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Recommended: Narrative of Beowulf
“Beowulf” is definitely a prime example of outstanding literature. The work itself is an arcane accomplishment that welds the hardened steel of the Viking resilience to the more-contemporary Christian theology. The sheer magnitude of the document is the stuff of legend; inspiring countless stories and still sets off light bulbs the world over. For most purposes, “Beowulf” embodies the ideal for epic poetry; thus making it a staple in the scant catalogue of English epics.
Historically speaking, Beowulf gives the reader a precious look into the lives of a unique culture. Scandinavian tradition was one of brutality and honor. The revered men fought for their status; earning every nick on a blade. We are flung, as the reader, into the archaic world that was Beowulf’s time. An age of pre-chivalric attitudes that were more focused on the individual person rather than the actions of a group. Beowulf was a source of immense pride for the people at the time. He was the strength, the glue that bound Anglo-Saxon culture to their roots. Further, and differently, the notions of Anglo-Saxon traditions we gain from reading the work are immeasurable. As a first-time reader, the images of a great mead hall full bursting with song and celebration was fantastic.
We can attempt to personify with the oppressed people of the various places Beowulf absconds to. Appropriately, he doesn’t abscond, though his actions remind me of a man- a Superman- that could be anywhere and save the world. In that vein, Beowulf is far and away the iconic figure that should typify Anglo-Saxon literature. We are to take away the foundations of the poem from this reading. We are to read the text and graze the surface; as one would grasp the tufts of...
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...e author takes are a little much. He injects just a little much of his own personal moral dynamic and discards far too much of the actual Scandinavian tradition. There are some aspects of the tradition that we lose, or have to find elsewhere, since it is scrapped from the actual text. Religion, for instance, is strictly Christianity whereas the Anglo-Saxon people at that time in that region would not have known what a Christianity was.
The original tradition, the oral tradition that it was intended for, must have been a true masterpiece. Though like Homer and his writings, we can only speculate as to how great it actually was. The great halls alive with the shrill voices of singers chanting the epic battles of Beowulf enrapt the imagination. The sinew and bare bardic tradition stripped of the Jesus garnish and served with arctic frost and bloodspatter.
In Beowulf, the essence left behind by a true hero is extremely important. In epics such as this one, leaders tend to have the determination and boldness of a hero. On the other hand, the main character, Beowulf, does not display these certain traits. In this heroic poem, respect and trust come naturally. Honor and integrity are present throughout the poem.
Frank, Roberta. “The Beowulf Poet’s Sense of History.” In Beowulf – Modern Critical Interpretations, edited by Harold Bloom. New York: Chelsea House Publishers, 1987.
It is common opinion that Beowulf was written by a Christian poet. This was probably true because at the time when it was written, most of the few people who knew how to read and write were in the clergy. There are various references within the poem to elements of the Christian religion. However, the story is about Pagan people and certain aspects of their culture are even glorified. The ambiguity of Beowulf’s religious content has caused confusion as to what significance religion had in inspiring the author and in what manner the author meant to inspire or influence his audience. I do not think that Beowulf is a Christian allegory because Beowulf had very little in common with the Biblical figure of Jesus Christ. I think that religion was not the primary thematic concern of the writer. Although there are discrepancies between the two styles of thinking, Beowulf seems to praise values which were considered moral and good among all humanity, both Christian and Pagan.
In Tolkien’s lecture, “Beowulf: The monsters and the Critics,” he argues that Beowulf has been over analyzed for its historical content, and it is not being studied as a piece of art as it should be. He discusses what he perceives the poet of Beowulf intended to do, and why he wrote the poem the way he did. Tolkien’s main proposition, “it was plainly only in the consideration of Beowulf as a poem, with an inherent poetic significance, that any view or conviction can be reached or steadily held” (Tolkien). He evaluates why the author centers the monsters throughout the entire poem, why the poem has a non-harmonic structure, why and how the author fusses together Christianity and Paganism, and how the author uses time to make his fictional poem seem real. He also discusses the overall theme of Beowulf and other assumptions of the text. To support his viewpoints, Tolkien uses quotations and examples from the poem, quotations from other critics, and compares Beowulf to other works of art. Tolkien discusses several statements in interpreting Beowulf as a poem.
Scyld Scefing often deprived his enemies, many tribes of men, of their mead-benches. He terrified his foes; yet he, as a boy, had been found a waif; fate made amends for that. He prospered under heaven, won praise and honor, until the men of every neighboring tribe, across the whale’s way, were obliged to obey him and pay him tribute. He was a noble king! (BEO 4-11).
