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Social role of music
Social role of music
Women victorian era appareance
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The bandstand tent was alive this evening as people danced and swung about the floor to the brass quartet blaring jubilant notes from the far stage. Men in waistcoats and trousers twirled women in layered petticoats and lace while others mingled in groups beyond the dance floor smoking ornate pipes and drinking iced cocktails that beaded with condensation in the warm early-summer air.
There were multitudes of colors in endless different shades mixed with black and white where appropriate. Men boasted pocket watches with long elaborate chains and their white-gloved hands gripped canes with heads of diamond, jade, or gold carved in the shapes of wolves, birds of prey, or great spinning gears. They wore waistcoats of bright colors and long tailed overcoats to match. Nearly half wore tall top hats banded with silk and accented with glimmering brooches. Several of the men proudly sported expensive monocles wedged between cheekbone and eyebrow rimmed and studded with the rarest chips of jewels.
The women were of course no less elaborate, draped in layers of delicately dyed silks with great crinoline skirts or multi-layered petticoats billowing out around them. The lace was delicately embroidered with gold, silver, or multi-hued threading in intricate patterns of flowers or abstract design. The shoulders puffed like great clouds and dipped low to reveal an extensive amount of cleavage which was held prominently high by the corsets cinching their waistlines. From their ears draped great sparkling gemstones and their necklines dripped with silver and gold, inlayed with sparkling sapphires, rubies, or emeralds. Each woman's hair was stacked higher than the next spotted with encrusted barrettes and combs. Few of the most elaborate w...
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...dle the emerald pendant around Ambur's neck in a silken gloved palm. She studied it curiously and turned to Aaren, "Why... I was unaware that emeralds this small existed! How curious."
Ambur suppressed a rush of fury, she was not sure how much longer she could handle this gear-headed cow and was only slightly relieved when she dropped the pendant.
"I am parched, and I am in need of better company." The woman glanced at Ambur and returned her attention to Aaren, "I will see you later this eve." she addressed to him with a hand under his chin and a kiss on his cheek.
Aaren waited to wiped the deep red lipstick on a napkin until after the woman zipped away, her crinoline bouncing in-step with her stack of curls.
"What an atrocious woman!" Ambur hissed, handing Aaren her empty stemmed glassware. "This time, get me liquor. Champagne is for prissy gear-heads!"
crimson base. The jacket was scarlet with white lining, collar, lapels and cuffs; golden lace and buttons. They wore a white stock, breeches, gaiters and gloves, a crimson sash, black shoes and a black sword scabbard with a golden point. The colors (royal colors) have a brown staff with a golden spearhead. The colors properly are the Union, having golden trimming and writing in the center and on the arms of the cross.
This theme is evident in the doubling of stockings with the girl’s natural black legs. The red stockings, which represent sexual, material desires, are contrasted with the natural, elegant beauty of the legs of the black girl. The stockings highlight only the legs, separating them from the girl as a whole and allowing for easier objectification, specifically by young white males. However, the girl knows this, as she has put the stockings on and is being told so by the narrator, who represents the black community. The narrator also clearly recognizes the girl’s beauty, and her beauty is further highlighted in the fact that she is clothed in silk, which relates to royalty and comfortability.
The attire of the period had variants sometimes when it came to age, social class, economic position, and even job placement. These factors made a difference in style of clothing, style of sleeves, choice of fabric, and amount of fabric used in a garment. A rich woman might buy very expensive brocade for her dress where a poorer woman might simply buy a singular colored wool or cotton. When the war arrived, cotton and silk increased, making it harder to obtain (Mitchell 4). It was these fabrics; wool, silk, muslin, linen, etc., that made the weight of the whole outfit so heavy and awkward.
The color gold is of dominance in this novel. It is used frequently to describe richness and luxuriance. 'On the breast of her gown, in fine red cloth surrounded with an elaborate embroidery and fantastic flourishes of gold thread, appeared the letter 'A.''; (60)
Noble women don?t appear to have a hard life, but when you look between the lines they have it just as rough as any other women of that time. From the beginning, young women were required to learn the basic household skills that they would be expected to execute as wives and mothers. These women did perform textile work, but they did it for luxury, they did not actu...
