thing about the Old West is the fact that history and myth have a very close relationship together in telling the story of the West.
Few Hollywood film makers have captured America’s Wild West history as depicted in the movies, Rio Bravo and El Dorado. Most Western movies had fairly simple but very similar plots, including personal conflicts, land rights, crimes and of course, failed romances that typically led to drinking more alcoholic beverages than could respectfully be consumed by any one person, as they attempted to drown their sorrows away. The 1958 Rio Bravo and 1967 El Dorado Western movies directed by Howard Hawks, and starring John Wayne have a similar theme and plot. They tell the story of a sheriff and three of his deputies, as they stand alone against adversity in the name of the law. Western movies like these two have forever left a memorable and lasting impressions in the memory of every viewer, with its gunfighters, action filled saloons and sardonic showdowns all in the name of masculinity, revenge and unlawful aggressive behavior. Featuring some of the most famous backdrops in the world ranging from the rustic Red Rock Mountains of Monument Valley in Utah, to the jagged snow capped Mountain tops of the Teton Range in Wyoming, gun-slinging cowboys out in search of mischief and most often at their own misfortune traveled far and wide, seeking one dangerous encounter after another, and unfortunately, ending in their own demise.
Mark Twain, a famous American writer-satirist wrote many books highly acclaimed throughout the world. For his masterpiece, The Adventures of Huckleberry Finn, the literary establishment recognized him as one of the greatest writers America would ever produce. This novel is about a teenage boy by the name of Huck Finn whose father is an alcoholic. Because of his violence, Huck runs away and finds a runaway slave Jim. Instead of turning Jim in, Huck goes against society and makes a decision to help Jim break free from slavery. As they travel together, Huck learns more and more about Jim and starts to understand that the common stereotype of black people is wrong. Huck sees there is no difference between Jim and any white man he knows except for skin color. Risking his life and overcoming many difficulties on the way, Huck succeeds in freeing Jim. Focusing on racism, alcoholism and mob mentality, Mark Twain uses his enthusiastic style of writing and satirizes the three traits throughout the novel.
He has grown up relatively normally up until the day his Aunt Helen died, that is when his life changed. He distanced himself and constantly put himself in the hospital. When the book begins, Charlie is about to start his freshman year in high school. Charlie’s writing letters to someone he does not know, and these are what make up the entire book. Within the first few chapters you learn that he does not enjoy being in high school, though he makes two new friends, Sam and Patrick.
John Marwood Cleese, an English actor, comedian, writer and film producer said, “If I can get you to laugh with me, you like me better, which makes you more open to my ideas. And if I can persuade you to laugh at the particular point I make, by laughing at it you acknowledge its truth”. The point he brings up is the ideology of satire. Satire, by definition, is a technique utilized by writers to expose and criticize foolishness and corruption of an individual or a society. This can be done by using humor, irony, exaggeration or ridicule ("Satire - Definition and Examples", para.1). Often times, the humor used opens the audiences’ minds to the underlying problem that the writer is trying to reveal. By examining the purpose and methods of satire, dissecting literary works, and displaying examples in the media, satire is shown to be a valuable tool.
The image created for the outlaw hero is the “natural man.” They are adventurous but also wanderers, and loners. Outlaw heroes are more likely to commit a crime, use weapons and carry guns. The outlaw hero represents self-determination and freedom from conflicts. On the other hand, the official hero is portrayed to be “the civilized” man. He often follows the norms of society, and has typical roles such as a lawyer, teacher, and family man.
William Faulkner’s short story “Barn Burning” describes a typical relationship between wealthy people and poor people during the Civil War.
Satire is an effective way to offer social criticism and influence people-- it uses techniques such as irony, parody, sarcasm, and exaggeration to allow readers to look at serious issues from a comedic view. In “A Modest Proposal”, Jonathan Swift responds to the growing famine in Ireland and overpopulation issues of the eighteenth century by proposing that Ireland can solve the economic crisis by eating babies and selling children. Rather than writing an angry article about how the British exploit poor, defenseless Irishmen, Jonathan Swift took on a different approach and wrote a satire. His goal wasn’t merely to ridicule and express his dissatisfaction with how the Irish was handling the social and political problems, but also to open