Throughout life a man makes many descions which determine the way his life will be lived and the way it will end. All choices a man makes in his life have consequences and each man must account for them. In life, every man must reap what he has sown. The values a man holds to be important in his life govern the choices he makes. The epic Beowulf is a good example of this truth. In the story, Beowulf is a god-like human who possesses a strength and warrior spirit unmatched by anyone. The choices he has made resulted in this power and it is also those same choices that play a part in his end.
In Part I of Beowulf the poet establishes Beowulf as an incomparable superman and celebrates his greatness. The occasion for this was the unfortunate situation which Grendel had created in the court of King Hrothgar, Heorot, where there was considerable sorrow due to the uncontrollable ravaging of the monster:
As the welcoming celebration for Beowulf goes on, Unferth begins to ridicule Beowulf about his swimming competition with Breca. Unferth is jealous and feels threatened by Beowulf " for he would not allow that any other man of middle-earth should ever achieve more glory under the heavens than himself." (Norton p. 33) Unferth is a very peculiar character. Although he has committed the horrific crime of killing his brother(s), he is privileged enough to sit at the feet of the king, a very respected position. His sin,an enormous violation of the comitatus, suggests that there is something wrong in Hrothgar's kingdom and perhaps helps to foreshadow its destruction. Ultimately, it will be destroyed, as the text says, by a fire after " sword-hate between son-in-law and father-in-law to awaken after murderous rage." (Norton p. 28).
There was a huge influence of both paganism and christianity that can be noticed in Old English Poetry. To better understand these two values, let us explain what paganism and christianity mean. Christianity is a monotheistic religion centered on the life and teachings of Jesus of Nazareth. As presented in New Thestament, Christians believe Jesus to be the Son of God and the Messiah prophesied in The Old Testament. Christianity began in the 1st century AD as a Jewish sect, and shares many religious texts with Judaism, specifically the Hebrew Bible, known to Christians as the Old Testament. The name Christian means belonging to Christ or partisan of Christ. As far as Paganism is concerned, the word comes from latin paganus and means a country dweller, rustic. It is a term which has come to connote a broad set of spiritual or cultic practises or beliefs of any folk religion a nd of historical and contemprorary polytheism religious in particular. (...) Characteristic of pagan traditions in the anscence of proselytisation and presence of a living mythology which explains religious practice. The term Pagan is a Christian adaptation of the goy of Judaism.
The epic poem, Beowulf, a work of fiction, offers more insight into Ancient Anglo-Saxon English culture than the work of Bede, who wrote, A History of the English Church and People. The epic poem Beowulf gives an enhanced illustration and clearer understanding of the culture of the Ancient Anglo-Saxon’s. The epic poem gives the audience a picture of what the Ancient Anglo-Saxon English valued; seafaring, warriors, heroes, and paganism.
One of the first literary work studied by our class was “Beowulf,” the longest and greatest surviving Anglo-Saxon poem. The poem is packed full of Christian and Pagan elements that are constantly fighting for the dominant position. In order to understand these thematic elements portrayed throughout “Beowulf,” we must first discover
Beowulf is an epic poem telling the story of Beowulf, a legendary Geatish hero who later becomes king in the aforementioned epic poem. While the story in and of itself is quite interesting, for the purpose of this paper it is important to look at the character more so then his deeds, or rather why he did what he did.
Beowulf. Holt elements of literature. Ed G Kylene Beers and Lee Odeel. 6th ed. Austin: Holt, Rinehart, and Winston, 2008. 21-48. Print.
According to most dictionaries, an epic is an extended narrative poem in elevated or dignified language, celebrating the feats of a legendary or traditional hero. While this is true, the epic Beowulf contains more than those two requirements. This story contains five elements which make it an epic. There is an epic hero, action of an immense scale, an elevated writing style, long speeches meant to inspire or instruct, and also the descent into the underworld.
Beowulf is the single greatest story of Old English literature and one of the greatest epics of all time. Ironically, no one can lay claim to being the author of this amazing example of literature. The creator of this poem was said to be alive around 600 A.D. and the story was, since then, been passed down orally from generation to generation. When the first English monks heard the story, they took it upon themselves to write it down and add a bit of their own thoughts. Thus, a great epic and the beginning to English literature was born.