Elizabethan fashion was the start of fashion itself. This was the time of Christopher Columbus and other explorers who united the world. International trade routes had been discovered and global trade had officially began. Before the sixteenth and seventeenth centuries, people just wore clothes to keep warm and to conceal themselves. Attire was plain and simple; it did not have flair or style. New fabrics and dyes were now readily available from all over the world. The Elizabethan Era was the first time the wealthy began to invest large sums of money and time into their clothing. Apparel distinguished the rich from the destitute. Both genders cared significantly about their clothing; it was not just a women’s hobby. The monarchs of the world during the sixteenth and seventeenth centuries headed this new desire for gorgeous clothing, especially Queen Elizabeth herself. The Sumptuary laws were passed to keep certain styles specifically for the monarchs and nobility. The common people were prohibited from wearing those styles. The exquisite designs and shapes of clothing reflected the monarch’s influence on society and the novel Renaissance desire for a specific body shape; there were dissimilarities in attire among the people of different social classes due to the Sumptuary restrictions.
The ladies dresses of the early Middle Ages were influenced by the classical styles of the Greek and Roman women. Their dresses were tight to display the elegance of their figure. Dresses were embroidered and luxuriously decorated. Some dresses consisted of two tunics and of a veil or drapery. The veil was thrown...
In the 1920s was a decade of change, many Americans became prosperity for the new inventions. Women took a big part in the society by becoming independent in the fashion and wearing the most comfortable and prestigious jewelry. However, women’s jewelry had an impact throughout centuries in the living life, the jewelry both have positive and negative aspects of modern life, and there was different types of styles and materials.
Rudder Theatre is a large venue for this Jazz Showcase. There are five sections with fifteen rows deep in each section. The theatre is decorated modestly with solid colors and nothing too spectacular or eye catching. The chairs were covered in a yellowish fabric. The initial backdrop behind the stage was a white backdrop with red and blue lighting. This backdrop would change colors throughout the concert. Located at the doors were ushers with programs detailing the Texas Music Festival. The seats inside were not assigned but on a first come first serve basis. Seated in the very front and centered to the audience were the performers. The stage was set up with five chairs lined up three rows back. Each row was more elevated than the previous. The piano was at the far left, the guitar and bass were next to the piano, and the drums were in the back. The first row of chairs included the saxophone players, the second row were the trombone players, and the trumpet players were in the third and last row.
Even though the speaker is less than thrilled about the “filigree” of hair ribbons she still makes the choice to refer to women as flowers (Line 4). Speaking of women as flowers immediately evokes thoughts within readers of delicateness which appears contrary to what the speaker was saying a few lines prior. However, looking deeper into the lines that read, “…nor twine/ A flower with your strength” readers see that speaker uses contrast to depict the uniqueness of womanhood (Lines 3-4). Here the speaker suggests that yes, woman are gentle, but woman are also very capable and durable much like flowers that withstand rain and wind. Just like men, women can endure and handle situations. So, women’s “flowery” quality is merely an extra advantage that men of those times should not have exuded at all according to
The women of Voltaire’s Candide emphasize the exploitation of females in the 1800s. Cunegonde, Paquette, and the Old Woman are raped, forced into prostitution, and sexually exploited. Women are valued for their beauty and can only succeed if they have pretty face to recommend them. Women in the nineteenth century exist for the pleasure of men and are subjugated to these men.
The weather was humid and dry. The men usually wore a cloth around their waist. More elite men dressed in robes tying from their shoulders down to their kneecaps (Laughton p.37). These robes also contained elaborate designs. The women dressed in dresses that wrapped around their shoulders almost like a toga (Sharer p.103).
“a beautiful instance of what is reverentially called ‘a true woman.’ Whimsical, capricious, charming, changeable, devoted to pretty clothes and always ‘wearing them well,’ as the esoteric phrase has it. She was also a loving wife and a devoted mother possessed of ‘the social gift’ and the love of ‘society’ that goes with it, and, with all these was fond and proud of her home and managed it was capably as – well, as most women do (57).”
Stent, S., 2011, ‘Fetishizing the Feminine: the Surreal Fashion of Elsa Schiaparelli’, Nottingham French Studies, September, 50, 78-87.
Evaluate and respond to the presentations of women in the Romantic period. Feel free to discuss presentations of women, by women (such as Austen’s Persuasion) as well as presentations of women by men (such as the “she” in Byron’s “She Walks in Beauty”). Consider the following questions: are these presentations problematic? What do they tell us about the values and briefs of the Romantic Period? Do any of these presentations subvert (complicate, or call into questions) the time’s notions of femininity?